满族民间剪纸的造型特点与装饰语意探究

发布时间：2018-06-26 07:16

本文选题：满族剪纸 + 民间艺术　；参考：《吉林艺术学院》2009年硕士论文

【摘要】： 满族民间剪纸作为一种原始艺术,既有各地区的特征又保持了本源文化的特点,它是先民在生产劳动,社会活动之余,为满足精神生活的需要,自己创作并在生活当中应用和流传的一种朴素的、自由的表意形式。本文就是通过对满族剪纸艺术形态的考察进而揭示出剪纸的装饰语意特点。满族的剪纸有其独特的符号体系和影像魅力,这些符号来源于民间,带有普遍的社会认可性。用线上刚毅而富有弹性;低沉而圆润;严谨而灵巧,浑厚而稚拙。构图上则采用散点透视,打破了时间、空间、比例关系的限制,突出其正面性、对称性和构图完整性原则,以形象的主次、对称、均衡等形式法则统一画面。满族民间剪纸类型多样,表现形式也十分丰富,意象造型是其主要的装饰形式。
[Abstract]:As a kind of primitive art, Manchu folk paper-cut not only has the characteristics of various regions but also maintains the characteristics of the original culture. It is a kind of folk paper-cut which is used to satisfy the needs of spiritual life in addition to productive labor and social activities. A simple, free form of expression created by oneself and applied and circulated in life. This article is through the Manchu paper-cut art form of investigation to reveal the decorative semantic features of paper-cut. Manchu paper-cut has its unique symbol system and image charm, these symbols come from the folk, with universal social acceptance. Strong and elastic on the line; low and round; rigorous and dexterous, rich and childish. On the other hand, scattered point perspective is adopted in composition, which breaks the limitation of time, space and proportion relation, highlights the principle of positivity, symmetry and integrity of composition, and unifies the picture by the rules of image, priority, symmetry, balance, etc. Manchu folk paper-cut type is diverse, the form of expression is also very rich, image modeling is its main decorative form.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J528.1

【引证文献】