铜鼓装饰造型及其在现代设计中应用的研究

发布时间：2018-04-09 07:23

本文选题：铜鼓　切入点：装饰造型　出处：《昆明理工大学》2008年硕士论文

【摘要】： 装饰,作为人类生活和观念意识所释放的产物,是人类文化历史的重要组成部分,是人类在不同的社会和历史时期的思想情感及内在信仰的自然反映,也是人类造物和审美历史的见证。铜鼓已有2700多年的历史,是一种集冶炼、铸造、雕刻、绘画、装饰、音乐、舞蹈、宗教于一身的西南民族文化的物质载体形式,具有地方性、民族性、代表性,是乐器、礼器、财富和权力的象征。铜鼓装饰造型伴随着铜鼓的发生而发展,它是实用与审美的结合,技术与艺术的结合,造型与装饰的高度统一,是中国西南少数民族先民的生产生活、民族习俗、图腾崇拜、价值观念等方面的真实写照,也是西南少数民族先民文化艺术形态和思想意识的具象或抽象的再现。铜鼓装饰造型以其秩序化、规律化、程式化、理想化的形式表达事物,形成了合乎人类审美需求的形态。当前,铜鼓文化的研究领域在不断地拓展,涉及冶金学、考古学、民族学、语言学、文化人类学、艺术学等领域。然而,对铜鼓装饰造型的研究还有待于深入,特别是对铜鼓装饰造型在现代设计中运用的深入研究,有利于铜鼓文化的传承和发展。研究主要运用秩序感装饰艺术理论,首先对铜鼓的分布、分类、起源地、起源物等进行了综述,重点探讨了铜鼓装饰造型的特征、铜鼓装饰造型的形式美法则和铜鼓装饰造型在现代设计中的应用。通过从铜鼓的整体造型、平面装饰造型、立体装饰造型及造型的流变几方面,分析铜鼓装饰造型对自然秩序、社会秩序、心理秩序三种秩序形式的感知,探讨铜鼓装饰造型内在的秩序性特征;运用秩序感装饰艺术理论对装饰效果的分析方法,分析铜鼓装饰造型的形式美,探讨铜鼓装饰造型外在的秩序性;运用秩序感装饰艺术理论中“习惯势力”的视知觉原理,探讨铜鼓装饰造型在现代设计中的仿样与比喻、象征符号化等应用方法和工艺品、景观设计等设计领域,以利于促进铜鼓文化的传承和发展。
[Abstract]:Decoration, as a product of human life and concept consciousness, is an important part of human culture and history, and a natural reflection of human thoughts, feelings and internal beliefs in different social and historical periods.It is also the witness of human creation and aesthetic history.The bronze drum has a history of more than 2700 years. It is a kind of material carrier form of southwest national culture which integrates smelting, casting, carving, painting, decoration, music, dance and religion.A symbol of wealth and power.The decorative modeling of bronze drum develops with the occurrence of bronze drum. It is the combination of practical and aesthetic, the combination of technology and art, and the high unity of modeling and decoration. It is the production and life, national custom, totem worship of the ancestors of ethnic minorities in southwest China.The true portrayal of values is also the concrete or abstract representation of the cultural and artistic forms and ideology of the ancestors of the southwest ethnic minorities.The orderlization, regularity, stylization and idealization of the bronze drum decorative form express things and form the form that conforms to the human aesthetic demand.At present, the research field of Tonggu culture is expanding, including metallurgy, archaeology, ethnology, linguistics, cultural anthropology, art and so on.However, the research on the decorative modeling of copper drum still needs to be further studied, especially the in-depth study on the application of the decorative modeling in modern design, which is conducive to the inheritance and development of bronze drum culture.The research mainly uses the theory of orderliness and decorating art. Firstly, it summarizes the distribution, classification, origin, origin and so on of the copper drum, especially discusses the characteristics of the decorative modeling of the bronze drum.The rule of formal beauty of bronze drum decorative modeling and its application in modern design.This paper analyzes the perception of the natural order, social order and psychological order of the bronze drum decoration modeling from the aspects of the integral modeling, the plane decoration modeling, the stereoscopic decoration modeling and the evolution of the shape of the bronze drum, and analyzes the perception of the bronze drum decoration modeling to the natural order, the social order and the psychological order.This paper probes into the inherent order characteristics of bronze drum decorative modeling, analyzes the formal beauty of bronze drum decorative modeling and discusses the external orderliness of copper drum decoration modeling by using the theory of orderliness and decoration art theory to analyze the decorative effect of copper drum.Based on the visual perception principle of "habit force" in the theory of order-sense decorative art, this paper probes into the application methods of bronze drum decorative modeling in modern design, such as imitation and metaphor, symbolization and symbolization, as well as the fields of design, such as handicrafts, landscape design, etc.In order to promote the transmission and development of bronze drum culture.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J506

【引证文献】