新疆维吾尔族民间釉陶造型与装饰研究

发布时间：2018-05-18 17:39

本文选题：新疆维吾尔族 + 民间釉陶　；参考：《新疆师范大学》2010年硕士论文

【摘要】：釉陶是人类科技发展史上的一项重要发明。在不同国度和同一国度的不同地域,釉陶呈现出不同的文脉特征,由此构成世界釉陶文化的多样性。新疆维吾尔族民间釉陶是中国釉陶发展体系中的重要组成部分,是维吾尔族最具代表性的手工文化之一。对于新疆维吾尔民间釉陶的研究,有助于理解维吾尔族民间釉陶中的文化影响因素及其艺术价值,从而对维吾尔族民间传统手工艺文化有更深的认知,但目前对于新疆维吾尔民间釉陶还没有人从理论上做出整体性的研究。论文选取新疆维吾尔族民间釉陶器具作为研究对象,旨在对其进行较为全面的理论研究。全文从陶瓷艺术学的角度,在文献资料法的基础上,通过资料收集、理论分析和社会访谈,对新疆维吾尔族民间釉陶进行分类归纳。在了解新疆维吾尔族民间釉陶种类及其功用,以及制陶环境和工艺流程的前提下,运用理论分析和比较研究的方法,从造型和装饰两个角度对其进行文化上的分析和研究。全文共分五个章节,第一章对论文的研究背景、国内外研究现状、研究目的和意义、论文的研究方法和论文的创新点与不足之处做了概括性的介绍。第二章从地理因素和历史因素两个层面探讨新疆维吾尔族民间釉陶是特定环境下的产物。第三章在概述新疆维吾尔族民间釉陶种类的基础上,分别对新疆维吾尔族民间釉陶的造型、装饰、制作工艺三个方面综述新疆维吾尔族民间釉陶所独具的地域风格。第四章选取新疆维吾尔族民间釉陶中最为典型的器具,从造型与装饰两个角度详尽的分析研究新疆维吾尔族民间釉陶所受的文化影响因素,并给出新疆维吾尔族民间釉陶具有文化合成的初步结论。第五章结合新疆维吾尔族民间釉陶存在与传承的现状,提出新疆维吾尔族民间釉陶在现代社会中传承与发展的文化价值和艺术价值。从釉陶自身优势出发,结合现代陶艺的创作观,探讨新疆维吾尔族民间釉陶在现代社会中传承、发展与拓宽的可能性,其目的是为实现这一非物质文化遗产的保护提供借鉴性参考。通过以上研究得出结论:新疆维吾尔族民间釉陶是新疆独特的地理生态和人文历史的产物,它的存在与发展是与维吾尔族的传统生活相适应。新疆维吾尔族民间釉陶,谙合着维吾尔族的精神信仰和审美取向,凸显出多元文化相交融的文化合成特质。研究新疆维吾尔族民间釉陶,不仅能够更好的认知维吾尔族的手工文化,宗教传统和生活习俗,而且,这也对研究丝绸之路上的东西方文化交流具有重要意义。在现代化大发展的今天,应强调新疆维吾尔族民间釉陶的文化价值并加大对其文化上的保护与传承。
[Abstract]:Glazed pottery is an important invention in the history of science and technology. In different countries and different regions of the same country, glazed pottery presents different cultural characteristics, which constitutes the diversity of glazed pottery culture in the world. Xinjiang Uygur folk glazed pottery is an important part of the development system of Chinese glazed pottery and one of the most representative handicraft culture of Uygur. The study of Xinjiang Uygur Folk glazed Pottery is helpful to understand the cultural influence factors and its artistic value in Uygur Folk glazed Pottery, so as to have a deeper understanding of Uygur folk traditional handicraft culture. However, there is no theoretical research on Xinjiang Uygur Folk glazed Pottery. This paper chooses Xinjiang Uygur folk glazed pottery as the object of study in order to carry out a more comprehensive theoretical study. From the point of view of ceramic art, based on the method of literature, this paper classifies Xinjiang Uygur folk glazed pottery by means of data collection, theoretical analysis and social interview. Based on the understanding of Xinjiang Uygur folk glazed pottery types and their functions as well as the production environment and technological process, the cultural analysis and study of Uygur folk glazed pottery were carried out from the aspects of modeling and decoration by means of theoretical analysis and comparative study. This paper is divided into five chapters. The first chapter gives a general introduction to the research background, the current research situation, the purpose and significance of the research, the research methods, the innovation and the deficiency of the thesis. The second chapter discusses that Xinjiang Uygur folk glazed pottery is the product of special environment from geographical factors and historical factors. On the basis of summarizing the types of Xinjiang Uygur folk glazed pottery, the third chapter summarizes the unique regional style of Xinjiang Uygur folk glazed pottery from three aspects: modeling, decoration and making technology. The fourth chapter selects the most typical utensils in Xinjiang Uygur folk glaze pottery, analyzes and studies the cultural influence factors of Xinjiang Uygur folk glaze pottery from the angle of modeling and decoration. The preliminary conclusion of cultural synthesis of Xinjiang Uygur folk glazed pottery is given. The fifth chapter puts forward the cultural value and artistic value of the inheritance and development of Xinjiang Uygur folk glazed pottery in the modern society combined with the status quo of the existence and inheritance of Xinjiang Uygur folk glazed pottery. Based on the advantages of glazed pottery and the view of modern pottery creation, this paper discusses the possibility of inheritance, development and widening of Xinjiang Uygur folk glazed pottery in modern society. The purpose is to provide reference for the protection of this intangible cultural heritage. It is concluded that Xinjiang Uygur folk glazed pottery is the product of Xinjiang's unique geographical ecology and humanistic history, and its existence and development are adapted to the traditional life of Uygur nationality. Xinjiang Uygur folk glazed pottery, which is familiar with Uygur spiritual belief and aesthetic orientation, highlights the cultural synthesis characteristic of multicultural blending. The study of Xinjiang Uygur folk glazed pottery not only can better understand Uygur's handicraft culture, religious tradition and living customs, but also has great significance for the study of the cultural exchange between East and West on the Silk Road. With the great development of modernization, the cultural value of Xinjiang Uygur folk glazed pottery should be emphasized and its cultural protection and inheritance should be strengthened.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J527

【引证文献】