原始的“现代感”——中国原始彩陶装饰纹样构成形式研究

发布时间：2018-05-14 06:03

本文选题：彩陶 + 装饰纹样　；参考：《上海师范大学》2010年硕士论文

【摘要】： 陶器是新石器时代文化的显著标志之一,在当时的生活中有着至关重要的地位。它标志着人类社会进入了一个新的历史时期。陶器的发明和使用,一定程度上改善了人类的生活条件,使人类的定居生活更加稳定,并推动了生产力的发展,因而成为中国古代文化的重要组成部分。而陶器的纹饰更是人类智慧的结晶,是原始人在长期的劳动实践过程中所发掘和认识的关于美的规律。本文主要分三个部分来分析原始彩陶装饰纹样的特点。首先是从历史的角度来阐述这些装饰纹样的产生与演变的过程,并按照不同的图式对它们进行的分类梳理,为下面的形式构成分析提供了方便;然后再把这种纹样从历史与原始的特殊涵义中剥离出来,仅仅以单纯的审美角度来分析它们的构成形式规律,并从自然、人类自身以及艺术技巧三个方面对产生这种构成形式的根源进行了一定的论述;最后再结合自己对这些彩陶装饰纹样的认识提出了一点感悟,以求能对我们现在的设计起到一些借鉴作用。
[Abstract]:Pottery is one of the most prominent symbols of Neolithic culture, and plays an important role in life at that time. It marks a new historical period for human society. The invention and use of pottery to a certain extent improved the living conditions of human beings, made the settlement of human life more stable, and promoted the development of productive forces, thus became an important part of ancient Chinese culture. The ornament of pottery is the crystallization of human wisdom. It is the law of beauty discovered and recognized by primitive people in the long process of labor practice. This article is divided into three parts to analyze the characteristics of the decorative patterns of the original painted pottery. First of all, from the historical point of view to explain the appearance and evolution of these decorative patterns, and according to different schemata for their classification and combing, for the form of the following analysis of convenient; Then the patterns are stripped out of the special meaning of history and primitive, only from a purely aesthetic point of view to analyze their form of law, and from the nature, Human beings and artistic skills of three aspects of the formation of this form of origin of a certain exposition; finally combined with their own understanding of the decorative patterns of these colored pottery put forward a little understanding, In order to be able to play a reference to our current design.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J527

【引证文献】