中国现代佛教建筑装饰艺术的传承与创新

发布时间：2018-05-31 20:56

本文选题：中国现代佛教建筑 + 汉传佛教　；参考：《山东建筑大学》2012年硕士论文

【摘要】：本文以汉传佛教建筑装饰为主要究对象。佛教建筑不同于一般的世俗建筑,它较多受到佛教文化制约,不仅为信众提供集会场所,还是现代佛教精神的象征。佛教建筑装饰是佛教艺术的物化形态,它具有特殊的双重特征：一方面,它美化了僧团修行、礼佛、禅修的活动中心；另一方面,佛教装饰一般都具有很强的象征性,它是人们对极乐世界的向往和想象,成为佛教艺术和信众精神的载体。汉传佛教建筑装饰在中国传统木构建筑文化中占很大比重。从东汉末年到明清时期,传统佛教建筑装饰与时俱进,不断与中困礼制建筑文化协调、融合,形成各个时期不同的风格特征和表现形式,也为传统装饰艺术带来新的生机和活力。但是随着现代佛教复兴和装饰艺术的多元发展,大陆许多新建、扩建佛教建筑装饰艺术缺乏对新形式、新风格的探索。或墨守成规,延续着古典装饰形式；或单纯追求表面形式的奢侈豪华,空间单调乏味。设计当随时代,现代科技不断进步,东西方建筑文化交流日益频繁,佛教建筑及其装饰的转型也成为必然。因此本文将佛教建筑装饰的传承与创新作为主旨。第‘章讲述本文选题的目的和意义,研究方法与范畴及国内外的研究状况、创新之处等；第二章依据史料记载、图书馆及现存代表性佛教建筑等资料,着重分析论述传统佛教建筑装饰漫长的发展历程之中,所获得的成就、中国传统儒道文化之间的关系及各装饰内容的主要特征等内容；第三章根据实地调研所得图片,分析现存佛寺发展状况及所而临的问题,并总结问题出现的原因等。世界上有三大宗教,不同宗教有其特殊的、极具辨识性的建筑装饰形式,但是宗教建筑的发展却有着相同的途径,这一点可以从西方教堂的古今演变和现存状态中得知。因此第四章通过对台湾、日本一些现代优秀佛寺装饰设计案例及现代西方教堂的装饰设计进行总结和分析,找出它们装饰设计现代化转型的方式、方法,对比分析中国大陆佛寺所面问题的解决思路。为中国大陆地区佛教建筑装饰设计的现代化转型提供新的理论依据和可借鉴的观点。
[Abstract]:This article takes the Han Buddhism architecture decoration as the main research object. Buddhist architecture is different from common secular architecture. It is restricted by Buddhist culture. It not only provides meeting places for believers, but also symbolizes the spirit of modern Buddhism. The decoration of Buddhist architecture is the materialized form of Buddhist art, and it has two special features: on the one hand, it beautifies the activity center of the monk group's practice, rites and Buddhas, and meditation; on the other hand, Buddhist decoration generally has a very strong symbolism. It is people's yearning for and imagination of the world of bliss and the carrier of Buddhist art and the spirit of believers. Chinese Buddhist architecture decoration occupies a large proportion in Chinese traditional wooden architecture culture. From the end of the Eastern Han Dynasty to the Ming and Qing dynasties, the traditional Buddhist architectural decoration kept pace with the times, coordinated with the construction culture of the middle and trapped etiquette, and formed different style characteristics and forms of expression in each period. Also for the traditional decorative art to bring new vitality and vitality. However, with the revival of modern Buddhism and the pluralistic development of decorative art, many new and expanded Buddhist architecture decoration art lacks the exploration of new form and new style. Or stick to the rules, continuation of the classical decorative form; or simply pursue the luxury of surface form, space monotonous and boring. With the development of modern science and technology, the exchange of architectural culture between East and West becomes more and more frequent, and the transformation of Buddhist architecture and its decoration becomes inevitable. Therefore, this paper takes the inheritance and innovation of Buddhist architectural decoration as the main theme. The second chapter describes the purpose and significance of this topic, the research methods and categories, the research situation at home and abroad, the innovations and so on. Chapter two is based on historical records, libraries and existing representative Buddhist buildings, etc. Focusing on the analysis of the long history of traditional Buddhist architecture decoration, the achievements, the relationship between the Chinese traditional Confucianism and Taoism culture and the main characteristics of the decoration content, etc. This paper analyzes the development and problems of the existing Buddhist temples, and summarizes the causes of the problems. There are three major religions in the world, different religions have their own special, very discernible architectural decoration form, but the development of religious architecture has the same way, which can be learned from the ancient and modern evolution and the existing state of western churches. Therefore, the fourth chapter summarizes and analyzes some cases of modern excellent Buddhist temple decoration design in Taiwan and Japan and the decoration design of modern western churches, and finds out the way and method of modern transformation of decoration design. Compare and analyze the solutions to the problems of Buddhist monasteries in mainland China. It provides a new theoretical basis and reference point for the modern transformation of Buddhist architectural decoration design in mainland China.
【学位授予单位】：山东建筑大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：TU252;TU-80

【引证文献】