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克里姆特与丁绍光装饰风格绘画比较研究

发布时间:2018-08-06 17:17
【摘要】:艺术文化没有国界,全世界各国各民族的文化艺术都是人类共同拥有的财富。吸取本国以外的文化艺术积淀,融合中华五千年的文化精髓到自己的绘画创作中,形成具有独具特色的绘画艺术风格。奥地利画家克里姆特和中国画家丁绍光的绘画作品,从不同的国度、不同的民族背景下,给人们带来了既熟悉又陌生、既似曾相识又新鲜的感觉。本文以美术史学和比较学为研究方法,对克里姆特与丁绍光的装饰绘画进行分析、比较与研究,得出了一些新的研究成果,为我们理解中外文化差异、中西艺术融合等提供了很好的借鉴和依据。装饰绘画和现代重彩画对现代喜欢绘画作品的人们来说并不陌生,在生活中,很多的家庭或宾馆里的墙上挂着装饰绘画作品,特别是克里姆特和丁绍光的装饰绘画,在艺术上以独特的装饰风格而著称,达到了很高的境界,已被世界许多收藏家及联合国所喜爱和收藏。丁绍光的艺术具有超时空的魅力,作品“充满”韵律的中国传统的铁线描与绚丽多彩的西方现代色彩于一体,,融合了不同民族、不同文化的艺术风格。“一根三结合”的艺术理论观点,体现出了中华民族传统文化深厚的沉积,融合了东西方艺术、现代与古典艺术、抽象和具象艺术。吸收了各民族文化艺术风韵精华的“美”,绘出能代表中华民族文化艺术特征的典型绘画艺术,给人一种既亲切又神秘的美感,充满理想光辉的画面。
[Abstract]:Art and culture have no national boundaries, and the cultures and arts of all nations all over the world are the common wealth of human beings. Drawing on the cultural and artistic accumulation outside our country and integrating the essence of Chinese culture of five thousand years into our own painting, we can form a unique style of painting art. The paintings of Austrian painter Klimt and Chinese painter Ding Shaoguang, from different countries and different ethnic backgrounds, have brought people a feeling of familiarity and strangeness, as well as of deja vu and freshness. This article takes the art history and the comparative study as the research method, carries on the analysis, the comparison and the research to the Klimt and the Ding Shaoguang decorative painting, has obtained some new research results, for us to understand the Chinese and foreign cultural difference, The integration of Chinese and Western art provides a good reference and basis. Decorative painting and modern heavy painting are no strangers to modern people who like painting. In life, decorative paintings are hung on the walls of many families or hotels, especially those of Klimt and Ding Shaoguang. Art is famous for its unique decorative style and has reached a very high level, which has been loved and collected by many collectors and the United Nations all over the world. Ding Shaoguang's art has the charisma of transcendental space and time. The Chinese traditional iron line drawing, which is full of prosody, is integrated with the colorful western modern color, and it combines the artistic styles of different nationalities and different cultures. The artistic theory of "one root and three combination" embodies the deep deposition of the Chinese traditional culture and combines the eastern and western art, modern and classical art, abstract and concrete art. It absorbs the "beauty" of the essence of culture and art of various nationalities, and draws out the typical painting art which can represent the characteristics of Chinese culture and art, which gives people a kind of intimate and mysterious aesthetic feeling and a picture full of ideal brilliance.
【学位授予单位】:河南师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J205

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