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现代设计中传统装饰纹样的融入

发布时间:2018-06-14 00:32

  本文选题:现代设计 + 传统装饰纹样 ; 参考:《大连工业大学》2013年硕士论文


【摘要】:拥有着几千年悠久历史的中国,在世界文明史上占有非常重要的地位,中国传统纹样可谓是古人智慧的结晶,是我国文明重要的组成部分。几千年的艺术沉淀形成的精美纹饰是不可多得的艺术大宝库,其应用广泛,风格鲜明,创意独特,是随历史时代流传至今的文化遗产,是我们进行艺术创作的活词典。纵观中国传统图案的历史,可以读出一个结论:尽管客观存在是不以某个人的意志为转移的,但中国的传统文化所具有的风格是有规律可以寻找的,是一种必然,我们只有站在巨人的肩膀上,进行创新的同时融入现代审美元素,才能够创作出具有民族与时代性的作品,为了这个目标,系统的了解中国传统纹样的历程,,挖掘传统文化继承发扬传统文化是我们的责任与使命。中国的传统纹样是古人对自然规律的总结,是历代劳动人民,工匠师,艺人智慧的结晶,留给我们历史的精髓,创意独特,风格鲜明,技艺精湛,形式丰富多彩,将其与我们的现代艺术进行融合,使我们的现代艺术设计更具有根基、文化性和社会性。 ①目的:通过对传统纹样的研究与认识,总结出将传统纹样与现代设计连接的方式和方法,用现代的角度重新复活传统的纹样,立足于本民族的传统文化中,结合西方的设计理论,在尊重传统纹样文化的同时,再发展和再传承,研究有中国传统特点及韵味的现代设计。论文主要是针对这一问题进行的理论研究。 ②方法:不是单纯的把古老的、传统的东西原封不动的遗留使用,当然保存是对的,这是一种对历史的尊重,重点是怎样进一步传承,重新解读新时代大背景下对历史的全新解读,全新尊重法。论文从中国传统装饰纹样入手,透过其形与意的转化与传达方式,挖掘深层文化内涵,总结出适合现代的设计手法,从形与神上传承传统纹样,使其形态和神韵得以整体的表现,注重意境的表达,用现代的设计方式方法以及材料技术,重现一种传统意境与空间的感受。 ③结论:本文将从中国传统纹样的题材以及其分类进行分析,探索纹样图案背后深层次内涵,结合现代设计手法与发展方向进行研究,总结出中国传统与现代互相能够交融的点。
[Abstract]:With a long history of thousands of years, China occupies a very important position in the history of world civilization. Chinese traditional patterns are the crystallization of ancient wisdom and an important part of Chinese civilization. The fine patterns formed by thousands of years of artistic precipitation are rare treasure-houses of art, which are widely used, distinctive in style and unique in creativity. They are the cultural heritage passed down with the historical times and the living dictionaries for our artistic creation. Looking at the history of Chinese traditional patterns, one conclusion can be read out: although the objective existence is not transferred by the will of one person, the style of Chinese traditional culture is regular and inevitable. Only when we stand on the shoulders of giants and innovate and incorporate modern aesthetic elements can we create works with a national and contemporary character. For this purpose, we systematically understand the course of Chinese traditional patterns. It is our duty and mission to excavate and inherit and carry forward the traditional culture. Chinese traditional patterns are the ancient summary of natural laws, the crystallization of the wisdom of the laboring people, craftsmen and entertainers in the past dynasties, leaving us the essence of history. They are unique in creativity, distinctive in style, exquisite in craftsmanship, and rich in form. By merging it with our modern art, our modern art design is more fundamental, cultural and social. 1 objective: through the research and understanding of traditional patterns, Summing up the way and method of connecting the traditional pattern with the modern design, reviving the traditional pattern with the modern angle, based on the traditional culture of our nation, combining the western design theory, while respecting the traditional pattern culture, Redevelop and inherit, study the modern design with Chinese traditional characteristics and lasting appeal. This paper mainly focuses on the theoretical research on this problem. 2 methods: not simply to leave old, traditional things intact, of course, it is right to preserve, this is a respect for history, The emphasis is on how to further inherit and reinterpret the new interpretation of history under the background of the new era and the new law of respect. This paper starts with the Chinese traditional decorative pattern, through the transformation and communication of its form and meaning, excavates the deep cultural connotation, summarizes the design method suitable for modern, inherits the traditional pattern from the shape and the spirit. So that its shape and charm can be the overall performance, pay attention to the expression of artistic conception, with modern design methods and materials technology, Conclusion: this paper will analyze the theme and classification of Chinese traditional patterns and explore the deep connotation behind them. Based on the research of modern design technique and development direction, this paper sums up the intermingling points of Chinese tradition and modern.
【学位授予单位】:大连工业大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J522

【参考文献】

相关期刊论文 前1条

1 干振玮;龙纹图象的考古学依据[J];北方文物;1995年04期



本文编号:2016213

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