赫洛特与19世纪初梅森瓷器“剪影式”单色画考

发布时间：2018-05-05 16:12

本文选题：赫洛特 + 梅森瓷器　；参考：《装饰》2016年12期

【摘要】："剪影式"单色画从一个侧面体现了梅森瓷器早期装饰对"中国风"样式的浅层模仿和表现。这种亚风格的形成,是当时欧洲市场需求的反映,也是对东方异域风情的猎奇和艺术想象。赫洛特的背景与个人喜好,也对这种风格起到了重要的推动作用,并使梅森瓷器在单色画的表现空间,以及着色方案等方面呈现出独特之处。作为一种区别于东、西方瓷器装饰的过渡性风格,实为当时的装饰艺术手法处于摸索阶段的结果。
[Abstract]:Silhouette monochromatic painting reflects the shallow imitation and expression of Mason porcelain's early decoration on the style of Chinese style. The formation of this sub-style is a reflection of the demand of the European market at that time, as well as a search for exotic oriental customs and artistic imagination. The background and personal preferences of Herot also played an important role in promoting this style, and made Mason porcelain show unique features in the performance space of monochromatic paintings and the scheme of coloring. As a kind of transitional style which is different from eastern and western porcelain decoration, it is the result of the groping stage of decorative art technique at that time.
【作者单位】：江南大学设计学院;
【基金】：江南大学产品创意与文化研究中心阶段性成果
【分类号】：J537

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