开封繁塔的建筑装饰艺术研究

发布时间：2018-03-25 02:38

本文选题：开封繁塔　切入点：装饰艺术造型　出处：《河南大学》2009年硕士论文

【摘要】： 在开封市的东南部,矗立着一座六面六角形的楼阁式仿木青砖佛塔,这座塔被散建的民房围在中间,因为只有三层,所以不甚突出,近观才发现塔的外壁密密麻麻的布置着神态活现,各式各样的浮雕砖佛像。这座佛塔名叫繁塔,是北宋初期由民间集资修建的佛教建筑,原为九层,历经千年,现在只剩三层。不仅塔身以精美的佛像装饰,而且内壁除了装饰石刻佛经、石刻助修繁塔捐施者祈愿文以外,也装饰了众多的佛教神灵雕像,为什么九层高的繁塔如今还余三级?为什么人们以佛像来装饰繁塔? 繁塔各类各姿的佛像装饰,集佛教思想民间信仰与一体,这些佛教诸神,也就是民间信仰的缩影。佛教对民间信仰的渗透,对中国社会产生了深远的影响。不仅影响了中国传统的伦理道德、中国哲学、文学、艺术和民间习俗,而且对社会生活的影响尤为明显。本文首先以繁塔的建造历史,剖析繁塔历经千年风雨,社会变迁,朝代的更迭,残存至今的现象,进而深入了解繁塔的建筑装饰艺术与民间信仰的关系。本文以繁塔的造型与装饰佛像的艺术特色入手,通过对佛塔、佛像的艺术形象、内涵、意义的分析,来探究民间对佛教神灵的崇拜、佛教神灵的中国化对民间社会生活产生的影响。第一部分,介绍繁塔的地理位置,繁塔的建造过程,繁塔所在的天清寺以及繁塔的历史变化进行考证。第二部分,介绍繁塔的建筑装饰艺术形式,主要装饰有砖雕和刻石。砖雕内容有佛教的神灵诸佛、菩萨、罗汉和乐伎菩萨等的造型。刻石的内容是佛经和助修繁塔题记。第三部分,探究繁塔的建筑装饰艺术与造型观念。这些造型观念所蕴涵的民间信仰。
[Abstract]:In the southeastern part of Kaifeng City stands a six-sided, hexagonal pavilion of imitated wood and green brick pagodas, surrounded by scattered houses, which are not very prominent because they have only three stories. The outside wall of the tower was densely decorated with a variety of relief brick Buddhas. The Buddhist pagoda, called the Fan Tower, was originally a nine-story Buddhist building funded by the people in the early Northern Song Dynasty. After a thousand years, it has only three stories left. Not only are the towers decorated with exquisite Buddhist statues, but also the inner walls of the pagodas, in addition to decorating the Buddhist scriptures of stone carvings, In addition to the prayer text of stone inscriptions, many Buddhist deities have also been decorated. Why does the nine-story pagoda still have three levels?... Why do people decorate the pagoda with Buddha statues? All kinds of Buddhist statues in various styles of the pagoda are decorated with Buddhist thoughts, folk beliefs and one body. These Buddhist gods are the epitome of folk beliefs. Buddhism permeates folk beliefs. It not only affects Chinese traditional ethics, Chinese philosophy, literature, art and folk customs, but also has a significant impact on social life. Based on the history of the construction of the Fanta, this paper first analyzes the phenomenon of the Fanta after thousands of years of wind and rain, social changes, the change of dynasties, and the remaining phenomenon. And then deeply understand the relationship between the architectural decorative art and folk belief. This article starts with the modeling of the pagoda and the artistic characteristics of the decorative Buddha, through the analysis of the artistic image, connotation and significance of the pagoda and the Buddha statue. To explore the folk worship of Buddhist gods, the influence of Buddhist deities in China on the life of civil society. The first part, the introduction of the geographical location of the pagoda, the construction process of the pagoda, The second part introduces the artistic form of architectural decoration of the pagoda, which is mainly decorated with brick carving and stone engraving. The content of brick carvings includes Buddhist deities, Buddhas and bodhisattvas. The content of engraving stone is Buddhist scriptures and inscriptions on helping to practice and propagating pagoda. The third part is to explore the architectural decorative art and modeling concepts of the complex pagoda and the folk beliefs contained in these modeling concepts.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：K879.1

【引证文献】