品味思考山西大同善化寺辽金建筑装饰风格

发布时间：2018-07-25 12:20

【摘要】：辽金建筑装饰是中国建筑文化的极其重要的一部分,是中国建筑装饰文明的一道极具价值的人文景观。它既承继了唐、五代以来的一些建筑装饰精华,又极具浓厚的辽金特有的建筑装饰崇尚、风格及特色。它既是契丹、女真民族性格的外在体现,又揉合进汉民族的风格特点。从辽金建筑装饰中,我们可以看到中原民族与中国北方少数民族的水乳融合。它是契丹、女真本民族文化与中原民族文化碰撞后的智慧结晶,既反映着自身的文化特征,也反映着中原汉民族文化形态。它的人文风采强烈地影响着当时和其后的社会,深远地影响着当时和其后的建筑装饰艺术风格和流派的形成。善化寺,作为当前遗存并不多、并不全的辽金建筑中的一个较为完整的建筑群体,是辽金建筑的最伟大的代表作之一,是研究辽金建筑装饰的首选。笔者借助一定量的辽金历史、民族、建筑装饰文献,通过无以计数次对善化寺建筑装饰的实地考察,撰写出本文。本文首先介绍了善化寺的历史沿革、基本特点和研究的现实意义,然后重点论述了作为辽金建筑代表作的善化寺在建筑装饰风格特色上所体现出的辽金契丹、女真本民族特色、中原汉民族特色和北方少数民族与中原民族的融合特色。这是本文的重心。接着分门别类地从建筑布局及建筑个体、雕塑、绘饰、木构、纹饰、石材等方面,着重介绍了善化寺建筑装饰的风格与特色。其涵盖性在同类论文中是较为全面的。本章详细且较为全面地疏理出善化寺内各个体建筑的分布格局及历史、民族及审美渊源,说明了佛教文化在当时对各民族的广泛且深远的影响,用专业性强的建筑装饰知识诠释了善化寺群体建筑中各主要个体建筑及装饰的独特性。最后全面总结了本文的理论观点,使研究成果一目了然。本文所提出的观点和研究成果在同类研究论文中是比较新颖的,它使得历史与其遗存在逻辑上建立起具有必然性的因果架构。这是其独道的价值,希望本文能对善化寺研究及辽金建筑装饰研究起到一定的积极作用。
[Abstract]:The architectural decoration of the Liao and Jin Dynasties is an extremely important part of Chinese architectural culture. It is a valuable cultural landscape of Chinese architectural decoration civilization. It not only inherits the essence of the architectural decoration of the Tang Dynasty and the five generations, but also has strong architectural adornment, wind and characteristics. From the Liao and Jin architectural decoration, we can see the fusion of the water milk of the Central Plains ethnic group and the northern minority in the north of China. It is the Khitan, the intellectual crystallization after the collision between the national culture of the women and the Central Plains national culture, which not only reflects its own cultural characteristics, but also reflects the cultural form of the Han nationality in the Central Plains. Its humanistic style has a strong influence on the society at that time and thereafter, and has far-reaching influence on the style of architectural decoration and the formation of the genre. As a relatively complete building group in the Liao and Jin architecture, it is one of the greatest representative works of the Liao and Jin architecture. The author uses a certain amount of Liao and Jin history, national and architectural decoration literature, and writes this article through the field investigation of the architectural decoration of the monastery. This article first introduces the historical evolution, basic characteristics and practical significance of the monastery, and then focuses on the representative work of the Liao Jin architecture. This is the focus of this article, which is mainly introduced in aspects of architectural layout and architectural individual, sculpture, painting, wood structure, ornamentation, stone and so on. The style and characteristics of the architectural decoration of the monastery. Its coverage is more comprehensive in the same kind of paper. This chapter detailedly and comprehensively expounds the distribution pattern and history of the individual buildings in the monastery, national and aesthetic origin, and explains the extensive and profound influence of Buddhist culture on all ethnic groups at that time, with a professional and strong architectural suit. The decoration knowledge explains the uniqueness of the main individual architecture and decoration in the group building of the monastery. Finally, it summarizes the theoretical viewpoint of this article and makes the research work clear. The views and research results presented in this paper are new in the same kind of research papers, which makes the historical history and its remains logically established. This is the value of its uniqueness. It is hoped that this article will play a positive role in the study of Shan Hua Temple and the study of architectural decoration in Liao and Jin Dynasties.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU238;TU252

【共引文献】