论传统青花装饰艺术的设计观

发布时间：2018-05-15 20:11

本文选题：传统青花 + 装饰　；参考：《景德镇陶瓷学院》2011年硕士论文

【摘要】：在人类文明发展的进程中,人类的一切造物活动都是以“服务于生活”为根本需求而展开的,青花瓷器的创造和发展也不例外。传统青花瓷器作为传统手工陶瓷的一种,与人们的日常生活与审美需求息息相关,古往今来都在扮演着极其重要的角色。青花瓷是传统手工陶瓷艺术的一个重要组成部分,是人类造物活动的物化体现,它以实用为主要目的服务于人类生活,并以美的形式诉诸人的感官,体现着实用与审美的协调统一。传统青花装饰艺术是建立在装饰载体的实用功能基础上而进行的美化艺术,它以丰富多彩的装饰形式极大地提高了陶瓷装饰对自然与生活的表现力,丰富了载体的视觉美感,在取悦审美者视觉感官的同时也表达出创造者的精神主旨。纵观传统青花瓷器的发展脉络,从唐代的初创,到元代的成熟,再到明清时期的蓬勃发展,它历经千年岁月的磨练和洗礼,为中华民族灿烂的陶瓷文明谱写了辉煌的一页。时至今日,作为非物质文化遗产的传统青花装饰艺术所承载的不仅仅是那历经千年而不褪的青白图案,而是古代劳动创造者对传统设计观的理解、运用和发扬,同时也是一种对民族历史、文化和精神的记录与传承。本文从设计学研究角度出发,结合装饰审美法则分别阐释了传统青花装饰的整体构图、装饰色彩以及装饰题材等组成要素所体现出的朴实设计观,并结合当代陶瓷装饰的时代特点阐述了传统青花装饰艺术对当代陶瓷装饰设计的价值和意义。指出在非物质文化遗产保护语境中,对传统青花装饰设计观和制作技艺的传承、创新的重要性和深远意义。
[Abstract]:In the course of the development of human civilization, all creation activities of human beings are carried out with the basic demand of "serving life", and the creation and development of blue and white porcelain is no exception. As a kind of traditional handicraft ceramics, traditional blue-and-white porcelain is closely related to people's daily life and aesthetic needs, and plays an extremely important role throughout the ages. Blue and white porcelain is an important part of traditional handicraft ceramic art and the materialized embodiment of human creation activities. It serves human life with the main purpose of practicality and appeals to human senses in the form of beauty. It embodies the harmony of utility and aesthetics. Traditional blue and white decorative art is a beautification art based on the practical function of decorative carrier. It greatly improves the expression of ceramic decoration to nature and life, and enriches the visual aesthetic sense of carrier. While pleasing the aesthetic's visual senses, it also expresses the spiritual purport of the creators. Throughout the development of traditional blue and white porcelain, from the founding of the Tang Dynasty to the maturity of the Yuan Dynasty, to the vigorous development of the Ming and Qing dynasties, it has undergone millennia of practice and baptism, which has written a brilliant page for the splendid ceramic civilization of the Chinese nation. Today, as an intangible cultural heritage, the traditional blue and white decorative art bears not only the green and white patterns that have gone through thousands of years, but also the understanding, application and development of the traditional design view by the ancient labor creators. It is also a record and inheritance of national history, culture and spirit. In this paper, from the angle of design research, combined with the aesthetic principle of decoration, the author explains the simple design view of traditional blue and white decoration, such as composition, color and theme of decoration, etc. Combined with the characteristics of contemporary ceramic decoration, the value and significance of traditional blue and white decorative art to contemporary ceramic decoration design are expounded. It is pointed out that in the context of intangible cultural heritage protection, the importance and far-reaching significance of innovation in the inheritance of traditional blue and white decoration design view and production technique are pointed out.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J527

【参考文献】