凉山彝族自治州布拖县彝族银器装饰图案研究

发布时间：2018-05-12 04:26

本文选题：布拖县 + 彝族银器　；参考：《贵州民族大学》2017年硕士论文

【摘要】：彝族是一个有着古老文化的民族,主要分布在我国的西南部地区,以贵州、四川及云南等省份居多,其中四川凉山彝族自治州是我国最大的彝族聚居区,因此,这里也是彝族文化的汇聚地。而凉山彝族自治州布拖县彝族银器手工技艺作为彝族文化的承载物,早在2008年就被国务院和文化部列入第二批国家级非物质文化遗产名录。并且布拖县素有“彝族银饰之乡”的美称,该地区的彝族银器有着独特的民族风格、多样的图案题材以及广泛的应用范围等特点,无论是其造型、样式,还是技法都显现出彝族人民高超的工艺制作水平。本文通过对布拖县彝族银器装饰图案的深入研究,力求探索该地域彝族人民的历史文化、风俗习惯及审美倾向等,也有利于反思如何更好的保护与传承我国民族民间传统手工技艺等问题。本文运用了文献分析、田野调查、比较、归纳等多种研究方法,拟以美学、民族学等多学科的视野,从布拖县彝族银器的装饰图案入手,对其所表现出的文化特征进行系统整体性的阐释,旨在论述当地彝族银器存在的独特性及价值。根据目前所掌握的资料,发现学界对布拖县彝族装饰图案的研究理论成果较少,从银器角度来谈彝族装饰图案的研究也尚不全面。本文通过大量的实地调查,对当地的图案进行了采集,并在参与小型银饰的设计与制作的过程中,初步明确了布拖县彝族银器装饰图案的题材分类、制作工具及工艺流程。在田野调查的基础上,本文以布拖县彝族银器装饰图案为研究对象,首先,运用“民族文化认同”、“地理区域”等概念来揭示由于区域性差异而凸显出的地域性特征;其次,通过分析该民族多重信仰来探究布拖县彝族银器图案中蕴含的文化内涵;再次,以现代构成理论去解读布拖县彝族银器图案的组织形式及形式美法则,解释布拖县彝族银器装饰图案中存在的“对称美”、“饱满美”、“原始美”等审美意识,探讨该地区彝族人民的审美心理及特有的民族性格,从而进一步阐释布拖县彝族银器存在的实用价值和文化价值。最后,通过对比分析研究,旨在梳理当地彝族银器在文化交融背景下的发展脉络,探索出其在全球化背景下变与不变的内外因素,并系统地对布拖县彝族银器及装饰图案的保护与传承现状做出分析,进而尝试找出符合当地彝族银器及图案的有效保护路径,由此,引发更多的人认识到民族民间传统手工艺的发展前景。总之,当地彝族银器及图案不仅是族群内部的文化瑰宝,也是其文化的载体之一。本文通过对其生存语境、分类等进行重点阐述,旨在寻求当地彝族银器及图案在历史演进的过程中发生流变现象的内因。同时,这对于研究彝族文明史乃至中华文明史,对于研究民族文化、民族民间工艺,以及对于传承与发展非物质文化遗产,都具有不可替代的价值,有着重要的现实意义。
[Abstract]:The Yi nationality is a nation with an ancient culture, mainly distributed in the southwestern part of our country, mainly in Guizhou, Sichuan and Yunnan provinces, among which the Liangshan Yi Autonomous Prefecture in Sichuan is the largest Yi nationality concentrated area in China. This is also the gathering place of Yi culture. As a carrier of Yi culture, Yi silverware handcraft in Butuo County, Liangshan Yi Autonomous Prefecture, was listed by the State Council and the Ministry of Culture as early as 2008 in the second batch of state-level intangible cultural heritage list. And Butuo County is known as the "hometown of Silver ornaments of the Yi people." the Yi silverware in this area has unique national styles, diverse design themes and extensive application, regardless of its shape and style. Or techniques show the Yi people's superb level of technological production. Through the in-depth study of the silver decorative patterns of Yi people in Butuo County, this paper tries to explore the history, culture, customs and aesthetic tendency of Yi people in this region. It is also helpful to reflect on how to better protect and inherit Chinese traditional handicraft. This paper uses literature analysis, field investigation, comparison, induction and other research methods to start with the decorative patterns of Yi silverware in Butuo County from the perspective of aesthetics, ethnology, and so on. This paper gives a systematic and holistic explanation of its cultural characteristics in order to discuss the uniqueness and value of the existence of local Yi silverware. According to the current information, it is found that the academic research on Yi decorative patterns in Butuo County is relatively few, and the study of Yi decorative patterns from the perspective of silverware is still not comprehensive. Through a large number of field investigations, this paper collects the local patterns, and in the process of participating in the design and manufacture of small silver ornaments, preliminarily defines the subject matter classification, production tools and technological process of the Yi silverware decorative patterns in Butuo County. On the basis of field investigation, this paper takes the silver decoration pattern of Yi nationality in Butuo County as the research object. Firstly, it uses the concepts of "national cultural identity" and "geographical region" to reveal the regional characteristics highlighted by regional differences. Through the analysis of the multiple beliefs of the nation to explore the cultural connotations contained in the silver patterns of Yi nationality in Butuo County; thirdly, to interpret the organizational forms and formal beauty rules of the silver patterns of Yi people in Butuo County with the theory of modern composition. This paper explains the aesthetic consciousness such as "symmetry beauty", "fullness beauty" and "primitive beauty" in the silver decoration pattern of Yi nationality in Butuo County, and probes into the aesthetic psychology and unique national character of Yi people in this area. So as to further explain the practical value and cultural value of Yi silverware in Butuo County. Finally, through comparative analysis and research, the purpose of this paper is to sort out the development of local Yi silverware in the context of cultural blending, and to explore the internal and external factors that change and remain unchanged in the context of globalization. And systematically analyzes the status quo of the protection and inheritance of the silver and decorative patterns of Yi nationality in Butuo County, and then tries to find out the effective protection path that conforms to the local Yi silverware and patterns. To arouse more people to realize the development prospect of traditional handicraft. In short, local Yi silverware and patterns are not only the cultural treasures of the ethnic group, but also one of the carriers of their culture. This paper focuses on its living context and classification in order to find out the internal causes of the evolution of local Yi silverware and patterns in the process of historical evolution. At the same time, it has irreplaceable value for the study of Yi nationality civilization history and even the history of Chinese civilization, for the study of national culture, national folk arts and crafts, as well as for the inheritance and development of intangible cultural heritage, which has important practical significance.
【学位授予单位】：贵州民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS934.3

【参考文献】