传统装饰语言在当代空间艺术设计中的阐释

发布时间：2018-06-11 09:51

本文选题：传统装饰语言 + 空间艺术设计　；参考：《华中师范大学》2008年硕士论文

【摘要】： 当下世界范围的经济、文化大融合,进一步加速了全球化的进程,各国之间的文化艺术语汇也渐趋同化,尤其文化的趋同对空间艺术设计所带来的强烈影响,使我们丢失了许多传统设计语言适时性的传承和发展。我们透过直接或间接的途径逐渐对国外的设计方式有了认识,设计语言也具有了“国际化”的视觉面貌,但是终究面临一种困惑,即我们的空间艺术设计整体上无法形成与之民族文化底蕴相称的面貌。近些年来我国在空间艺术设计中取得一定成效,然而在繁多的空间艺术设计作品中忽略传播对象的文化背景与审美习惯,简单模仿与盲目利用西方“视觉语汇”已经成为一种普遍现象,视觉语言失语已是常态,设计文化身份不知所归。面对如此窘境,在西方文化的刺激下,作为中国当代空间艺术设计所采取的重要回应方式之一,即利用中国传统装饰语言与空间界面的结合来彰显民族特性,并得到广泛地响应。但在此发展过程问题也较为突显,本文就此分析其发展的理论依存和解决问题的思路、方法。在空间艺术设计中对传统装饰语言资源有效利用的研究过程,应站在文化的高度,思考全球化、当代性与传统地域文化的内在关联,立足于传统文化的精神意象,将传统装饰形态视为活的生命体,既要看到传统装饰形态的文化性与历史性的一面,又要看到传统装饰形态的普遍性与超越性的一面,着眼于对传统重新认知的融入和传统精神的凝炼,立足于设计精神凝炼之后的装饰语言再发展,从而实现装饰语言与空间界面的有机融合。持“凝炼其精神,转化其形式”的设计原则,探索一条“从形式到精神,再升华形式,突显民族意象”的设计新路。由此才能在深层次上运用好传统装饰语言,创新传统,才能在全球化的设计语境中创造民族新风。空间艺术设计成功的必要前题是满足空间的特定功能性要求,并获得一定的形式美感。而设计的深层意义是获得“有意味”的空间形式,是置身在功能与形式中追求更深一层的文化寓意。传统装饰语言基于社会的约定性所传达出的语意,能通过合理的结构安排比附于空间,以此实现空间环境的寓意显现。由此传统装饰语言在当代空间的形式运用,不仅是具有视觉美化的形式表现,而且通过传统装饰语言的语意传达,从而提高空间的精神含量,增强空间的文化性,实现文脉的延续。
[Abstract]:The great integration of economy and culture in the world has further accelerated the process of globalization, and the cultural and artistic vocabulary among countries is also gradually converging, especially the strong influence of cultural convergence on the design of space art. Make us lose a lot of traditional design language timely inheritance and development. Through direct or indirect channels, we have gradually come to understand the design methods of foreign countries, and the design language also has the visual appearance of "internationalization", but after all we are faced with a kind of confusion. That is, our space art design as a whole can not form a face commensurate with its national culture. In recent years, China has made some achievements in space art design. However, in the various works of space art design, the cultural background and aesthetic habits of the dissemination objects are ignored. Simple imitation and blind use of Western "visual vocabulary" have become a common phenomenon, visual language aphasia has become the norm, design cultural identity is unknown. In the face of such a difficult situation, under the stimulation of western culture, as one of the important ways to respond to the contemporary space art design in China, it uses the combination of Chinese traditional decorative language and spatial interface to highlight the national characteristics. And received a wide range of responses. However, the problems in the development process are also prominent. This paper analyzes the theoretical dependence of its development and the ideas and methods to solve the problems. The research process of the effective use of traditional decorative language resources in the space art design should stand at the height of culture. Considering the inner relationship between globalization, modernity and traditional regional culture, based on the spiritual image of traditional culture, the traditional decorative form should be regarded as a living organism, and the cultural and historical aspects of the traditional decorative form should be seen. We should also see the universality and transcendence of the traditional decorative form, focus on the integration of the traditional re-cognition and the condensation of the traditional spirit, and based on the development of the decorative language after the condensation of the design spirit. In order to achieve the decorative language and space interface organic integration. Based on the design principle of "condensing its spirit and transforming its form", this paper explores a new way to design "from form to spirit, sublimate form and highlight national image". Only in this way can we make good use of the traditional decorative language, innovate the tradition and create a new national style in the global design context. The necessary prerequisite for the success of space art design is to meet the special functional requirements of space. And to obtain a certain aesthetic form. The deep meaning of design is to obtain "meaningful" spatial form, and to pursue a deeper cultural meaning in function and form. The traditional decorative language based on the social convention can realize the implication of the space environment through reasonable structure arrangement to attach to the space. Therefore, the application of traditional decorative language in the form of contemporary space is not only the form of visual beautification, but also the conveyance of the meaning of traditional decorative language, thus enhancing the spiritual content of space and enhancing the cultural character of space. To realize the continuation of the context.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J50

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