云南氐羌族系腰带装饰艺术语意研究

发布时间：2018-06-17 08:13

本文选题：腰带装饰艺术语意 + 氐羌族系　；参考：《昆明理工大学》2013年硕士论文

【摘要】：少数民族装饰艺术与民族、族群及人类的生活环境发展息息相关。郭沫若说：“由服饰可以考见民族文化发展的轨迹和各兄弟民族间的互相影响,历史生产方式、阶级关系、风俗习惯、文物制度等,大可一目了然,是绝好的史料。”腰带装饰是服饰中的重要组成部分,它有着各民族不同的文化内涵,展现特有的文化魅力与艺术表征。少数民族服饰中,腰带作为服装配饰,往往能够较大程度的从形态、色彩,纹样等方面体现出这个族群的发展状态,它的重要性不可小觑。在各少数民族的装饰中,腰间的装饰艺术形成了少数民族服饰中独特的审美情趣,各类腰饰以自身特有的艺术魅力和丰富多彩的风格变化呈现出来。腰带中丰富多彩的装饰艺术类型集中国几千年的民族文化精粹于一身,其中图案、色彩、工艺都是氐羌族系腰带装饰艺术语意中值得研究的重点内容。通过解析氐羌族系腰饰,可以窥见各族群间的传统文化和装饰艺术语意之一斑。在文献查阅和田野调查的基础上,从氐羌族系腰带的演化和功能出发,系统的分析了腰带组成及装饰艺术图案语意,色彩语意,工艺语意及在腰带艺术语意中羊崇拜与腰带艺术语意的关系以及与族群源流发展的关系。由于古老氐羌民族系统的远古原始崇拜的由来及民族文化、族群文化、民族间文化交融对装饰艺术的形成发展所造成的影响,导致各族群间装饰艺术而今虽有不同,但也有联系。通过对氐羌族系腰带装饰艺术语意的梳理,特别是对腰带装饰艺术语意中与羊崇拜的关系及对整个族群发展源流的梳理研究,在以花腰彝、大理白族为例作为主要研究对象时,还对整个氐羌民族系统的所有族群的腰饰装饰艺术都做了一个系统归纳,突出一个民族系统中现今还依旧有大部分族群仍然保留腰饰中的一个部分——“尾饰”这一特征,尾饰功能性转变见证了它的历史源流追溯到远古氐羌族系的羊崇拜。在彝族、白族腰带装饰艺术语意中,装饰内容与民族文化内涵的高度统—使精湛的装饰技艺将源于生活的具象形态及远古流传而来的原始崇拜转化为极具本民族特色的装饰元素,展现出生活与艺术、抽象与具象的完美融合。
[Abstract]:The decorative art of ethnic minorities is closely related to the development of the living environment of nationalities, ethnic groups and human beings. Guo Moruo said: "the track of the development of national culture and the influence of each other among the brotherly nations can be seen by clothing, historical production, class relations, customs, cultural relics, etc., which can be seen at a glance and are excellent historical materials." Belt decoration is an important part of clothing, it has different cultural connotations of different nationalities, showing unique cultural charm and artistic representation. The belt, as a garment accessory, often reflects the development of the ethnic group from the aspects of form, color and pattern, and its importance can not be underestimated. In the decoration of the ethnic minorities, the decorative art at the waist has formed the unique aesthetic taste in the costumes of ethnic minorities, and all kinds of waist ornaments are presented with their own unique artistic charm and colorful style changes. The rich and colorful decorative art types in the belt are the essence of Chinese national culture for thousands of years, in which the patterns, colors and techniques are the important contents worth studying in the meaning of the belt decoration art of the Di and Qiang nationality. By analyzing the waist ornaments of Di Qiang nationality, we can see the connotations of traditional culture and decorative arts among different ethnic groups. On the basis of literature review and field investigation, starting from the evolution and function of the belt of Di Qiang nationality, this paper systematically analyzes the composition of belt, the meaning of decorative art pattern, and the meaning of color. The relationship between sheep worship and belt art meaning and the development of ethnic group in craft meaning and belt art meaning. Because of the origin of ancient primitive worship of the ancient Di Qiang ethnic system and the influence of the blending of ethnic culture, ethnic culture and inter-ethnic culture on the formation and development of decorative art, the decorative art among different ethnic groups is now different. But there is also a connection. Through combing the meaning of belt decoration art of Di Qiang nationality, especially the relationship between belt decorative art meaning and sheep worship and the origin of the whole ethnic group, when taking Huayao Yi and Dali Bai as the main research objects, In addition, a systematic summary has been made of the waist decoration art of all ethnic groups in the entire Di-Qiang ethnic system, highlighting the fact that most ethnic groups still retain a part of the waist ornaments "tail ornaments" in a national system. The functional transformation of tail ornaments witnessed its historical origin to the ancient Di-Qiang sheep worship. In the language of Yi and Bai belt decorative arts, The highly unified decorative contents and national cultural connotations-the exquisite decorative techniques will be transformed from the figurative form of life and primitive worship from ancient times into decorative elements with their own national characteristics, showing life and art. The perfect fusion of abstraction and concrete.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J523.5

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