沁阳清真北大寺的装饰艺术研究

发布时间：2018-04-10 01:33

本文选题：沁阳清真北大寺　切入点：装饰艺术　出处：《河南师范大学》2017年硕士论文

【摘要】：我国伊斯兰教清真寺的传统建筑,在伊斯兰装饰艺术技法的基础上,充分融入了中国木结构建筑及装饰艺术的精髓,夹杂着封建等级制度及观念的约束和发展,形成了极具特色的中国清真寺的建筑风格及装饰艺术。这种双重文化架构下所呈现的特殊艺术,是我国回汉各族人民共同创造的见证和智慧的结晶。在我国实施“一带一路”国际战略的背景下,对其建筑风格和装饰艺术所具有的历史价值、文化价值和艺术价值等进行深入探讨和研究,具有重要的现实意义。沁阳清真北大寺是中原地区较早的清真寺之一,其建筑雄伟,独具特色,虽经历代多次进行修葺,但整体保存完整。其特殊的装饰风格深受伊斯兰文化和中国传统文化的双重影响,体现了文化的兼容并蓄。本文旨在通过对沁阳清真北大寺建筑装饰艺术进行个案分析,在其建筑历史的基础上,结合中国元、明、清时期建筑的装饰艺术风格,对其装饰艺术特征中的题材、形式和表现手法等进行剖析,从而在我国伊斯兰建筑的宝库中,厘清其装饰艺术中所呈现的人文气息和文化脉络,体现了我国各民族和谐共处、繁荣发展的文化内涵。本文首先从中国传统清真寺装饰艺术入手,从而过渡到沁阳清真北大寺的历史概况及装饰艺术现状。其次,依次通过对琉璃、彩绘、石雕、斗拱等装饰艺术形式来体现沁阳清真北大寺建筑装饰艺术的形态及特征。最后,深入挖掘沁阳清真北大寺装饰艺术中所蕴含的文化底蕴。
[Abstract]:The traditional architecture of Islamic mosques in China, based on the techniques of Islamic decorative art, fully integrates the essence of Chinese wooden structure architecture and decorative art, and combines the restraint and development of feudal hierarchy system and ideas.Has formed the extremely characteristic Chinese mosque's architectural style and the decoration art.The special art presented under this double-cultural framework is a witness and a crystallization of wisdom created by the people of all nationalities in China.Under the background of carrying out the international strategy of "Belt and Road" in our country, it is of great practical significance to probe into and study the historical value, cultural value and artistic value of the architectural style and decorative art.Qinyang Qingzhen Beida Temple is one of the earlier mosques in the Central Plains. Its architecture is magnificent and unique, although it has been repaired many times in the past dynasties, but it has been preserved as a whole.Its special decorative style is deeply influenced by Islamic culture and Chinese traditional culture, which embodies the cultural inclusiveness.The purpose of this paper is to analyze the architectural decoration art of Qingyang Qingzhen Beida Temple by case study, on the basis of its architectural history, combining the decorative art style of architecture in the Yuan, Ming and Qing dynasties of China, as well as the themes of its decorative art features.Through analyzing the form and expression techniques, we can clarify the humanistic atmosphere and cultural context in the decorative art of Islamic architecture in our country, and embody the cultural connotation of harmonious coexistence and prosperous development of all ethnic groups in our country.This article starts with the Chinese traditional mosques decoration art, thus transition to Qinyang Qingzhen Beida Temple history and decorative art status.Secondly, through the decorative art form of glaze, color painting, stone carving, Dougong and so on, it reflects the form and characteristics of architectural decoration art of Qinyang halal Beida Temple.Finally, the deep excavation Qinyang halal Peking Temple decoration art contained in the cultural background.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TU252

【参考文献】