现代漆画工艺特性研究

发布时间：2018-03-30 14:42

本文选题：漆艺　切入点：装饰　出处：《延边大学》2015年硕士论文

【摘要】：从事物发展角度来看时代的发展,中国漆画的一定要走出封闭误区,用发展的眼光看待。现代漆画在艺术界一个新兴的画种形式,并在当今多元素时代迅速的发展。但通过学习与研究发现中国漆画源于中国,而现代漆画却昌盛于我国南方地区作为小工艺画中小范围发展传播。这是也北方漆工艺得以发展的最大障碍,但并不代表北方没有发展漆工艺的空间,漆工艺的历史起源于中国,具有中国特色的现代漆工艺文化题材多以南方人文地理元素为主,从漆工艺的艺术语言角度分析漆艺文化持续发展的空间,现代中国漆画题材的运用中,花鸟鱼虫是最典型的主题要素,这和中国南方人文环境因素、历史发展因素有着密切的关系,这类题材只能代表我国北方地域文化,但是中国几千年文化遍布全国,以上题材并不能代表整个中国文化,比如北方得飞禽走兽,豪放的壮丽山河也都是漆工艺艺术题材需要发掘的重要元素,这也是为什么漆工艺源于中国却昌盛于日本越南的原因之一。另一个重要原因是如何使漆工艺从小众小范围的工艺变成全民化,其做典型的是日本,日本在漆器真正做到了由艺术品转化为日常用品装饰,这是漆文化得以弘扬的关键。所以北方漆工艺持续发展的空间是非常巨大广泛的。本人的论文通过对古代漆工艺的艺术语言、缘起、与华夏历史文化之间关系对世界的影响,以漆工艺特性在中国北方外界条件下传播发展等方面进行研究,通过在福建福州等地实践研究以及回到北方认真分析我国北方漆工艺画家作品的分析,对漆画工艺特有关的因素进行性详细研究和创新,得出了自己的一些见解,希望能够抛砖引玉,为中国现代漆工艺的发展以及北方漆工艺的制作做出一些渺小贡献。
[Abstract]:Looking at the development of the times from the point of view of the development of things, the Chinese lacquer painting must go out of the closed misunderstanding and look at it from the perspective of development.Modern lacquer painting is a new form of painting in the art world and has developed rapidly in the multi-element era.But through study and research, it is found that Chinese lacquer painting originates from China, while modern lacquer painting flourishes in southern China as a medium and small scale development and spread of small craft painting.This is also the biggest obstacle to the development of the northern lacquer process, but it does not mean that there is no room for the development of the lacquer process in the north. The history of the lacquer process originated in China, and the cultural themes of the modern lacquer technology with Chinese characteristics are dominated by the cultural elements of the humanities and geography of the South.From the angle of artistic language of lacquer technology, this paper analyzes the space of sustainable development of lacquer art culture. In the application of modern Chinese lacquer painting subject matter, the flower, bird, fish and insect are the most typical theme elements, and the humanistic environmental factors of southern China.Historical development factors are closely related. Such subjects can only represent the regional culture of northern China, but Chinese culture has spread all over the country for thousands of years. The above themes do not represent the whole Chinese culture, such as birds and beasts in the north.Bold magnificent mountains and rivers are also important elements of lacquer art subject matter to be explored, which is one of the reasons why lacquer art originated from China but flourished in Japan and Vietnam.Another important reason is how to change the lacquer process from a small group to a national one, which is typical of Japan, where the lacquer ware is truly transformed from art to everyday decoration, which is the key to the development of lacquer culture.So the space for sustainable development of the northern lacquer process is very large and extensive.My thesis studies the artistic language of ancient lacquer technology, its origin, the influence of the relationship with Chinese history and culture on the world, and the spread and development of lacquer technology characteristics under the external conditions of northern China.Through practical research in Fujian, Fuzhou and other places, and returning to the north to analyze the painters' works in the northern part of our country, the paper makes a detailed and progressive study and innovation on the factors related to the lacquer painting craft, and draws some opinions of its own.Hope to throw a brick to attract jade, for the development of modern Chinese lacquer technology and the production of northern lacquer technology to make some small contributions.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J213.9

【参考文献】