中国传统装饰艺术符号螭首形式语言研究

发布时间：2018-06-22 23:42

本文选题：螭首 + 符号所指　；参考：《湖南工业大学》2013年硕士论文

【摘要】：中国龙是深入民族骨髓的文化图腾,龙的家族组成复杂繁多。龙在成长的不同周期内,都会形成独立的装饰形态,而这些装饰形态在保留原始龙形态的同时,又有着自己独立的形态特点,螭首就是其中的一例。螭原本是魅兽之类,受到早期龙图腾的影响,其身份逐渐转变为幼龙或雌龙,地位由邪恶鬼魅上升为吉祥瑞兽。螭首是中国传统建筑装饰史上的重要组成部分,有十分重要的研究意义。文章第二章将螭看作一个独立的形态体系,通过广泛收集文字资料和图像资料,运用图像学和文化人类学的研究方法,对现有资料分析整理,追溯螭首起源,找出排水口螭首与螭龙纹、螭首龟趺的区别之处。第三章是分析螭首在不同的时代阶段的形态特征。螭首的时代演绎脱离不了当时的社会形态和建筑文化背景,在魏晋、隋唐、宋元、明清四阶段螭首的表现特征概括为：强硬凶悍、异域多样、完型精致、日渐凋落。同时充分了解魏晋至明清阶段的螭首的造型规律与其所处时代的社会影响之间的关系。第四章与第五章是运用符号学研究方法,对螭首作为建筑装饰符号所承载的符号能指与所指进行研究分析。螭首有三点重要的实用功能：排水口装饰、承重与平衡台基、防止台基遭雨水侵蚀。螭首的符号所指是指螭首的内在象征,主要有四点：帝王皇权的等级象征、风调雨顺的祈愿理想、关煞护财的风水观念、保塔护法的宗教思想。这种观念下形成的装饰美感是不言而喻的,符合封建社会的礼制等级需求,蕴含着宫殿建筑的真善之美；上等石材,精工巧技,营造宫殿富丽之美。第六章分析保护继承传统装饰符号螭首的意义和现代运用实例,并对本土化的继承与发展问题进行反思。最后,综合所论述的重点进行总结。肯定螭首具有中华传统文化的表现价值,希冀课题的研究能够给往后人解读螭首符号带来参考利用的价值。
[Abstract]:Chinese dragon is a cultural totem that goes deep into the bone marrow of the nation. The dragon will form its own decorative form in different periods of growth, and these decorative forms have their own independent morphological characteristics while retaining the primitive dragon form, the head of the dragon is one of the examples. Chi was originally a charmed beast, influenced by the totem of the early dragon, its status gradually changed into a young dragon or a female, and its status rose from evil ghosts to auspicious Rui beasts. Chi Shou is an important part in the history of Chinese traditional architecture decoration, and has very important research significance. In the second chapter, Chi is regarded as an independent form system. Through the extensive collection of characters and images, and by using the research methods of imageology and cultural anthropology, the author analyzes and collates the existing data, and traces the origin of Chi head. Find out the draining mouth Chi head and chi dragon grain, Chi head the difference between the turtle shed. The third chapter is the analysis of the head of chi in different stages of the shape of the characteristics. The epoch deduction of Chi Shou can not break away from the social form and architectural culture background at that time. In Wei and Jin dynasties, Sui and Tang dynasties, Song and Yuan dynasties, Ming and Qing dynasties, the performance characteristics of Chi head are summarized as follows: tough and ferocious, exotic and diverse, finely shaped, and gradually withered. At the same time, fully understand the Wei, Jin to Ming and Qing period of the Chi head modeling law and its era of social impact relationship. In the fourth and fifth chapters, the semiotics research method is used to analyze the symbol signifier and signifier carried by Chi Shou as a symbol of architectural decoration. The chi head has three important practical functions: drains decoration, bearing and balancing the platform foundation, preventing the platform foundation from being eroded by Rain Water. The symbol of the head of chi refers to the internal symbol of the head of the chi, which has four main points: the rank symbol of the imperial power, the ideal of praying for good weather, the idea of fengshui, the religious thought of protecting the tower and protecting the law. The aesthetic sense of decoration formed under this concept is self-evident, conforms to the needs of feudal society's etiquette hierarchy, and contains the beauty of the real and good of the palace architecture; the fine stone, the exquisite workmanship, and the rich beauty of the palace. The sixth chapter analyzes the significance of the protection of the traditional decorative symbol Chi head and the examples of modern application, and reflects on the inheritance and development of localization. Finally, the main points are summarized. It is believed that Chi Shou has the performance value of Chinese traditional culture, and it is hoped that the study of the subject can bring reference value to the interpretation of Chi Shou symbol.
【学位授予单位】：湖南工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J509.2

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