唐代长沙窑瓷器纹样装饰艺术的审美意象研究

发布时间：2018-05-26 11:05

本文选题：唐代长沙窑 + 纹样装饰　；参考：《艺海》2013年06期

【摘要】：唐代是中国文化艺术非常辉煌鼎盛的朝代,产生并兴盛于唐代的长沙窑正是在这样的时代背景中为中华艺术史平添了绚烂的一笔。20世纪50时代长沙窑的发掘以及近20年来人们对其的极力追捧,都使得长沙窑艺术的研究显得至关重要。对于长沙窑的文献记载并不详实,至50年代考古发现至今,现人逐步开始梳理其艺术脉络,开启长沙窑艺术研究的新时期。长沙窑瓷器的纹样装饰多样,艺术包容性宽广,这就为我们进一步拓宽长沙窑及其依附的时代潮流的研究提供了现实依据。唐代崇尚开放,艺术上的精神寄托注重取法自然,在此大时代的背景下,本文旨在从审美意象出发试图分析唐代长沙窑瓷器纹样装饰艺术的形式表达及内容意蕴。
[Abstract]:The Tang Dynasty was a period of great splendor in Chinese culture and art. Changsha Kiln, which was born and flourished in Tang Dynasty, has added a splendid stroke to the history of Chinese art in the background of this time. The discovery of Changsha Kiln in the 1950s and the pursuit of it by people in the past 20 years have been greatly sought after by people in the past 20 years. Both make the study of Changsha kiln art very important. The literature records of Changsha kiln are not detailed. Until the archaeological discovery in the 1950s, people began to sort out their artistic context gradually and open a new period of Changsha kiln art research. The decorative patterns of Changsha kiln porcelain are diverse and the art is inclusive and broad, which provides a realistic basis for us to further broaden the study of Changsha kiln and its attachment to the trend of the times. In the background of the great times, this paper tries to analyze the formal expression and content implication of the decorative art of Changsha kiln porcelain pattern in Tang Dynasty from the perspective of aesthetic image.
【作者单位】：湖南大众传媒职业技术学院;
【基金】：“2010——2012湖南省哲学社会科学基金立项课题”《唐代长沙窑瓷器装饰艺术的创新与实践研究》部分研究成果,课题编号为2010YBB070
【分类号】：K876.3;J527

【共引文献】