汉代漆器装饰纹样艺术研究

发布时间：2018-06-22 21:58

本文选题：汉代漆器 + 装饰纹样　；参考：《扬州大学》2010年硕士论文

【摘要】： 汉代是中国漆艺史上继战国之后的又一个辉煌时代,是中国漆器工艺的黄金时代。这一时期的漆器纹样在继承战国和秦代的装饰纹样的基础上又得到了新的发展,形成了自己独特的风格。以漆器纹样艺术价值而言,汉代属于一个繁荣时期,汉代出土的漆器以其简约的造型、丰富的图案、灵动的线条而令后人叹为观止。无论是生活中的覆盖面或者影响力,还是艺术成就或装饰技法的水准,在中国乃至世界漆艺史上都占据了极为重要极为辉煌的地位。漆器的造型限制了装饰纹样的形式,汉代漆器的纹样除了继承汉以前的漆器纹样的特点,还结合了自身的造型特点,表现出独具一格的装饰风格,呈现出大气磅礴以及浪漫风格。汉代漆器装饰纹样形式的流变受到社会、经济、文化等因素的影响。汉代阴阳五行的思想、厚葬之风、对长生不老的追求推动了汉代漆器的空前繁荣发展,为汉代漆器装饰纹样的多样性提供了前提,是汉代漆器装饰纹样形成大气磅礴以及浪漫风格的因素,最终形成了属于汉代的独特装饰风格。汉代漆器装饰艺术在构成上有多种形式,例如对称与均衡、统一与调和、节奏和韵律等形式。其中对称与均衡,是汉漆器纹样的主要构成形式。本文以中国汉代漆器装饰纹样为研究对象,结合大量的汉代漆器纹样的图片,从纹样的题材内容分析入手,深入当时社会历史和思想文化背景以及纹样构成形式的分析,试图找出汉代漆器纹样的形式法则和美学特征。并结合当今的时代特征,对我国现代漆器装饰纹样的发展和创新进行了探讨。首先介绍了漆器艺术在汉代的形成和装饰纹样的定义,然后论述了汉代漆器与装饰纹样之间的关系。其次从论述汉代漆器装饰纹样产生的背景和纹样题材入手,分析了在社会历史背景和思想文化的影响下汉代漆器纹样发展的趋势,进而从装饰手法、构成形式、色彩语言三个方面对汉代漆器装饰纹样的艺术特征展开论述。最后,主要分析汉代漆器装饰纹样对现代漆画纹样的启示以及现代漆器纹样的创新。
[Abstract]:Han Dynasty was another glorious period after the warring States period in the history of Chinese lacquer art and the golden age of Chinese lacquer craft. On the basis of inheriting the decorative patterns of warring States and Qin Dynasty, the lacquer patterns of this period were developed and formed their own unique style. As far as the artistic value of lacquer ware pattern is concerned, Han Dynasty belongs to a prosperous period. The lacquer ware unearthed in the Han Dynasty was astounded by its simple shape, rich patterns and intelligent lines. Whether the coverage or influence of life, or artistic achievements or decorative techniques, has occupied an extremely important and brilliant position in the history of lacquer art in China and the world. The pattern of lacquer ware limited the form of decorative pattern. In addition to inheriting the characteristics of lacquer pattern before Han Dynasty, the pattern of lacquer ware also combined with its own modeling characteristics, showing a unique decorative style. Presents a magnificent and romantic style. The evolution of decorative patterns of lacquer ware in Han Dynasty was influenced by social, economic and cultural factors. The thought of the five elements of Yin and Yang in the Han Dynasty, the style of burial, the pursuit of immortality promoted the unprecedented prosperity of the lacquer ware in the Han Dynasty, and provided the premise for the variety of decorative patterns of the lacquer ware in the Han Dynasty. Is the Han Dynasty lacquer decorative patterns form a magnificent and romantic style, and finally formed a unique decorative style belonging to the Han Dynasty. The decorative art of lacquer ware in Han Dynasty has many forms, such as symmetry and balance, unity and harmony, rhythm and rhythm, etc. Among them, symmetry and balance are the main forms of Han lacquer patterns. This article takes Chinese Han Dynasty lacquer ware decoration pattern as the research object, unifies the massive Han Dynasty lacquerware pattern picture, from the pattern theme content analysis, thorough at that time social history and the thought culture background as well as the pattern constitution form analysis, This paper tries to find out the formal rules and aesthetic characteristics of lacquer patterns in Han Dynasty. The development and innovation of decorative patterns of modern lacquer ware in China are discussed. This paper first introduces the formation of lacquer art in Han Dynasty and the definition of decorative pattern, then discusses the relationship between lacquer ware and decorative pattern in Han Dynasty. Secondly, this paper discusses the background and theme of lacquer decorative patterns in Han Dynasty, analyzes the development trend of lacquer patterns in Han Dynasty under the influence of social and historical background and ideology and culture, and then forms the lacquer patterns from decoration techniques. Three aspects of the color language of the Han Dynasty lacquer decorative patterns of the artistic characteristics of the discussion. Finally, the paper mainly analyzes the inspiration of decorative pattern of lacquer ware in Han Dynasty to the pattern of modern lacquer painting and the innovation of the pattern of modern lacquer ware.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J527

【引证文献】