论唐代铜镜的装饰审美特色

发布时间：2018-06-24 13:22

本文选题：唐代铜镜 + 特种工艺　；参考：《西安美术学院》2010年硕士论文

【摘要】： 铜镜是古人用来修饰自己容颜的生活用具,由镜面、镜背以及镜钮三部分组成,是金属铜、锡、铅合成铸就,背面装饰精美细致、灿烂多姿的图案纹饰,是我国艺术宝库中最独特的组成部分。本文由绪论、铜镜的渊源、唐代铜镜、唐代铜镜的纹饰之美、唐镜对后来美术发展的影响、结论与展望等六部分组成。本文通过铜镜的起源和制作,引申出铜镜是兼具实用功能和艺术审美功能的工艺品。纵观四千年中国铜镜的发展历史,反映出铜镜早期(齐家文化与商周)、流行期(春秋战国)、鼎盛期(汉代)、中衰期(三国、晋、魏、南北朝)、繁荣期(隋唐)、衰落期(五代、十国、宋、金、元、明、清)等几个阶段与唐代铜镜在镜形和镜钮的变化比较,分析唐代铜镜纹饰在初唐、中唐及晚唐三个历史分期的特点,从而折射出在不同时期内因历史、政治、经济发展的影响,唐镜所呈现的审美心理,叙述唐代特种工艺铜镜的制作方法和代表作品。本文重点论述了唐镜装饰纹样的对称、排列、均衡、节奏等构图形式和线条、浮雕、透雕、镶嵌等雕刻手法,展现唐代铜镜纹饰的自由豪放、轻快舒展、华丽绚烂之美,以及对我国后世传统图案在表现形式上的影响。本文采用理论学习、文献阅读与实地调查相结合的研究方法,力图从中国唐代铜镜的镜形设计、纹饰设计的特征,来探讨唐镜的发展规律和影响。
[Abstract]:The bronze mirror is a living appliance used by the ancients to decorate their appearance. It is composed of three parts: mirror surface, mirror back and mirror knob. It is made of metal copper, tin and lead, and is beautifully decorated and beautifully decorated on the back. It is the most unique part of our country's art treasure house. This paper consists of six parts: introduction, the origin of bronze mirror, the beauty of bronze mirror decoration in Tang Dynasty, the influence of Tang mirror on the development of art later, the conclusion and prospect. Through the origin and manufacture of bronze mirror, it is concluded that bronze mirror is a handicraft with both practical function and artistic aesthetic function. Throughout the history of four thousand years of Chinese bronze mirror development, it reflects the early period of bronze mirror (Qi culture and Shang Zhou), the epidemic period (Spring and Autumn period and warring States period), the peak period (Han Dynasty), the middle and declining period (three Kingdoms, Jin, Wei, Southern and Northern dynasties), the prosperous period (Sui and Tang dynasties), the decline period (five dynasties), Compared with the changes of the bronze mirror in the mirror shape and the mirror button in the Tang Dynasty, this paper analyzes the characteristics of the three stages of the bronze mirror decoration in the early Tang Dynasty, the middle Tang Dynasty and the late Tang Dynasty, so as to reflect the history in different periods, as a result of the comparison between the ten periods, the Song Dynasty, the Jin Dynasty, the Yuan Dynasty, the Ming Dynasty and the Qing Dynasty, and the changes of the bronze mirror in the Tang Dynasty. The influence of political and economic development, the aesthetic psychology of Tang mirror, the production method and representative works of Tang Dynasty special craftsmanship bronze mirror. This paper focuses on the symmetry, arrangement, balance, rhythm and other composition forms and lines of the decorative patterns of the Tang Dynasty mirror, such as relief, permeable carving, mosaic and other engraving techniques, to show the free and bold, light and stretch, gorgeous beauty of the bronze mirror ornaments of the Tang Dynasty. As well as to our country later generation tradition pattern in the expression form influence. In this paper, by means of theoretical study, literature reading and field investigation, this paper tries to discuss the development law and influence of Tang Dynasty mirror from the characteristics of mirror design and pattern design of bronze mirror in Tang Dynasty in China.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J525;K875.2

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