山西传统民居建筑及装饰研究
发布时间:2018-04-27 04:13
本文选题:山西传统民居 + 王家大院 ; 参考:《青岛理工大学》2012年硕士论文
【摘要】:近年来,随着社会经济的高速发展,中国“城市化”进程的脚步正以大步迈进的速度改变着中国的现有面貌。这场新兴“革命”在给我国社会带来物质文明的同时,也悄悄将中国城市间的样貌逐步模糊化,使之在没有明显的地域特色界限的同时也使得公共环境、城市景观以及建筑空有抽象的形态而逐步失去了应有的精神内涵。 伴随着人民生活水平的提高,在物质需求得到满足之后,人们自身的审美要求也在发生着巨大的变化,他们不再要求周围的景观和建筑“好看”,而是开始对这些事物要求“解读”,,希望自己能够从中寻求到精神上的“养分”,渴望通过艺术与历史、社会和人达到共通和共鸣。因此,如何在“城市化”的大环境中激流勇进,从中华的传统民居文化中汲取养分、吸收特色、提取元素,以营造有特色的景观、建筑环境,已逐渐成为从事设计行业的人们研究的重点。 在中国传统民居中,山西传统民居是中国北方最具代表性的民居,所谓“北山西,南皖南”,山西传统民居的地位与中国南方民居的代表——皖南民居——是齐名并列于中国民居之首的。在明清时期,深居内陆的晋商因其勤俭自强、诚信经营而富甲海内,他们在家乡修建的深宅大院,成为中国民居文化的一笔宝贵财富。 在山西传统民居中,最具代表性的要数灵石与祁县两地。两地均因分别拥有着一座庄严华丽、肃穆精致的民居大院而闻名,是我国古代民居建筑的代表佳作。论文中,作为研究重点的山西民居建筑——乔家大院——位于晋中地区祁县东环镇乔家堡村,是山西省集中反映晋中地区民俗的博物馆。 文章在由表及里地分析了山西地区地理、历史、人文特点的基础上,分别以灵石王家大院与祁县乔家大院这两处建筑典型地体现着我国近代北方民居建筑的风格和特点的建筑群为主要案例,对山西传统民居装饰、建筑特点进行深层次的探究与剖析,由此对在设计中引入我国传统民居特色的发展提出了一些建议,希望对今后的公共环境、景观和建筑设计起到一定的参考作用。
[Abstract]:In recent years, with the rapid development of social economy, the pace of "urbanization" in China is changing the present appearance of China with the speed of stride forward. While this new "revolution" has brought material civilization to our society, it has also quietly blurred the appearance of China's cities, making it possible to make the public environment without obvious boundaries of regional characteristics. Urban landscape and architectural space has abstract form and gradually lost its spiritual connotation. With the improvement of people's living standards, after the material needs are satisfied, people's own aesthetic requirements are also undergoing great changes. They no longer require the surrounding landscape and architecture to be "good-looking". Instead, they began to "interpret" these things, hoping that they could seek spiritual "nutrients" from them and aspire to achieve common understanding and resonance through art and history, society and human beings. Therefore, how to make bold progress in the "urbanization" environment, draw nutrients from the Chinese traditional residential culture, absorb characteristics and extract elements, in order to create a distinctive landscape and architectural environment, Has gradually become the focus of research in the design industry. Among the Chinese traditional houses, Shanxi traditional dwellings are the most representative houses in the north of China, so called "North Shanxi, South Anhui". The status of Shanxi traditional residence and the representative of southern Anhui folk residence are the same name as the head of the Chinese folk residence. During the Ming and Qing dynasties, Shanxi merchants who lived inland became rich in China because of their diligence and thrift and honest management. The deep house yard they built in their hometown became a valuable wealth of Chinese residential culture. In Shanxi traditional houses, the most representative of Lingshi and Qi County. Both are famous for having a magnificent, solemn and exquisite residential compound, which is the representative work of Chinese ancient residential buildings. In this paper, the residential building of Shanxi-Qiaojia courtyard, which is the focal point of the research, is located in Qihuan Town, Qianxian, Jinzhong area. It is a folk museum in Shanxi Province, which reflects the folklore in Jinzhong area. Based on the analysis of the geographical, historical and humanistic characteristics of Shanxi from the surface to the interior, Taking the Lingshi Wangjia Courtyard and Qixian Qijia Courtyard as the main cases, the architecture groups which typically embody the style and characteristics of the modern northern folk houses in our country are used as the main cases to decorate the traditional folk houses in Shanxi. Based on the deep exploration and analysis of architectural characteristics, some suggestions are put forward to introduce the characteristics of Chinese traditional residential buildings into the design, hoping to play a certain reference role in the public environment, landscape and architectural design in the future.
【学位授予单位】:青岛理工大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:TU241.5
【参考文献】
相关期刊论文 前8条
1 高晓红;;乔家大院[J];城建档案;2009年06期
2 王金平;靳松;;晋商大院的空间与艺术特征初探[J];山西建筑;2005年22期
3 王金平;郭朝辉;;山西民居入口空间界面形式解析[J];山西建筑;2010年14期
4 孟聪龄,马军鹏;从“天人合一”谈山西传统民居的美学思想[J];建筑学报;2004年02期
5 赵迎;山西民居空间环境特色——浅析山西灵石"王家大院"[J];室内设计;2004年04期
6 王炎松,庞辉;试论传统民居的审美意境[J];武汉城市建设学院学报;2000年03期
7 徐清泉;天人合一:中国传统建筑文化的审美精神[J];新疆大学学报(哲学社会科学版);1995年02期
8 张树民;肖斌;;晋商宅院古典园林[J];中国林业;2010年16期
相关硕士学位论文 前4条
1 马军鹏;太谷县北m8曹宅建筑形态及审美分析[D];太原理工大学;2003年
2 王崇恩;山西传统民居营造技术的初探[D];太原理工大学;2003年
3 李煜;晋中大院建筑研究[D];重庆大学;2006年
4 韩朝炜;山西晋中传统民居的生态性研究[D];大连理工大学;2006年
本文编号:1809124
本文链接:https://www.wllwen.com/wenyilunwen/shinazhuanghuangshejilunwen/1809124.html