探究中国图腾图形装饰之美

发布时间：2018-06-10 07:52

本文选题：中国图腾 + 图形　；参考：《广西师范大学》2011年硕士论文

【摘要】：中国图腾图形神奇独特,是现代装饰艺术设计的奇葩珍瑰。图腾图形艺术是一种以虚拟实的神奇意象创造,其突出特点在于：虚实相生、写意传神、形似万象,与原始渔猎农耕文明的社会群体生产、巫术、气象、以及群体的审美心理、宗教信仰、民间习俗等方面联系紧密。在漫长的历史变迁中,中华民族的生息繁衍与图腾崇拜有着千丝万缕的联系,先民虔诚的崇拜着大自然中各种图腾物,把它们视为本氏族的祖先,将氏族图腾图像刻画在岩石或器具上,企求图腾物的神力能保护氏族繁衍昌盛,这种观念积淀在人类心灵意识底层,最终形成图腾艺术与文化。图腾图形独特的设计思维,是多种动物、植物、自然物局部重组构成,源于现实,又高于现实。图腾艺术的“写意”、“传神”、“适形”,是意、神、形的辩证统一。通过运用传统与现代结合的设计理念,将图腾图形意象运用到当今装饰艺术领域,使传统文化与时代观念互相融合,相得益彰,出奇出新。论文从图腾的起源,图腾艺术形成的背景及其所蕴含的审美意识,侧重于以图腾图形运用为主线,理解并运用图腾文化的内涵进行装饰艺术创作与应用,推陈出新,真正古为今用。中国古代的万物和谐的整体思想,使中国两千多年来的设计载体呈现出整体、协调、祥和的井然有序状态,是人文生态平衡和自然生态平衡的完美统一,是人类设计的理想境界。图腾图形的艺术创造,不仅是文化的精神载体,也是文化的物质表现,必定要面向大众,以发挥其促进精神文明与物质文明协调发展的综合实效而获得良好的社会效益与经济效益。这是精神与物质互相转化、辩证统一的实践过程中,无疑会有利于延伸中国图形艺术设计的发展。
[Abstract]:Chinese totem figure magic unique, is the modern decorative art design rare flower rose. Totem graphic art is a kind of magic image created by virtual reality. Its outstanding features are that the virtual reality is born together, the freehand brushwork is vivid, the figure is like all kinds of phenomena, and the social group production, witchcraft, meteorology, and aesthetic psychology of the group are compared with the primitive farming and hunting civilization. Religious beliefs, folk customs and other aspects are closely linked. In the long historical changes, the Chinese nation's prolific reproduction and totem worship are inextricably linked, and the ancestors devoutly worshipped all kinds of things in nature. They are regarded as the ancestors of the clan, and the totem images of the clan are depicted on the rocks or instruments in the hope that the magic power of the towering things can protect the reproduction and prosperity of the clan. This idea is accumulated at the bottom of the consciousness of the human mind, and finally forms the totem art and culture. Totem figure unique design thinking, is a variety of animals, plants, natural objects local reorganization, derived from reality, but also higher than reality. "freehand brushwork", "evangelism" and "conformality" of totem art are dialectical unity of meaning, god and form. By using the design idea of combining tradition and modern, totem figure image is applied to the field of decoration art nowadays, so that the traditional culture and the concept of the times can be combined with each other to complement each other, and the image of totem figure can be extraordinarily new. From the origin of totem, the background of totem art formation and its aesthetic consciousness, this paper focuses on the use of totem graphics as the main line, understanding and using the connotation of totem culture for decorative art creation and application, so as to bring forth new ideas. The past is for the present. The whole idea of harmony of all things in ancient China has made the design carrier of China for more than two thousand years present an overall, harmonious and peaceful state of order, which is the perfect unity of the balance of human ecology and natural ecology. It is the ideal realm of human design. The artistic creation of totem graphics is not only the spiritual carrier of culture, but also the material expression of culture. Good social and economic benefits can be obtained by giving play to the comprehensive effect of promoting the harmonious development of spiritual civilization and material civilization. This is the practice process of spiritual and material transformation and dialectical unity, which will undoubtedly help to extend the development of Chinese graphic art design.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J501

【参考文献】