清代建筑与装饰文化审美观研究

发布时间：2018-04-15 15:31

本文选题：中国清代 + 建筑装饰　；参考：《东北林业大学》2011年硕士论文

【摘要】：对于美的追求是人类与生俱来的本能表现,人们不难寻找人类先民追求美的情感与理想的意识与现象,这种意识态度是自发的、非自觉的,而审美体验过程的累积,便形成审美法则。审美内容随时代的推进而丰富,在时间历程的梳理后形成审美意识文化,并作用于审美主体意识的形成。本文通过中国清代建筑及装饰的考察、研究,结合中国传统精神文化,透过清代建筑与装饰现象研究审美主体意识的发展进程规律,并总结出审美的阶段性认识观念。在本论文的第一、二章阐释论文研究的目的、意义和审美的一般内容,提出阶段性审美本质的概念,阐释审美体验中绝对意义上的本质内涵是不存在的,明确提出审美意识的动态观念,论证审美认识具有过去性、现存性的双重特征,对其总结形成审美观念具有一贯性和过程性的特点。文化,是一个多层次的概念,即意识文化与物质文化的复杂性,二者相互制约,辩证的存在,通过对表层物质文化、中层制度文化的研究与总结,集中研究深层的中国传统精神文化对审美意识的传承内容的影响,总结中国传统精神文化博大精深内涵的主体是儒、道、释精神文化的延伸,也是本文定义的“静态审美”的基本内容,本文对其研究旨在解释建筑与装饰审美文化构建的精神根基、传承内容和影响,并从而提出和论证“动态审美”观念的内容与形式。由“静态审美”与“动态审美”的观念出发,对清代建筑及装饰形象的搜集、研究,归纳清代建筑及装饰的审美观念,总结研究清代特有的政治制度、经济制度、文化制度内容及其主要作用,分析其作用于审美观念的内容。“静、动态审美”观念对审美主体意识形成的基础性作用导致清代建筑与装饰审美形成延续的和特有的观念内涵,本文对其研究并得出清代建筑与装饰审美具有内向、奢侈、自然、守中、精简等审美认识观。当前,对审美意识的动态性内容研究相对较少,对于艺术审美活动的中意识层面的研究较多的集中在哲学领域并较多的确认为审美本质具有永恒的观念和价值论,而在设计艺术学的传授与实践当中则更多的关注物质文化内容的演化,因此,本文以清代建筑与装饰内容为题,试图透过物质文化内容演化的现象研究审美意识发展的动态进程和阶段性观念内容,揭示审美观念内涵的非永恒性,并通过研究总结其形成的基础性观念,对当代艺术发展和艺术教学提供有价值的认识思路。
[Abstract]:The pursuit of beauty is the innate expression of human instinct. It is not difficult for people to find the consciousness and phenomenon of human ancestors' pursuit of beauty. This kind of consciousness and attitude is spontaneous, unconsciously, and accumulates in the process of aesthetic experience.Then form the aesthetic law.The aesthetic content is rich with the advance of the times, and forms the culture of aesthetic consciousness after combing the course of time, and acts on the formation of the consciousness of aesthetic subject.Through the investigation and study of architecture and decoration in Qing Dynasty, this paper studies the development law of aesthetic subject consciousness through the phenomenon of architecture and decoration in Qing Dynasty, combining with Chinese traditional spiritual culture, and sums up the stage cognition concept of aesthetics.In the first and second chapters of this paper, the purpose, meaning and general content of the thesis are explained, and the concept of the stage aesthetic essence is put forward, and the essential connotation in the absolute meaning of the aesthetic experience is explained.This paper puts forward the dynamic concept of aesthetic consciousness, proves that aesthetic cognition has the dual characteristics of past and extant, and has the characteristics of consistency and process to sum up and form aesthetic concept.Culture is a multi-level concept, that is, the complexity of consciousness culture and material culture, the mutual restriction and dialectical existence of the two, through the research and summary of the surface material culture and the middle-level system culture,Focusing on the influence of deep Chinese traditional spiritual culture on the inheritance of aesthetic consciousness, the author summarizes that the main body of Chinese traditional spiritual culture is the extension of Confucian, Taoist and Buddhist spiritual culture.It is also the basic content of "static aesthetics" defined in this paper. The purpose of this study is to explain the spiritual foundation of the construction of architectural and decorative aesthetic culture, to inherit the content and influence, and to put forward and demonstrate the content and form of the concept of "dynamic aesthetic".Starting from the concepts of "static aesthetics" and "dynamic aesthetics", this paper collects and studies the architectural and decorative images of the Qing Dynasty, sums up the aesthetic concepts of the architecture and decoration of the Qing Dynasty, sums up and studies the special political and economic systems of the Qing Dynasty.The content of cultural system and its main function are analyzed.The basic effect of the concept of "static and dynamic aesthetics" on the formation of aesthetic subject consciousness leads to the continuation and special concept connotation of architectural and decorative aesthetics in Qing Dynasty. This paper studies the concept and concludes that the aesthetics of architecture and decoration in Qing Dynasty has the characteristics of introversion and luxury.Nature, guard in, concise and other aesthetic cognition view.At present, there are relatively few studies on the dynamic content of aesthetic consciousness, and more researches on the level of consciousness in artistic aesthetic activities are concentrated in the field of philosophy and more do think that the essence of aesthetics has eternal ideas and theories of value.In the teaching and practice of design art, more attention is paid to the evolution of material and cultural content. Therefore, this paper focuses on the architectural and decorative contents of the Qing Dynasty.This paper attempts to study the dynamic process of the development of aesthetic consciousness and the content of the stage concept through the phenomenon of the evolution of the material and cultural content, to reveal the non-permanence of the connotation of the aesthetic concept, and to sum up the basic ideas formed through the study.To the contemporary art development and the art teaching provides the valuable understanding train of thought.
【学位授予单位】：东北林业大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：TU-092

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