腰山王氏庄园装饰纹样特征探究

发布时间：2018-07-12 21:43

本文选题：腰山王氏庄园 + 装饰纹样　；参考：《河北大学》2013年硕士论文

【摘要】：腰山王氏庄园位于河北省顺平县腰山镇南腰山村，是全国重点文物保护单位。整个庄园呈长方形。庄园占地面积18.6万平方米，合279亩。世祖王锡衮为清朝汉军正黄旗将军，清顺治元年(1644年)，随清兵入关，不久退役定居南腰山村。王氏家族经营着大量的旗田，租给佃户，收旗租，当时收租范围达到满城、定州、清苑、蠡县、望都、高阳、博野等地，然后用收旗租的钱发展商业，经营粮食、绸缎、钱庄、当铺等，，“和”字商号在当时非常有名。在这期间，积累了大量财富，建造起这座豪华的庄园。庄园的建筑位置依山傍水，建筑格局包含了民居、官居、商号三种形式，实用性非常强。庄园采用了北京四合院的建筑体系，其中的建筑格局、建筑风格、建筑装饰，无论从实用的角度还是装饰的角度来说，都具有深厚的文化内涵。腰山王氏庄园的建筑作用主要是住宅、私塾和收租，是晚清时期的建筑群落。整个庄园的选址、建筑格局、区域划分、建筑装饰都极为的讲究，体现了主人身份的不一般。本文着重对庄园的装饰纹样做了分析研究，吉祥纹样起始于商周时期，唐宋时逐渐发展，明清时期盛行。明清时期的装饰纹样已经达到了“图必有意，意必吉祥”的地步，这时期的纹样反映出当时人们渴望美好生活的心理，记录了中国传统纹样的发展变化。传统装饰纹样承载了历史的流传以及各时期人们的民俗心态和对审美要求的规范，这些纹样艺术源远流长，文化底蕴深厚，包含了千百年来广大人民创造的艺术精髓，具有极高的艺术价值和深远的艺术影响，是中华民族的宝贵财富。本文通过对腰山王氏庄园装饰纹样的类别及其特征的分析，论述了庄园装饰纹样符号性的当代特性。经过大量的实地调研工作和历史资料参考，对庄园的装饰纹样的语言进行了深入研究。基于中国装饰纹样的历史演变，还有其中涉及到的建筑园林美学领域，着重审视了庄园装饰纹样的分类和装饰纹样造型寓意，对庄园装饰纹样所表现的精神寓意和符号特征做了总结。通过分析装饰纹样的寓意本质，对中国民族文化再运用的思考，对现代设计也有一定的传承和影响。
[Abstract]:Wangshi manor, located in the South waist mountain village in the waist mountain village of Shunping County, Hebei Province, is a national key cultural relic protection unit. The whole manor is rectangular. The manor covers 186 thousand square meters and 279 mu. The emperor of the Qing Dynasty is the general of the Han Army in the Qing Dynasty. In the first year of the Qing Dynasty (1644), the Qing Dynasty was admitted to the village of the South waist mountain village. Running a large number of flag fields, rented to tenants, rent the flag, at that time the scope of the rent reached the full city, Dingzhou, Qingyuan, Lixian County, Wangdu, Gaoyang, wild, and other places, and then use the money rented the flag to develop business, grain, silk, money, and pawnshops, "and" word is very famous when the name of the word. During this period, accumulated a lot of wealth, built this luxury The manor's building position is close to the mountains and rivers. The architecture includes three forms of residence, official residence and business. The manor is very practical. The manor adopts the building system of the Beijing quadrangle. The structure, architectural style and architectural decoration of the manor have profound cultural connotations in both practical and decorative angles. The architectural function of Shan Wang's manor is mainly residential, private school and rent collection. It is the architectural community of the late Qing Dynasty. The site selection, architectural pattern, regional division, and architectural decoration are very particular, reflecting the unusual identity of the master. This article focuses on the analysis and study of the decorative patterns of the manor, which began in the Shang and Zhou dynasties, Tang Dynasty. The Song Dynasty developed gradually in the Ming and Qing Dynasties. The decorative patterns of the Ming and Qing dynasties have reached the place of "the picture must be intentional, and the meaning must be auspicious". The pattern of this period reflects the people's desire for a good life at that time, and recorded the development and change of traditional Chinese patterns. The folk mentality and the standard of the aesthetic requirements are long and profound, including the essence of the art created by the people for thousands of years. It has high artistic value and profound artistic influence. It is the precious wealth of the Chinese nation. In this article, the categories and characteristics of the decorative patterns of the Wangshi manor are made. This paper discusses the contemporary characteristics of the symbolic character of the ornamental pattern of manor. After a lot of field investigation and historical reference, the language of the decorative patterns of the manor is deeply studied. Based on the historical evolution of the decorative patterns in China, there are also the fields of architectural beauty that are involved in it, and the points of the ornamental patterns of the manor are carefully examined. The moral and symbolic features of the decorative patterns of the manor are summed up in the form of class and decorative patterns. Through the analysis of the essence of the decorative patterns, the thinking of the re use of Chinese national culture has a certain inheritance and influence on the modern design.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU238;J522

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