论明代瓷器的造型和装饰设计

发布时间：2018-04-11 16:35

本文选题：明代瓷器 + 装饰设计　；参考：《装饰》1998年01期

【摘要】：正中国古代瓷器自从在东汉末年发明以来,历经一千多年,其间经过三国两晋南北朝和隋唐的发展时期、宋代的黄金时期,到了明代,瓷器设计和制作,已经达到了高峰时期。尽管有不少陶瓷研究的专家、学者认为,中国古代瓷器的高峰时期是清代的康熙、雍正、乾隆三朝,而笔者却认为,明代是中国古代瓷器的高峰时期,其理由主要有三点:1.作为中国古代瓷器的杰出代表——青花瓷,在明代已经达到了很高水平。而清代的青花瓷,不论是在设计方面,还是制作方面,并没有超过明代的青花瓷。2.从造型设计的角度来看,明代不仅瓷器的种类十分丰富,造型优美成熟,而且实现了瓷器设计的一个重大突破,即成套组合系列化的设计。3.从装饰设计的角度来看,明代已经解决了瓷器装饰的一个最大难题——釉上彩绘。而清代釉上彩绘,只是明代的延续。虽然在釉上彩的一些工艺和技法方面,清代康、雍、乾三朝有所发展,但毕竟釉上彩绘这个难题,主要是在明代解决的;而且从整体来看,清代瓷器的造型和装饰设计,是失多于得,已走入了设计的歧途和误区。
[Abstract]:Since the invention of ancient Chinese porcelain in the late Eastern Han Dynasty, it has gone through more than a thousand years, during the development period of the three Kingdoms, Jin, Southern and Northern dynasties and Sui and Tang dynasties, the golden period of Song Dynasty, and the Ming Dynasty, when the porcelain was designed and made.The peak has been reached.Although there are many ceramic research experts, scholars believe that the peak period of ancient Chinese porcelain is the Qing Dynasty Kangxi, Yongzheng, Qianlong three dynasties, but the author thinks that the Ming Dynasty is the peak period of ancient Chinese porcelain, the main reason is 3: 1.As an outstanding representative of ancient Chinese porcelain-blue and white porcelain, in the Ming Dynasty has reached a very high level.And the Qing Dynasty blue and white porcelain, whether in the design, or the production, and not more than Ming Dynasty blue and white porcelain. 2.From the point of view of modeling design, the Ming Dynasty not only has a rich variety of porcelain, beautiful and mature shape, but also realized a major breakthrough in porcelain design, that is, the complete set of combination series design. 3.From the point of view of decoration design, Ming Dynasty has solved one of the biggest problems of porcelain decoration-glaze painted.And the Qing Dynasty glaze painted, only the continuation of the Ming Dynasty.Although the Qing Dynasty, Kang, Yong, and Qian dynasties have developed some techniques and techniques for glaze painting, the problem of glaze painting was mainly solved in the Ming Dynasty. Moreover, from the overall point of view, the modeling and decorative design of the porcelain in the Qing Dynasty.Loss is more than gain, has gone into the design of the wrong path and error.
【作者单位】：海南大学艺术学院设计系
【分类号】：J527

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