中国人物画在清代陶瓷装饰中的运用研究

发布时间：2018-05-14 03:19

本文选题：清代 + 陶瓷装饰　；参考：《青岛大学》2017年硕士论文

【摘要】：清代陶瓷彩绘装饰技术在中国制瓷工艺美术史上达到了顶峰,清代陶瓷中人物画装饰是较为常见的题材,体现出中国古代制瓷装饰工艺卓越成就。清代人物画与当时社会政治经济文化发展水平和人们审美倾向有密切的联系,具有一定的文化价值、艺术价值和历史价值。本文的主要研究对象是清代陶瓷人物画在装饰上的运用,并探讨清代人物画陶瓷艺术装饰特征并发掘其审美思想内涵、艺术价值、文化价值和历史价值。论文《人物画在清代陶瓷装饰中的运用研究》,首先,阐述中国人物画发展概况及人物画在陶瓷上的表现特点,整体分析人物画在陶瓷装饰上的发展脉络。分析新石器时代至秦汉时期的中国人物画、隋唐时期至两宋时期的中国人物画、元明清民国时期的中国人物画;其次,探析中国人物画在清代陶瓷装饰上运用的时代背景、色彩技法运用、题材种类和构图布局方面,进而找出中国人物画在清代陶瓷装饰中的艺术特色。分析了中国人物画在清代陶瓷陶瓷器型装饰中的构图及表现形式,包括碗状瓷器装饰中的表现形式、瓶状瓷器装饰中的表现形式、盘状瓷器装饰中的表现形式。同时探析中国人物画在清代陶瓷绘画中的表现技法,包括清代青花瓷器绘画中的表现技法、清代斗彩瓷器绘画中的表现技法、清代粉彩瓷器绘画中的表现技法、清代珐琅彩瓷器绘画中的表现技法、清代五彩瓷器绘画中的表现技法及清代浅降彩瓷器绘画中的表现技法。最后通过清代陶瓷人物画装饰与中国人物画比较,分析清代陶瓷人物画艺术内涵及其对当代艺术创作的启发。
[Abstract]:The ceramic painting and decoration technology of Qing Dynasty has reached its peak in the history of Chinese porcelain making arts and crafts. Figure painting decoration in porcelain in Qing Dynasty is a common theme, which embodies the outstanding achievements of Chinese ancient porcelain decoration technology. The figure painting of Qing Dynasty is closely related to the development level of social political economy and culture at that time and people's aesthetic tendency. It has certain cultural value artistic value and historical value. The main research object of this paper is the application of ceramic figure painting in the Qing Dynasty, and discusses the decorative characteristics of ceramic figure painting in Qing Dynasty and explores its aesthetic connotation, artistic value, cultural value and historical value. The thesis "study on the Application of figure painting in Ceramic Decoration in Qing Dynasty". Firstly, it expounds the development of Chinese figure painting and the characteristics of figure painting in ceramics, and analyzes the development of figure painting in ceramic decoration. This paper analyzes the Chinese figure painting from the Neolithic Age to the Qin and Han dynasties, the Chinese figure painting from the Sui and Tang dynasties to the Song Dynasty, and the Chinese figure painting from the Yuan, Ming and Qing dynasties to the Republic of China. The use of color techniques, subject types and composition layout, and then find out the Chinese figure painting in the Qing Dynasty ceramic decoration artistic characteristics. This paper analyzes the composition and expression form of Chinese figure painting in the ornament of ceramic ware in Qing Dynasty, including the form of expression in the decoration of bowl-shaped porcelain, the form of expression in the decoration of bottle porcelain, the form of expression in the decoration of disk-shaped porcelain. At the same time, it analyzes the performance techniques of Chinese figure painting in the ceramic painting of the Qing Dynasty, including the performance techniques in the blue and white porcelain painting of the Qing Dynasty, the performance techniques in the painting of the dust-colored porcelain in the Qing Dynasty, and the performance techniques in the painting of the powder-colored porcelain in the Qing Dynasty. Performance techniques of enamel porcelain painting in Qing Dynasty, expression techniques in five-color porcelain paintings in Qing Dynasty and performance techniques in shallow colored porcelain paintings in Qing Dynasty. Finally, by comparing the decoration of ceramic figure painting in Qing Dynasty with that of Chinese figure painting, this paper analyzes the artistic connotation of ceramic figure painting in Qing Dynasty and its inspiration to contemporary art creation.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J527

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