浅析马家窑彩陶的装饰纹样及文化内涵

发布时间：2018-05-05 12:57

本文选题：马家窑文化 + 彩陶　；参考：《西安美术学院》2007年硕士论文

【摘要】： 陶器是远古先民的重大发明,也是人类迈向文明门槛的见证。它充分体现了在一个漫长的历史时期内中国先民物质文化水平和丰富的精神世界。而彩陶的出现,不仅是中国陶瓷历史上灿烂辉煌的一页,而且改变了石器时代单一的审美要求,表达了先民复杂的审美感受。同时体现了中国陶器深刻的文化意蕴。在复杂纷繁的彩陶世界中,马家窑文化彩陶最为精彩,它们不仅造型优美、纹饰奇特,色彩绚丽,制作精良,而且分布广泛,数量众多,是中华文化史上璀璨的明珠。从目前发现的遗址来看,黄河流域是彩陶文化遗址最多、分布也最密集的地区,其中以仰韶文化和马家窑文化的彩陶最为丰富。马家窑文化是新石器时代黄河上游最具特征的文化,其中大量的彩陶,无论是数量上,还是形制上,在整个新石器时代都是绝无仅有的。在马家窑文化后,彩陶逐渐走向衰落。彩陶与一般陶器属性上的区别,也决定了它在功能上的不同,即它是实用性与艺术性的统一。同时彩陶的纹样以各种不同的形式及其有机组合展示了它们深刻的内涵,本文将重点研究马家窑彩陶的装饰纹样,致力于揭示其艺术特点及彩陶文化的丰富内涵。本文主要分五个部分,首先说明陶器的起源,彩陶的产生以及其文化背景,进而概述彩陶的分布情况;其次论述彩陶纹饰的起源和发展分类,即纹饰中的抽象与具象。同时揭示纹饰中可能含有的丰富意蕴;其次介绍马家窑文化的考古发现、分布范围及文化分期,论述其各个文化类型的文化特性及彩陶类型特点;介绍马家窑文化各类型彩陶在彩陶纹饰上的发展,着重论述各类型纹饰的风格特征以及彩绘色彩的运用;再次分析马家窑文化几种常见的纹饰演变及其内涵;最后从装饰艺术的角度对马家窑彩陶纹饰进行概括的分析和总结。
[Abstract]:Pottery is a great invention of ancient ancestors, but also a witness to the threshold of human civilization. It fully reflects the material and cultural level and the rich spiritual world of Chinese ancestors in a long historical period. The appearance of painted pottery is not only a glorious page in the history of Chinese ceramics, but also changes the single aesthetic requirements of the Stone Age and expresses the complex aesthetic feelings of the ancestors. At the same time, it embodies the profound cultural implication of Chinese pottery. In the complex and complicated world of colorful pottery, Majiayao culture painted pottery is the most wonderful. They are not only beautiful in shape, peculiar in pattern, brilliant in color, excellent in production, but also widely distributed and numerous in quantity, which is a bright pearl in the history of Chinese culture. At present, the Yellow River Basin is the largest and most densely distributed area of painted pottery culture, in which Yangshao culture and Majiayao culture are the most abundant. Majiayao culture is the most characteristic culture of the upper reaches of the Yellow River in the Neolithic era, in which a large number of painted pottery, whether in quantity or form, is unique throughout the Neolithic era. After the Majiayao culture, painted pottery gradually declined. The difference between the properties of painted pottery and that of common pottery also determines the difference of its function, that is, it is the unity of practicality and artistry. At the same time, the patterns of painted pottery show their profound connotations in various forms and their organic combinations. This paper will focus on the decorative patterns of Majiayao painted pottery, and devote itself to revealing its artistic characteristics and rich connotations of painted pottery culture. This paper is divided into five parts. First, it explains the origin of pottery, the origin of painted pottery and its cultural background, and then summarizes the distribution of painted pottery. Secondly, it discusses the origin and development classification of painted pottery ornaments, that is, the abstract and concrete in the decoration. At the same time, it reveals the rich meaning that the decoration may contain. Secondly, it introduces the archaeological discovery of Majiayao culture, the distribution range and the cultural stages, and discusses the cultural characteristics of each cultural type and the characteristics of the painted pottery type. This paper introduces the development of various types of painted pottery in Majiayao culture, emphasizes on the style characteristics of each type of ornaments and the application of color painted colors, and analyses the evolution and connotation of several common patterns in Majiayao culture. Finally, from the point of view of decorative art, analysis and summary of Majiayao pottery decoration.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：K876.3

【引证文献】