康雍乾陶瓷龙纹装饰比较研究

发布时间：2018-06-01 04:58

本文选题：康熙 + 雍正　；参考：《景德镇陶瓷学院》2013年硕士论文

【摘要】：龙是中华名族古老信仰的产物，在中国历史的长河上地位尤为显著，在陶瓷装饰上运用颇多。新石器时期，勤劳智慧的远古先民就想象出了龙，并尊重龙，敬畏龙。到了清代，，龙纹成为陶瓷装饰中的主要题材。它寓意着吉祥，象征着皇权。龙纹的背后有非常丰富的研究价值，其文化底蕴深厚。本文以清代康熙、雍正、乾隆三个时期为时间背景，对陶瓷龙纹的装饰手法、形态特征以及构图形式进行研究，对清三代陶瓷龙纹的表现进行系统的总结和归纳，并分析这个三个朝代陶瓷龙纹相同和不同的特点以及时代特征。对陶瓷龙纹装饰特征的全面研究进行有益的补充。
[Abstract]:The dragon is the product of the ancient belief of the Chinese people, especially in the long river of Chinese history, and it is widely used in ceramic decoration. In the Neolithic period, the diligent and intelligent ancient ancestors imagined dragons and respected them and feared them. In the Qing Dynasty, dragon grain became the main theme of ceramic decoration. It symbolizes auspiciousness and symbolizes imperial power. There is a very rich research value behind the dragon grain, and its cultural background is profound. Taking the three periods of Kangxi, Yongzheng and Qianlong in Qing Dynasty as the time background, this paper studies the decorative techniques, morphological characteristics and composition of ceramic dragon lines, and systematically summarizes and induces the performance of the three generations of ceramic dragon lines in Qing Dynasty. And analyze the same and different characteristics and characteristics of the three dynasties ceramic dragon grain. The comprehensive study on the decorative features of ceramic dragon lines is a useful supplement.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J527;J522

【参考文献】