楚式凤鸟漆器的造型装饰特征研究

发布时间：2018-04-23 03:00

本文选题：楚漆器 + 凤鸟　；参考：《西安美术学院》2013年硕士论文

【摘要】：春秋战国时期的楚国以顽强进取、兼容并蓄的姿态，创造出了具有强大感染力及独特人文魅力的楚文化，出于对祖先的崇敬及远古的图腾崇拜，在楚人心中占有重要地位的“凤鸟”成为了楚文化的中心母体。楚式凤鸟漆器作为楚文化遗存代表，是楚漆器和楚凤意象的完美结合，它将自由浪漫的楚艺术风格和积极进取的楚文化精神演绎得淋漓尽致；将漆器的千姿百态和凤鸟的神秘意味表现得精彩绝伦；体现了楚人高深的造型手法和独特的造型意识。本文由绪论、楚漆概况、楚凤与楚漆、楚式凤鸟漆器装饰造型特点、楚漆器造型意识对现代工艺设计的启示、结论与展望六个部分组成。由楚漆器的历史渊源出发，从自然地理和人文环境两方面探寻楚漆器兴盛起来的背景原因；纵观楚文化发展步伐，引出楚漆器的发展脉络，，通过对比不同时期胎体的变化和制作工艺的革新，来探寻工艺制作方面对凤鸟漆器造型的影响。本文将重点放在对凤鸟漆器的造型特点分析上，从楚文化中的凤鸟情结入手，分析这种情愫产生的根源和蕴含在凤鸟形象中的象征意味，探索楚人造型意识的形成原因及结构，论述了凤鸟漆器造型手法中抽象与具象、对称与自由、直线与曲线、延展与平稳、造型与器形五组关系的对立和统一，这五种对立和统一关系正是楚式凤鸟漆器的造型特点所在，其产生的多重艺术效果全面展现了楚艺术自由浪漫，洒脱豪放，惊采绝艳之美。完整的体现出了具有民族特点的造型设计理念和艺术审美风格，带来了我国漆器史上的第一次繁荣景象，为现代工艺设计带来了启示。
[Abstract]:In the Spring and Autumn period and warring States period, Chu created Chu culture with strong appeal and unique humanistic charm, out of respect for ancestors and ancient totem worship. Phoenix Bird, which plays an important role in Chu people's heart, has become the central mother of Chu culture. As the representative of Chu culture, Chu Shifeng Bird lacquer ware is the perfect combination of Chu lacquer ware and Chu Feng image, which deduces the free and romantic Chu artistic style and the positive and enterprising Chu culture spirit. The variety of lacquer ware and the mysterious meaning of Phoenix bird are shown to be brilliant, which embodies the deep styling technique and unique modeling consciousness of Chu people. This paper consists of six parts: introduction, general situation of Chu lacquer, Chu Feng and Chu lacquer, features of Chu Shifeng bird lacquer ware decoration modeling, inspiration of Chu lacquerware modeling consciousness to modern craft design, conclusion and prospect. Starting from the historical origin of Chu lacquer ware, this paper explores the background reasons for the prosperity of Chu lacquer ware from the two aspects of natural geography and human environment, and makes a general survey of the development of Chu culture, which leads to the development of Chu lacquer ware. By comparing the changes of the molds in different periods and the innovation of the manufacturing process, this paper explores the influence of the process on the modeling of the Phoenix bird lacquer ware. This paper focuses on the analysis of the styling characteristics of the Phoenix bird lacquer ware, starting with the Phoenix bird complex in Chu culture, analyzing the origin of this emotion and the symbolic meaning contained in the Phoenix bird image, and exploring the forming reason and structure of the Chu people's modeling consciousness. Abstract and concrete, symmetry and freedom, straight line and curve, extension and stability, opposition and unity of five groups of relations between modeling and shape of Phoenix bird lacquer ware are discussed. These five kinds of opposites and unified relations are exactly the features of Chu Shifeng's lacquer ware, and their multiple artistic effects fully show the free, romantic, free and unrestrained, stunning beauty of Chu's art. The complete embodiment of the national characteristics of the concept of modeling design and artistic aesthetic style, has brought the first prosperous scene in the history of lacquer ware in our country, has brought enlightenment to the modern craft design.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J527

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