论山西古建筑中的琉璃装饰

发布时间：2018-04-13 16:56

本文选题：山西古建筑 + 琉璃装饰　；参考：《山西大学》2007年硕士论文

【摘要】： 山西的琉璃艺术，有着悠久的历史。1500年来，山西琉璃业相承不衰，历代都留下许多优秀作品。其分布之广，匠师之多，技艺之精，在全国居于首位。山西琉璃艺术有着辉煌的成就，堪称是一座文化、艺术的宝库。古建筑中的琉璃装饰是琉璃艺术中成就最高者。而现今对于山西古建筑琉璃艺术与其文化属性的研究、探讨还相对较少，本文即意在对此有所深入。论文大致分为三个章节：第一章概括地介绍琉璃的产生及其发展历程。以历史发展为轴线，从琉璃的缘起到北魏开始用于建筑装饰，，又经过了唐、宋、元的发展，到明清时期发展到了顶峰，经历了一个由低级到高级，由简单到复杂的过程。在这个过程中，琉璃艺术和所处时代的政治、文化、宗教等诸因素相结合，从而展现出了具有本时代特征的装饰艺术风格；第二章重点介绍山西古建筑琉璃的装饰形式，主要体现在脊饰、琉璃塔、牌坊、照壁等装饰上。脊饰主要从正脊、正吻、垂脊与戗脊等几个部位来阐述。琉璃塔的装饰主要集中在塔壁和塔内的附属构件上。牌坊、照壁也是大量施用琉璃装饰的重要建筑物。在论述中通过实例，对琉璃的造型、色彩、装饰纹样的特点、历史传承及其发展演变展开分析，充分展现了山西古建筑琉璃装饰艺术的独特风貌。第三个章节从琉璃与色彩、琉璃与佛教文化、琉璃与龙凤文化、琉璃与地方民俗文化四个方面来阐述琉璃在古建筑装饰中的审美文化内涵。本文采用了实证法、比较法、分析法、归纳法等方法，通过对山西古建筑琉璃装饰的源起、色彩、造型、传承发展及审美文化内涵展开论述，以求较为深入地展现其所具有的文化底蕴及其装饰美感。
[Abstract]:Shanxi's glaze art has a long history. Since 1500 years, Shanxi glaze industry has survived, leaving behind many excellent works.Its wide distribution, the number of craftsmen, the fine skills, in the first place in the country.Shanxi glaze art has brilliant achievements, can be called a culture, art treasure house.The glaze decoration in the ancient architecture is the highest achievement in the art of glaze.However, the research on the art of ancient architecture and its cultural attributes in Shanxi is relatively rare, this paper is intended to go deep into this.The thesis is divided into three chapters: the first chapter introduces the emergence and development of glass.With the historical development as the axis, from the origin of glaze to the Northern Wei Dynasty began to be used for architectural decoration, and through the development of Tang, Song and Yuan dynasties, to the Ming and Qing dynasties to the peak, experienced a process from low to high, from simple to complex.In this process, the art of glazed glaze combined with the political, cultural, religious and other factors of the era, thus showing the decorative art style with the characteristics of this era;The second chapter focuses on the decorative forms of Shanxi ancient architecture glaze, mainly reflected in ridge decoration, glass pagoda, archway, Zhaowei decoration.Ridge ornaments mainly from the ridge, kiss, vertical ridge and crest and other parts to elaborate.The decoration of glazed glaze pagoda is mainly concentrated on the tower wall and the attached components inside the tower.Archway, according to the wall is also a large number of glass decoration of the important buildings.In this paper, the characteristics, historical inheritance and development of glazed glaze are analyzed through examples, which fully show the unique style of decorative art of ancient architecture in Shanxi Province.The third chapter expounds the aesthetic cultural connotation of glaze in ancient architectural decoration from four aspects: glaze and color, glaze and Buddhist culture, glass and dragon and Phoenix culture, glass and local folk culture.This paper adopts the methods of positivism, comparison, analysis, induction and so on, and discusses the origin, color, modeling, inheritance, development and aesthetic cultural connotation of the glaze decoration of ancient buildings in Shanxi.In order to more in-depth show its cultural heritage and decorative aesthetic sense.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：TU238;TU-80

【引证文献】