关中四合院民居装饰图案的吉祥意蕴探究

发布时间：2018-03-28 07:22

本文选题：四合院　切入点：装饰图案　出处：《西安美术学院》2012年硕士论文

【摘要】：关中地区的四合院民居作为当地特定环境下的“上层建筑”,是陕西乃至北方建筑的典型代表,其布局严谨、宏伟大气、用料考究,并多以高浮雕的艺术形式在屋顶、墙面、照壁、门窗、门楼、柱础等位置装饰精美图案,内容造型丰富饱满、雕工细腻、生动逼真、繁简适度,是北方民居建筑装饰的典型代表。关中地区现存的四合院民居几乎全为明清建筑,处于吉祥图案的普及繁荣期,基本能反映出明清时期民居装饰中的吉祥文化特征,具有很高的美学价值和民俗文化价值,较为全面的反映了关中民众所追求的人生理想和精神寄托。文章从关中地区自然人文环境与传统民居建筑的关系入手,介绍了关中四合院民居装饰观念及艺术表现手法,梳理了传统民居建筑中吉祥图案的起源与传承性,着重对关中四合院民居中所装饰的吉祥纹样的分布、造型与题材进行了归类与分析；进而论述了关中四合院民居装饰艺术中图案所蕴含的吉祥观念,结合关中四合院民居内具有代表性的图案从生命观、生活观和人格追求几个方面进行剖析,进一步验证了关中四合院民居中装饰图案的“吉祥”主题。这些吉祥图案不仅体现了关中民众对生命现象的崇拜、对知识学问的探索,对耕读传家的理解,而且也是关中民众对自己人生理想和家族命运的主动谋划。其中也饱含着儒释道三家思想的相互渗透、融合、吸收,更加维系了吉祥图案的文化传承与发展。本课题的研究,一方面,可探知吉祥图案所蕴含的民众生活理想和民俗文化,另一方面,为我们在现代艺术设计中运用吉祥图案提供相应理论支撑,具有十分重要的理论和现实意义。
[Abstract]:As the "superstructure" of the local special environment, the courtyard houses in Guanzhong area are typical representatives of the buildings in Shaanxi and even in the north. Their layout is rigorous, magnificent, the materials are fine, and most of them are in the form of high-relief art on the roofs and walls. According to the wall, doors and windows, gateways, pillars, and other locations decorated with exquisite patterns, rich and full content, exquisite carving, vivid lifelike, moderate complexity, The existing quadrangle houses in the Guanzhong area are almost all Ming and Qing buildings, and are in the period of prosperity of auspicious patterns, which basically reflect the auspicious cultural characteristics in the decoration of folk houses in the Ming and Qing dynasties. It has high aesthetic value and folk culture value, which reflects the ideal of life and spiritual sustenance pursued by the people in Guanzhong. Starting with the relationship between the natural and humanistic environment in Guanzhong area and the traditional residential buildings, this paper introduces the decoration concept and artistic expression techniques of Guanzhong quadrangle houses, and combs the origin and inheritance of auspicious patterns in the traditional residential buildings. The distribution, modeling and subject matter of auspicious patterns in Guanzhong quadrangle houses are classified and analyzed, and the auspicious conception of patterns in decoration art of Guanzhong quadrangle houses is discussed. In combination with the representative patterns in the Guanzhong quadrangle dwelling, it is analyzed from the view of life, the view of life and the pursuit of personality. It further verifies the "auspicious" theme of the decorative patterns in the Guanzhong courtyard houses. These auspicious patterns not only reflect the people's worship of life phenomena, the exploration of knowledge and knowledge, and the understanding of farming, reading and spreading families. It is also the initiative of the people of Guanzhong to plan their own ideals of life and the fate of their families. Among them, there are also three thoughts of Confucianism, Buddhism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Taoism, Tao@@. On the one hand, we can find out the ideal of people's life and folk culture contained in auspicious patterns. On the other hand, it is of great theoretical and practical significance for us to use auspicious patterns in modern art design.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J525

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