传统蒙古包装饰研究

发布时间：2018-05-19 03:03

本文选题：传统蒙古包 + 室内装饰　；参考：《内蒙古农业大学》2010年硕士论文

【摘要】： 传统蒙古包作为一种穹庐式毡帐建筑,是游牧民族先民不断适应独特地域资源、气候条件以及生活方式的必然产物。其成熟的室内与建筑装饰既向世人诠释了游牧民族对居住空间的理解,又深刻反映了游牧民族的传统地域文化。传统蒙古包是游牧民族传统文化的重要组成部分,是展现游牧民族思想情感、精神风貌的独具特色的建筑形式,是在长期的历史发展过程中沉淀和积累下来的传统艺术宝库。游牧生活和秩序以民族艺术的方式凝固为视觉形态,既有美化生活、传递信息的使用功能,也有表现精神需要、情感需要的审美意识。本文从建筑学、设计学、民俗学、图案的角度,综合运用测绘、走访以及查阅相关文献资料方法,结合蒙古民族的生活习俗、宗教信仰等传统文化因素,梳理和探究传统蒙古包的室内及建筑装饰特色,总结归纳出传统蒙古包装饰艺术特征和审美价值。以室内外的构成、造型等为典型素材对其结构装饰及图案特征进行了提炼和总结,如蒙古包装饰的向心装饰、同心圆和由下至上逐级加重的装饰规律等。旨在为现代设计者提供设计依据,以便达到传承发展的目的。蒙古民族作为北方游牧民族文化的集大成者和守望者,其历史所积累的生活状态以运动为核心,但这丝毫不影响他们对静态的、凝固的、视觉艺术形态——装饰艺术的热爱和执著。本人从小生活在内蒙古草原,在浓郁的民族文化氛围中成长,对此深有体会,这也是撰写这篇论文的原动力。
[Abstract]:The traditional yurts are the inevitable products of the nomadic peoples' adaptation to the unique regional resources, climatic conditions and lifestyle. Its mature interior and architectural decoration not only interprets the nomadic people's understanding of the living space, but also reflects the nomadic traditional regional culture. The traditional yurts is an important part of the nomadic traditional culture, a unique architectural form to show the nomadic people's thoughts, emotions and spiritual features, and a treasure house of traditional art that has accumulated and accumulated in the long historical development process. Nomadic life and order solidify into visual form in the way of national art, which not only beautifies life, conveys the use of information, but also has the aesthetic consciousness of expressing spiritual needs and emotional needs. From the point of view of architecture, design, folklore and pattern, this paper synthetically applies surveying and mapping, visiting and consulting the relevant literature and materials, combining the traditional cultural factors such as the Mongolian nation's living custom, religious belief and so on. Combing and exploring the interior and architectural decoration characteristics of traditional yurts, summing up the artistic features and aesthetic value of traditional yurts decoration. In this paper, the structure and pattern features of the interior and exterior are refined and summarized, such as the concentric decoration of yurts, concentric circle and the law of accentuating from the bottom to the top, etc. The aim is to provide the design basis for modern designers, in order to achieve the purpose of inheritance and development. The Mongolian people, as the collectivists and watchmen of the nomadic culture of the north, have accumulated a life state of movement as the core of their history, but this does not affect their static, solidified, Visual art form-the love and persistence of decorative art. I lived in Inner Mongolia prairie, growing up in a strong national culture atmosphere, which is the driving force of writing this paper.
【学位授予单位】：内蒙古农业大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J525

【引证文献】