云南文山壮族背带造型与装饰研究

发布时间：2018-05-12 23:30

本文选题：背带 + 造型　；参考：《昆明理工大学》2009年硕士论文

【摘要】：本文以云南省文山州的壮族背带为研究对象,根据云南文山独特的历史文化、地理环境和风俗习惯,概述了文山壮族背带的造型特点、结构式样、工艺技法、装饰纹样等。这些特征都明显区别于其它少数民族的背带,浓聚着文山壮族自身的特色。本文阐述了背带历史和社会风俗,着重分析了文山壮族背带的造型和装饰工艺特征。首先,对背带进行概述,并界定其概念,在传统的背带概述基础上丰富了背带的内涵；其次,通过分析文山壮族背带同云南文山当地的风俗礼仪的密切关系,从背带的历史起源、《背带歌》风俗和背带所包含的社会风俗文化等详细的阐述了背带在风俗礼仪中的地位和重要作用；第三,在文山壮族背带的造型中,笔者从背带结构的各个组成部分逐个分析,并根据背带主片式样分类,总结绘制了云南文山壮族背带式样表格图。根据文山壮族的风俗将背带的结构分为六个部分,背带口、背带心、背带柱子、背带手(包括背带口袋)、背带屁股、背带尾巴。根据背带主片式样分类,将文山壮族背带分为8种类型。简要概述了背带的背法,认为三角形的背带主片和宽大奇长的背带手是文山壮族背带不同于西南各族背带的显著特征；第四,进一步分析了文山壮族背带的制作工艺,根据文山壮族的传统分类将工艺分为织锦、绣锦和染色三个部分。将背带的背带主片的制作工艺归为织锦和绣锦,背带手部分归为染色,并介绍了各个工艺的历史来源、制作特征；第五,文山壮族背带的装饰纹样有非常深厚的历史起源,通过对传统“莱瓦”(各类美术作品的统称)的了解,将文山壮族背带的吉祥纹样分为三类：动物纹样、植物纹样、非生物纹样。其中动物纹样主要分析了鸟纹样、鱼纹样、青蛙和蛇纹样,并追溯其历史来源,将几千年前的岩画图案和铜鼓上的图案同背带的纹样进行比对,证实了背带上的鸟、鱼、青蛙和蛇纹样的历史起源和传承,同时也同壮族传统的观念想呼应,如公母观。因而总结出云南文山壮族背带中装饰纹样的历史根据、意义和内涵。第六,对背带的装饰物件和主要色彩——红色,做了简要的概述。最后,总结文山壮族背带的特点,指出文山壮族背带的三重身份,背带既是产品的身份,又是服饰的身份,同时又是艺术品的身份。
[Abstract]:Based on the unique historical culture, geographical environment and customs of Wenshan, Yunnan Province, this paper summarizes the modeling characteristics, structural patterns, techniques, decorative patterns and so on of the straps of Zhuang nationality in Wenshan Prefecture, Yunnan Province. These characteristics are obviously different from the other ethnic minorities' straps, concentrated on the Wenshan Zhuang's own characteristics. This paper expounds the history and social customs of the straps, and emphatically analyzes the modelling and decorative technological characteristics of the straps of Wenshan Zhuang nationality. First of all, it summarizes and defines the concept of the strap, which enriches the connotation of the belt on the basis of the traditional outline of the belt. Secondly, by analyzing the close relationship between the straps of Wenshan Zhuang and the local customs and etiquette of Wenshan in Yunnan, From the historical origin of the straps, the custom and the social customs and culture contained in the straps are elaborated in detail. Thirdly, in the modelling of the straps of the Wenshan Zhuang nationality, the status and the important role of the straps in the customs and manners are expounded in detail. Based on the analysis of each component of the belt structure and the classification of the main pattern of the straps, the author summarizes and draws the pattern chart of the straps of the Zhuang nationality in Wenshan, Yunnan Province. According to the customs of the Wenshan Zhuang nationality, the structure of the strap is divided into six parts: the mouth of the strap, the heart of the strap, the post of the strap, the hand of the strap (including the pocket of the strap, the butt of the strap, and the tail of the strap). According to the classification of the main pattern of straps, the straps of Wenshan Zhuang nationality are divided into 8 types. In this paper, the back method of the straps is briefly summarized, and it is considered that the main plate of the straps of the triangle and the arms of the broad and unusually long straps are the prominent characteristics of the straps of the Wenshan Zhuang nationality, which are different from those of the ethnic groups in the southwest. Fourthly, the making process of the straps of the Zhuang nationality in Wenshan is further analyzed. According to the traditional classification of Wenshan Zhuang, the craft is divided into three parts: brocade, embroidered brocade and dyeing. The making process of the main straps is classified as brocade and embroidered brocade, the hand part of the strap is dyed, and the historical sources and characteristics of each craft are introduced. Fifth, the decorative patterns of the straps of Wenshan Zhuang nationality have a very deep historical origin. Through the understanding of the traditional "Laiwa", the auspicious patterns of the straps of Wenshan Zhuang nationality are divided into three categories: animal patterns, plant patterns, and abiotic patterns. Among them, the animal pattern mainly analyzed the bird pattern, the fish pattern, the frog pattern and the snake pattern, and traced back to its historical origin, compared the patterns of rock paintings and bronze drums thousands of years ago with the pattern of the strap, and confirmed the birds and fish on the strap. The historical origin and inheritance of frog and snake patterns also echo the traditional concepts of Zhuang nationality, such as the concept of mother and father. Therefore, the historical basis, significance and connotation of decorative patterns in the straps of Wenshan Zhuang nationality in Yunnan Province are summarized. Sixth, the decorative items and the main color-red, made a brief overview. Finally, this paper summarizes the characteristics of the Wenshan Zhuang straps, and points out the triple identity of the Wenshan Zhuang straps, which is not only the identity of the products, but also the identity of the clothing and the works of art at the same time.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J523

【参考文献】