红山彩陶纹样在蒙古族家具装饰设计中的应用研究

发布时间：2018-04-03 19:55

本文选题：红山彩陶纹样　切入点：蒙古族家具　出处：《中南林业科技大学》2013年硕士论文

【摘要】：红山彩陶纹样是北方游牧先民在日常生活中生产和发展而来的,其种类众多,样式精美,题材丰富,构思灵妙,具有典丽、古朴、大气、浑厚的艺术风格和丰富的设计表现力。研究红山彩陶纹样,对于传承本民族深厚文化和精神具有重要的意义。本文以红山彩陶纹样作为研究对象,在借鉴前人的研究成果及形式美法则的基础上,对红山彩陶纹样的演变历程、文化内涵和艺术特征等进行探讨。研究表明红山彩陶纹样经历了从早期赵宝沟文化到晚期夏家店下层文化,时间跨度长达近三千年之久。在如此漫漫的历史长河里,彩陶纹样也随着文化的变迁,经历着造型由具象写实到抽象写意、内涵由对自然的热爱发展为宗教信仰和图腾崇拜、艺术形式从单一零散到多变统一的转变。结合文献资料和图形影像分析,从演变规律、蕴涵意义等角度出发,对红山彩陶纹样中的典型纹样进行了分类总结,认为彩陶纹样可分为自然纹样和几何纹样等多种纹样形式。通过实地调研蒙古族家具,认为现代风格的蒙古族家具有着普遍性、双重性和地域性的特点。同时,以当代审美观的视角将红山彩陶纹样进行归纳总结、抽象简化、分解重构和夸张美化等创新提炼,探索了纹样在家具设计中的色彩方法和纹样装饰的应用方式。
[Abstract]:The painted pottery pattern and the northern nomadic ancestors production in daily life and the development of its variety, exquisite style, rich themes, ideas with elegance, ethereal, simplicity, the atmosphere, and artistic style and rich expressive force. The design of the painted pottery pattern, is of great significance for inheriting the national deep the culture and spirit.
In this paper, the painted pottery pattern as the research object, on the basis of research results and the formal beauty of the predecessors, the evolution of Hongshan pottery patterns, discusses the cultural connotation and artistic characteristics. Studies show that Hongshan pottery patterns experienced from early to late Zhao Bao Gou the Lower Xiajiadian Culture, time span for nearly three thousand years. In such a long history, also painted pottery pattern as the culture changes, experiencing the other from representational realism to abstract freehand, meaning by the love of the nature for the development of religion and totem worship, art form change from single scattered to variable unity. According to literature data and graphic analysis from the image, evolution, connotation of the typical patterns Hongshan pottery patterns were classified, that pottery patterns can be divided into natural patterns and geometric patterns Like other forms of patterns. Through the investigation of Mongolian furniture, modern style of Mongolian furniture has universality, duality and regional characteristics. At the same time, with the modern aesthetic view of the Hongshan pottery patterns are summarized, simplified, decomposition and reconstruction and exaggerated beautification innovation refinement, explore patterns in the design of furniture color method and decorative patterns for application.

【学位授予单位】：中南林业科技大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TS664.01;J522

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