“线”的表述—景德镇明代民窑青花瓷中线条装饰艺术研究

发布时间：2018-07-10 05:09

本文选题：民窑青花 + 景德镇　；参考：《江西师范大学》2013年硕士论文

【摘要】：陶瓷艺术是中国文化长河中经久不衰的艺术珍宝。青花瓷是陶瓷艺术中很别具一格的种类。陶瓷之都—景德镇被称为瓷都,是陶瓷艺术的摇篮。明代景德镇民窑主要生产的都是考虑到人民日常生活必须的日用瓷器,还为当时比较富裕的达官贵人和宫廷御用瓷器进行生产和制作精细的瓷器。这些精美的瓷器还远销海外,得到海内外的一致好评。景德镇民窑青花瓷运用了“线”这一表现手法来创作,造型简单古朴,创作灵感大都来自当时百姓生活的最真实的体会,绘制过程中用笔简单自如,不受拘束,这一时期的艺术创作达到了一定的艺术高度。民窑青花用线条构筑画面,线条生动有趣,大胆洒脱,让这些反映当下文明和发展的民窑青花瓷成为百姓心目中感情最深的艺术品。本文对景德镇民窑青花的发展历程进行简单的梳理分析,从“线”的表现形式入手,对明代青花装饰艺术进行深层次的挖掘,发现其审美特质和艺术表现手法,结合当时的人文环境和百姓心态来论述明代青花“线”的装饰艺术研究分析。首先界定“线”的概念,并指出“线”在青花瓷的创作中的必要性。将青花瓷的用线形式和用笔方式与现代设计之间进行对比研究,最后归纳出景德镇明代民窑青花线条艺术的总体特点,最后在传统青花艺术的基础上对当代青花装饰艺术进行了遐想。
[Abstract]:Ceramic art is an enduring art treasure in the long stream of Chinese culture. Blue and white porcelain is a very unique kind of ceramic art. Ceramic capital-Jingdezhen is called the porcelain capital, is the cradle of ceramic art. In the Ming Dynasty, Jingdezhen Folk Kiln mainly produced daily porcelain which was necessary for the people's daily life, and also produced and made fine porcelain for the wealthier dignitaries and imperial porcelain at that time. These fine porcelain are also exported to overseas, at home and abroad. Jingdezhen Minyao Blue and White porcelain used the expression of "line" to create. The shape was simple and simple, and the inspiration for creation came mostly from the most true experience of the people's life at that time. In the process of drawing, the pen was simple and free and unfettered. The artistic creation of this period reached a certain artistic height. The folk kiln blue and white flowers use the line to construct the picture, the line is vivid and interesting, bold and easy, let these reflect the present civilization and the development of the folk kiln blue and white porcelain become the people in the heart of the deepest feelings of art. In this paper, the development of Jingdezhen Minyao blue and white flowers is simply combed and analyzed. Starting with the expression form of "line", this paper excavates the decorative art of blue and white flowers in Ming Dynasty, and finds out its aesthetic characteristics and artistic expression techniques. Combined with the humanistic environment and the mentality of the people at that time to discuss the Ming Dynasty blue and white "line" decorative art research and analysis. Firstly, the concept of "line" is defined, and the necessity of "line" in the creation of blue and white porcelain is pointed out. This paper makes a comparative study between the line form and pen way of blue and white porcelain and modern design, and finally sums up the general characteristics of the blue and white line art of Ming Dynasty Ming kiln in Jingdezhen. Finally, on the basis of the traditional blue and white art, the contemporary blue and white decorative art is reverie.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J527

【参考文献】