秦汉时期官式建筑装饰符号象征意义的研究

发布时间：2018-05-15 03:21

本文选题：秦汉 + 建筑装饰　；参考：《东北林业大学》2011年硕士论文

【摘要】：本文从中国古典建筑的美学特征要素之一的建筑装饰出发,以现有的考古发掘遗存、地面遗址遗迹、建筑复原研究成果及有关历史文献资料记载为依据,比较系统地对秦汉时期中国古典建筑装饰符号的象征意义进行了分析和研究,得出了有关秦汉时期中国古典建筑装饰符号的象征意义的结论。主要研究内容包括单体建筑装饰符号和部分建筑仪式装饰符号的象征意义。单体建筑装饰符号以侯幼彬先生在《中国建筑美学》中的部位分类为脉络,分三部分进行阐述：单体建筑的“下分”——台基；单体建筑的“中分”——屋身和单体建筑的“上分”——屋顶。分别对这三部分的装饰符号的象征意义进行了系统的研究。建筑仪式的装饰符号主要根据日本建筑史学家伊东忠太在《中国古典建筑装饰》一书中所列及的门兽、宝鼎、日晷嘉量和人、兽造像等建筑装饰符号的种类和象征意义进行了归纳和引证论述。由于秦汉时期的地面建筑现今没有发现一例较为完整的遗存,因此在研究过程中主要采用墓葬发掘和当时的瓦当、器皿、砖石刻像、壁画等图像信息和历史文献记载等间接进行证明,同时结合近年新的建筑复原研究成果和相关的文化习俗资料进行推理判断,得出结论。研究结论：首先,秦汉时期进一步明确、统一了中国古典建筑装饰符号系统中所广泛使用的图腾体系及建筑装饰纹样。其建筑装饰符号的象征意义主要涵盖以下几方面的内容：恶以戒世、善以示后的象征意义,一般选择历史故事题材的内容,在适当的位置对建筑进行装饰；祈福求祥的象征意义,多用祥瑞灵兽或纹样题材内容来表达人们对美好生活和吉祥平安的期盼和向往；厌胜规避的象征意义,即用与之相克和对立的装饰符号纹样求得规避灾祸的理想结果；“伦理”理性寓意的象征表达,使用不同的纹样内容、不同的色彩和不同的建筑仪饰类型等手段,区分建筑的不同等级制度。研究秦汉时期建筑装饰符号的象征意义的意义在于：通过对秦汉时期建筑装饰符号的研究,能够使我们进一步了解中华民族博大精深的文化传统,加深对中国古代哲学思想的认识和理解,并对今天的建筑装饰设计领域正确运用中国古典建筑装饰符号表达设计意图具有启发和指导意义。
[Abstract]:Based on the architectural decoration, which is one of the aesthetic characteristics of Chinese classical architecture, this paper bases on the existing archaeological excavations, the remains of the ground sites, the research results of the restoration of the buildings and the records of the relevant historical documents. This paper systematically analyzes and studies the symbolic significance of Chinese classical architectural decorative symbols in Qin and Han dynasties, and draws a conclusion about the symbolic significance of Chinese classical architectural decorative symbols in Qin and Han dynasties. The main research contents include the symbol meaning of individual architectural decoration symbol and some architectural ritual decoration symbol. The single architectural decoration symbol is divided into three parts according to the classification of the parts of Mr. Hou Youbin in "Chinese Architectural Aesthetics". The "middle" of a single building and the "upper"-roof of a single building. The symbolic significance of the decorative symbols in these three parts is studied systematically. The decorative symbols of the architectural ceremony are mainly based on the number of animals, Baoding, sundial, and people listed in the book "Chinese Classical Architectural Decoration" by Japanese architectural historian Yi Dongzhong. The classification and symbolic significance of architectural decorative symbols such as animal statues are summarized and discussed. Since no more complete remains have been found in the ground buildings of the Qin and Han dynasties, tombs were mainly used in the research, and Wadang, utensils, brick and stone carvings at that time were mainly used in the research process. The image information such as mural paintings and historical documents are indirectly proved and combined with the new research results of architectural restoration in recent years and the relevant cultural customs data to infer and judge the conclusion. First of all, the Qin and Han dynasties further clarified, unified the Chinese classical architectural decoration symbol system widely used totem system and architectural decoration patterns. The symbolic meaning of the architectural decoration symbol mainly covers the following aspects: evil to the precepts of the world, good to show the symbolic significance of the following, generally choose the content of the historical story theme, in the appropriate position to decorate the architecture; The symbolic meaning of praying for good luck and seeking for good luck is often expressed in the content of auspicious animals or patterns to express people's expectation and yearning for a better life and good luck and peace, and the symbolic significance of being tired of winning and evading. That is to say, the ideal result of avoiding disaster is obtained by the pattern of the opposite decorative symbol, the symbolic expression of the rational meaning of "ethics", the use of different patterns, different colors and different types of architectural ornaments, etc. The different hierarchy of buildings. The significance of studying architectural decorative symbols in Qin and Han dynasties lies in: through the study of architectural decorative symbols in Qin and Han dynasties, we can further understand the profound cultural traditions of the Chinese nation. To deepen the understanding and understanding of the ancient Chinese philosophy, and to correctly use Chinese classical architectural decorative symbols to express the design intention in the field of architectural decoration design today has enlightening and guiding significance.
【学位授予单位】：东北林业大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：TU-0

【参考文献】