明清时期中国画对陶瓷装饰的影响
发布时间：2018-08-05 14:52
【摘要】： 陶瓷艺术集造型和装饰于一体,在我国已有七千多年的光辉历史,是人类文化史上科学与艺术的结晶。就陶瓷装饰艺术而言,一方面它属于陶瓷造型领域,另一方面它又有着相对独立的艺术形式。在工艺手法和艺术风格上有着丰富多彩的表现。在历史发展中,中国画的艺术表现手法对陶瓷装饰产生了很大的影响。明清时期,传统中国绘画从题材到表现技法都已成熟,尤其是文人画在这时高度成熟。这时期的艺术家充分发挥陶瓷艺术特长,借鉴吸收中国画的优秀表现手法,创作了各种陶瓷艺术,促进陶瓷艺术的发展。中国画这种艺术形式与陶瓷装饰的结合得到了很好的体现。而且在结合过程中,国画的艺术性得到新的发展,形成了独特的陶瓷装饰语言。例如受明代成化时期宫廷绘画的影响出现了成化斗彩,清初受到恽寿平的没骨花卉的影响出现了雍正粉彩,晚清浅绛彩陶瓷的出现则是受到了山水画的影响。并且国画的构图、笔墨、造型等都对陶瓷装饰产生了影响。文章主要分析明清时期中国画对陶瓷装饰的影响,运用追溯法、调查法及对比法,根据两个朝代国画风格和陶瓷装饰的不同,从不同的角度去深入探究,分析其影响。在研究生学习和本课题研究过程中查阅了大量的相关文献资料,并到各大博物馆参观明清时期的陶瓷艺术品进行比较,获得了第一手资料,受到很多启发。
[Abstract]:Ceramic art has a glorious history of more than 7,000 years and is the crystallization of science and art in the history of human culture. As far as ceramic decorative art is concerned, on the one hand it belongs to ceramic modeling field, on the other hand, it has a relatively independent art form. In the craft technique and the artistic style has the rich and colorful performance. In the development of history, the artistic expression of Chinese painting has a great influence on ceramic decoration. During the Ming and Qing dynasties, the traditional Chinese painting matured from the subject matter to the expressive technique, especially the literati painting. In this period, the artists gave full play to ceramic art, drew lessons from the excellent performance of Chinese painting, created various ceramic art, and promoted the development of ceramic art. The combination of Chinese painting and ceramic decoration has been well reflected. And in the process of combination, the art of traditional Chinese painting has been a new development, forming a unique ceramic decorative language. For example, influenced by the court painting in the Ming Dynasty, the painting of the court in the Ming Dynasty had the influence of Chenghuatou color, the influence of the boneless flowers by Yun Shouping at the beginning of the Qing Dynasty appeared Yongzheng pink color, and the appearance of the light crimson colored ceramics in the late Qing Dynasty was influenced by the landscape painting. And the composition of traditional Chinese painting, ink, shape and so on to ceramic decoration has an impact. This paper mainly analyzes the influence of Chinese painting on ceramic decoration in Ming and Qing dynasties. By means of tracing method, investigation method and contrast method, according to the different styles of traditional Chinese painting and ceramic decoration of the two dynasties, this paper makes a thorough exploration from different angles and analyzes its influence. In the course of postgraduate study and the research of this subject, we consulted a large number of relevant documents, and went to major museums to visit the ceramic works of art during the Ming and Qing dynasties for comparison, obtained first-hand information and received a lot of inspiration.
【学位授予单位】：山东轻工业学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J527.9
本文编号：2166128
[Abstract]:Ceramic art has a glorious history of more than 7,000 years and is the crystallization of science and art in the history of human culture. As far as ceramic decorative art is concerned, on the one hand it belongs to ceramic modeling field, on the other hand, it has a relatively independent art form. In the craft technique and the artistic style has the rich and colorful performance. In the development of history, the artistic expression of Chinese painting has a great influence on ceramic decoration. During the Ming and Qing dynasties, the traditional Chinese painting matured from the subject matter to the expressive technique, especially the literati painting. In this period, the artists gave full play to ceramic art, drew lessons from the excellent performance of Chinese painting, created various ceramic art, and promoted the development of ceramic art. The combination of Chinese painting and ceramic decoration has been well reflected. And in the process of combination, the art of traditional Chinese painting has been a new development, forming a unique ceramic decorative language. For example, influenced by the court painting in the Ming Dynasty, the painting of the court in the Ming Dynasty had the influence of Chenghuatou color, the influence of the boneless flowers by Yun Shouping at the beginning of the Qing Dynasty appeared Yongzheng pink color, and the appearance of the light crimson colored ceramics in the late Qing Dynasty was influenced by the landscape painting. And the composition of traditional Chinese painting, ink, shape and so on to ceramic decoration has an impact. This paper mainly analyzes the influence of Chinese painting on ceramic decoration in Ming and Qing dynasties. By means of tracing method, investigation method and contrast method, according to the different styles of traditional Chinese painting and ceramic decoration of the two dynasties, this paper makes a thorough exploration from different angles and analyzes its influence. In the course of postgraduate study and the research of this subject, we consulted a large number of relevant documents, and went to major museums to visit the ceramic works of art during the Ming and Qing dynasties for comparison, obtained first-hand information and received a lot of inspiration.
【学位授予单位】：山东轻工业学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J527.9
【引证文献】
相关硕士学位论文 前3条
1 范文;清三代珐琅彩瓷绘艺术的装饰特征[D];景德镇陶瓷学院;2011年
2 刘春山;祥瑞瓷纹饰研究[D];景德镇陶瓷学院;2012年
3 赵川;清代室内壁瓶的装饰艺术语言研究[D];河北科技大学;2012年
，本文编号：2166128
本文链接：https://www.wllwen.com/wenyilunwen/shinazhuanghuangshejilunwen/2166128.html
