滇文化青铜器具象装饰初步研究

发布时间：2018-04-13 09:15

本文选题：滇文化 + 具象装饰　；参考：《四川大学》2006年硕士论文

【摘要】：滇文化青铜器自发现以来，就以其精湛的铸造工艺和独特的民族风格引起了广泛关注，它们在中国青铜器发展史留下了重要而绚烂的一页。滇文化青铜器的特色之一，就是那些雕铸于器物上的众多人物、动物图像，本文将其统称为“具象装饰”。它们是古代滇民族物质文化和精神文化的真实再现，为我们了解滇国社会的历史风貌提供了最直观的史料。近年来，对滇文化青铜器具象装饰的研究已取得了很多成果，但到目前为止还缺少对它们整体的论述和系统的梳理，本文期望在前人研究的基础上，弥补这一空白。基于此，本文首先将滇文化青铜器的动物和人物装饰纳入一个体系中来进行考古类型学的研究，，力求建立起滇文化具象装饰的时代发展序列，探讨它的发展历程和阶段特征。其次，利用图像学与民族学等方法，考释几类主要母题的象征意义，从中了解具象装饰所反映的滇人的思想信仰和审美观念。并结合与北方系青铜艺术的一些比较，探讨具象装饰在滇文化中兴起的内外因。最后，考察具象装饰的使用人群。并从使用者主观愿望的角度出发，得出滇文化具象装饰具有区分等级和政治礼教的功能。
[Abstract]:Since the discovery of bronze ware in Yunnan culture, it has attracted extensive attention for its exquisite casting technology and unique national style, and they have left an important and splendid page in the history of the development of Chinese bronzes.One of the characteristics of bronze ware in Yunnan culture is that many figures, animal images, which are carved on the objects, are called "figurative decoration" in this paper.They are the real reappearance of the material culture and spiritual culture of the ancient Dian nationality and provide us with the most intuitionistic historical data for us to understand the historical features of the Dian state society.In recent years, many achievements have been made in the study of bronze figurative decoration in Yunnan culture, but up to now there is still a lack of discussion on them and a systematic combing. This paper hopes to make up this blank on the basis of previous studies.Based on this, this paper firstly studies the archaeological typology by incorporating animal and character decoration of bronze ware of Yunnan culture into a system, in order to establish the development sequence of Yunnan culture figurative decoration, and to discuss its development course and stage characteristics.Secondly, the symbolic meaning of several main motifs is studied by using the methods of pictorial and ethnology, so as to understand the thoughts, beliefs and aesthetic concepts of the Yunnan people reflected by the figurative decoration.Combined with the comparison of bronze art in the north, this paper discusses the internal and external causes of the emergence of figurative decoration in Yunnan culture.Finally, the use of figurative decoration crowd is investigated.From the angle of the user's subjective desire, it is concluded that the concrete decoration of Yunnan culture has the function of differentiating the rank from the political etiquette.
【学位授予单位】：四川大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：K876.41

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