中国古代陶瓷梅瓶造型与装饰研究

发布时间：2018-03-28 15:39

本文选题：古代陶瓷梅瓶　切入点：艺术特征　出处：《湖南工业大学》2010年硕士论文

【摘要】：“梅瓶”是中国古瓷中常见的,对具有小口、短颈、丰肩、收腹、窄胫等造型特点的陶瓷器物的统称。它是中国传统陶瓷器型中富有浓郁民族文化特色的一个代表。有人以为它原来只不过是一种普通“的盛酒器”,没有太多的研究价值。但正是这类人们熟视无睹的东西,深其处潜藏着许多人们无意识的文化共识。通过它,我们可以清晰地看,到先民们在它身上记录的生存经验和文化认识,也感受到先民们表达的情感或寄托的思想。并且梅瓶在悠久的中国陶瓷史发展过程中,能一直保持自己的特色,受人们的赞赏,已经无声地证明了它的艺术价。值分别由契丹族、女真族和党项族先后建立的辽、金、西夏王朝在中国历史上是与宋王朝同时并存的,所以本文所论述的对象主要指、宋元及明清这几个时代的陶瓷梅瓶。本文通过在中国古代陶瓷梅瓶的认识框架中,对中国古代陶瓷梅瓶造型与装饰艺术特征的发展作延续性的考察,由此来分析中国古代陶瓷梅瓶艺术风格的成因及其所包含的文化特质。旨在通过中国古代陶瓷梅瓶的发展规律中所体现的艺术创作追随时尚精神和文化背景的审美共性,对现在陶瓷艺术创作中“个性”宣扬的一种平衡认识。
[Abstract]:"Mei bottle" is common in ancient Chinese porcelain. It has a small mouth, short neck, abundant shoulders, and abdomen. It is a representative of the rich national cultural characteristics of Chinese traditional ceramic ware. Some people think that it was just a common "wine ware", not too much research. Of value. But it is this kind of thing that people turn a blind eye to, There is a lot of unconscious cultural consensus hidden in it. Through it, we can clearly see the living experience and cultural understanding recorded by the ancestors on it. I also felt the emotion expressed by the ancestors or the thought of sustenance. In the long history of the development of Chinese ceramics, Mei bottle was able to keep its own characteristics all the time. By people's appreciation, it has been silently proved its artistic value. The Liao, Jin and Xixia dynasties, respectively established by Qidan, Jurchen and Dangxiang ethnic groups, coexist with the Song Dynasty in Chinese history, so the objects discussed in this paper mainly refer to, Ceramic plum bottles of the Song, Yuan and Ming and Qing dynasties. In the framework of the understanding of the ancient Chinese ceramic plum bottles, this paper makes a continuous investigation on the development of the shape and decorative art features of the ancient Chinese ceramic plum bottles. This paper analyzes the causes of the artistic style of ancient Chinese ceramic plum bottles and their cultural characteristics. The purpose of this paper is to analyze the aesthetic commonness of artistic creation following the spirit of fashion and cultural background, which is embodied in the development law of ancient Chinese ceramic plum bottles. To the present ceramic art creation "individuality" propagandizes a kind of balanced understanding.
【学位授予单位】：湖南工业大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K876.3

【引证文献】