装饰艺术古今谈

发布时间：2018-04-22 18:02

本文选题：装饰艺术 + 现代派艺术　；参考：《装饰》1995年04期

【摘要】：正从石器时代的器具和彩陶艺术的发现,以及纵览古今中外各国家、地域民族、民间艺术的海洋(包括织绣、印染、剪纸、年画、玩具、木雕、石刻等),几乎无不与一定的实用功能和价值相联系.这些都雄辩地说明:装饰艺术是从实用的目的而生,又以实用物品为载体,二者是互为依存、密不可分的一个整体.前辈装饰艺术大师曾把装饰艺术喻为“戏曲艺术”,这除了因为在表现形式上二者都具有格律严谨的构成、夸张和程式化的造型语言与极具韵律节奏感的旋律外.还都具有较强的承传性质.因此在我们的装饰图案教学中,离不开广泛借鉴那些祖辈劳动者留给我们的艺术珍品,而不可能完全脱离它们去事倍功半地重新“白手起家”.以使我们的装饰艺术设计体现出深厚的民族文化底蕴和鲜明特色.同时,为了避免因袭和僵化.还必须不断从现实生活中摄取无限丰富而鲜活的美的素材,加以创造、更新;又为了不致使我们的装饰艺术落后于时代,而具有强烈的现代气息,也必然还要介绍、吸收当今世界现代派艺术的新观念与表现技法.
[Abstract]:The discovery of the implements of the stone age and the art of painted pottery, and the survey of all countries, nationalities, and folk art of ancient and modern countries and countries, including embroidery, printing and dyeing, paper cutting, year paintings, toys, wood carvings, stone carvings, etc., are almost connected with certain practical functions and values. All these eloquently illustrate that decorative art is a practical purpose. As a carrier of practical goods, the two are interdependent and inseparable as a whole. The former decorative art master used decoration art as a "opera art", in addition to the strict constitution of the two parties in the form of expression, the hyperbole and stylized language and the rhythmic rhythm of rhythmic rhythm. Therefore, in our decorative pattern teaching, we can not do without the art treasures that the ancestors of ancestors have left to us, but it is not possible to completely separate them from them to re start "from scratch" to make our decorative art design a profound national culture and distinctive features. In order to avoid attacks and fossilization, we must constantly absorb the rich and vivid beauty of the material from the real life, create and update, and in order not to cause our decorative art to lag behind the times, and have a strong modern atmosphere, it is also necessary to introduce the new ideas and techniques of modern art in the world.

【作者单位】：中央工艺美术学院
【分类号】：J509

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