中国传统装饰元素“罩”的功能与艺术性研究

发布时间：2018-07-03 16:49

本文选题：罩落 + 木雕　；参考：《南京林业大学》2008年硕士论文

【摘要】： 罩为中国古建筑小木作(joinery work)构件之一,是对柱、梁两侧的两个空间的界划,即对空间做虚拟式的界定,形成空间的过渡和转换,使不同的空间相互连贯,开而不断。通过通透的空间,形成透视和借景,使其成为一个有机的整体,以增强空间的层次感和韵律感。室内用罩分割空间,将大面积的空间,根据需要分成若干小空间,区分使用功能。在造型上非常讲究,制造上精益求精,给人以艺术的享受。在创造艺术形象之余,还注重其文化内涵,吸取中国传统文化之精华,创造出丰富多彩的艺术形象。罩是建筑中不可缺少的组成部分,集功能、艺术、文化于一体,为浩瀚的建筑艺术中一颗璀璨的明珠。罩是古建筑室内装修的重要组成部分。历来为人们所关注所推崇。其实我们要关注的不仅仅是具体的罩,更为重要的是把握其罩文化艺术的精髓和实质。同时我们也不能脱离建筑与室内环境来谈罩的功能与艺术,因为建筑与室内空间是其存在和表现的舞台。罩在公共环境的美化上也有很大的市场空间。表现力丰富,表现题材广泛,表现手法多种多样。罩材料的天然性,符合了当今人们追求环保、回归自然的要求,顺应了历史的潮流与时代的发展方向。本文首先从罩的含义入手,深入研究各式传统罩落的功能、历史演变、木雕纹样、工艺及古今的实际运用,理论联系实际;总结出它的精髓与实质。运用于现代室内中反映室内装饰艺术的内涵。文章分八个部分论述: 第一章、传统构件—罩,介绍传统构件罩的有关内容及界定; 第二章、罩的艺术形式,对众多艺术形式罩的界定; 第三章、罩的历史演变; 第四章、罩的功能,从科学实用性、艺术性、文化性三个方面加以展开论述; 第五章、罩的制作工艺,罩这一传统工艺,集结了材料、工艺、造型设计、色彩、美学为一体,它涵盖了科学与艺术,展示了中国的民族传统文化; 第六章、罩的图案艺术与文化;现代室内设计可借鉴传统元素“罩”的象征和寓意的表现手法,创造具有深层文化和地域特色的现代装饰形式。第七章、传统与现代的运用—罩艺术赏析,以古今设计工程实例,来分析罩在室内设计中的具体运用; 第八章、总结,最后是对罩文化艺术的总结与思考。通过本文的研究让我们对传统文化进一步认识,继承并发扬传统文化。我们要将罩传统文化继承发扬,并将现代的元素与传统结合,使得罩得到更好的发展。
[Abstract]:The cover is one of the small wooden (joinery work) components of ancient Chinese architecture. It is the boundary drawing of two spaces on both sides of the column and beam, that is, the definition of the space is fictitious, which forms the transition and transformation of the space, which makes the different spaces coherent and open continuously. Through the permeable space, it forms perspective and view, makes it an organic whole, in order to enhance the sense of hierarchy and rhythm of space. The large area space is divided into several small spaces according to the need, and the function is distinguished. In the modelling is very fastidious, the manufacture strives for perfection, gives the person to the artistic enjoyment. Besides creating artistic image, it also pays attention to its cultural connotation, absorbs the essence of Chinese traditional culture, and creates rich and colorful artistic image. The cover is an indispensable part of architecture, which integrates function, art and culture, and is a bright pearl in the vast architectural art. The cover is an important part of the interior decoration of ancient buildings. It has always been respected by people. In fact, we should pay attention not only to the specific cover, but also to grasp the essence and essence of the culture and art. At the same time, we can not talk about the function and art of the hood, because architecture and interior space are the stage of its existence and expression. Cover in the beautification of the public environment also has a lot of market space. The expressive power is rich, the expression subject matter is widespread, the expression technique is various. The natural nature of the cover material accords with the requirements of people's pursuit of environmental protection and return to nature, and conforms to the trend of history and the direction of development of the times. This paper begins with the meaning of the cover, deeply studies the functions, historical evolution, woodcarving patterns, techniques and the practical application of the ancient and modern, and summarizes its essence and essence. It is used in modern interior to reflect the connotation of interior decoration art. The article is divided into eight parts: the first chapter, the traditional component-cover, introduces the content and definition of the traditional component cover, the second chapter, the art form of the cover, The definition of the cover of many art forms; the third chapter, the historical evolution of the cover; the fourth chapter, the function of the cover, from the scientific practicability, artistry, The fifth chapter, the manufacture technology of the cover, the traditional craft of the cover, has integrated the material, the craft, the modelling design, the color, the esthetics, it has covered the science and the art, It shows the traditional Chinese culture; chapter VI, the art and culture of the mask; the modern interior design can draw lessons from the traditional elements of "cover" symbol and moral expression, Create a modern decorative form with deep culture and regional characteristics. Chapter 7, traditional and modern application-appreciation of mask art, analyzes the concrete application of cover in interior design with examples of ancient and modern design engineering; chapter 8, summary, and finally the summary and thinking of cover culture and art. Through the study of this paper, we further understand the traditional culture, inherit and carry forward the traditional culture. We should inherit and carry forward the traditional culture and combine the modern elements with the tradition, so that the mask can be better developed.
【学位授予单位】：南京林业大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：TU238.2

【引证文献】