室内的软装饰中“显与隐”的设计手法研究

发布时间：2018-05-13 14:03

本文选题：显性符号 + 隐喻性　；参考：《大连工业大学》2013年硕士论文

【摘要】：空间的陈设艺术是从本土的文化上生长出来的,是民族文化和地域性文化的结晶与载体。所以说,在空间的陈设艺术中的发展趋势应该是多元化的,而不是一元化或者全球一体化的。论文的文章采用的是一种角度转换的方式,用设计符号学以及语意学语言系统来对室内的软装饰的设计手法思考。显与隐是文学创作在中国文论史上的一种审美特性视角,是一种文学创作的表现方法论,显隐在具体的文学作品中的表现更为突出,语言的文辞描绘的形象是显现的,而言外之意乃隐,是想象的产物。所以说,它们能够深刻的揭示并且鲜明的表现出了现实生活中的一切存在的关联。本文是通过了对“显隐设计手法”于室内设计中的研究目的通过符号学以及语言语意学中“显性文化因子、隐性文化因子”的双向性研究,将不同的设计要素作用于不同的设计手法的审美方式,从而营造出了“显性符号的含蓄化性”和“隐喻性的直译化”的空间陈设艺术的审美作用于空间。通过这样的思维方式除了可以培养设计师们的独特的想象力之外,它更是室内设计与软装饰未来发展的方向与希望。尽管室内设计理论中不曾有完整的“显隐论”的学说,但是在室内的软装饰整体的文化氛围空间的描述与文学创作中文辞的显隐说有着极为相似之处；所以说,如何利用符号学以及文学史中的“显隐说”的理性诠释运用到空间陈设艺术中是关键。本文的宗旨就是通过明示性的“显性符号的含蓄化”或者“隐喻式的直译化”的设计手法的研究,使得设计师们考虑赋予地方的标志性的符号特征以及隐喻的寓意,为了使得设计的方案能够做到“容易被人更加的亲近、熟知”而能够产生共鸣的作品,同时设计师也是为了社会的大众文化以及使用者的个人追求,并且能够做到尽可能的让社会大众以及各个级别的等级的文化修养价值和文化类型都能够得到共鸣的欣赏。那么,这样的状态是一个理想的状态,需要做的就是希望通过这两种不同的审美方式上的异同性的融合转换,使得设计能够成为更具有“意义深远的”的直译性的设计。
[Abstract]:The display art of space grows from local culture and is the crystallization and carrier of national culture and regional culture. Therefore, the development trend in space display art should be diversified, not monistic or global integration. The paper adopts a way of angle conversion, and uses the design semiotics and semantic language system to think about the design technique of indoor soft decoration. Explicit and implicit is a kind of aesthetic characteristic angle of view of literary creation in the history of Chinese literary theory. It is a kind of expressive methodology of literary creation. But the implication is hidden, is the product of imagination. Therefore, they can deeply reveal and clearly show the real life of all the existence of relevance. The purpose of this paper is to study the "explicit and implicit design techniques" in interior design through the bidirectional study of "dominant cultural factor, implicit cultural factor" in semiotics and linguistic semantics. Different design elements are applied to different aesthetic ways of design techniques, thus creating the aesthetic function of the space display art of "explicit symbol implicature" and "metaphorical literal translation". In addition to the unique imagination of designers, it is also the direction and hope of the future development of interior design and soft decoration. Although there is no complete theory of "explicit and implicit" in interior design theory, the description of the whole cultural atmosphere space in the interior soft decoration is very similar to the implicit theory in literary creation. How to use the rational interpretation of semiotics and "explicit and implicit theory" in literary history into the art of space display is the key. The purpose of this paper is to make designers consider the symbolic features and metaphorical implications of local symbols through the study of explicit "explicit symbolic implicature" or "metaphorical literal translation". In order to make the design of the project "easy to be more close, familiar" and can resonate works, at the same time, the designer is also for the social mass culture and personal pursuit of users, And can do as much as possible so that the community and all levels of cultural values and cultural types can be resonated appreciation. So, such a state is an ideal state, what needs to be done is to hope that through the fusion of the similarities and differences between these two different aesthetic modes, the design can become a more "far-reaching" literal design.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J525

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