新疆喀什地区维吾尔族弦鸣乐器造型和装饰工艺研究
发布时间：2018-08-07 08:00
【摘要】：谈到维吾尔族,谈到维吾尔族歌舞,不由联想到浩瀚沙漠,丝路古道下的民俗风情,充满了西域特色。新疆的木卡姆是维吾尔族人民的骄傲,是人类口头非物质文化遗产代表作。由于维吾尔族人民对歌舞的热爱和执着,使得维吾尔乐器制作不断进步和发展。可以说,假如没有这些制作乐器的能工巧匠,那么就不会有精致的乐器和辉煌灿烂的维吾尔族音乐。近年对于新疆维吾尔族乐器造型及工艺装饰研究,多见于人类学、民俗学、历史学、音乐学等领域,而对于维吾尔族乐器的造型以及装饰工艺研究尚待完善;笔者在充分咨询多方意见后决定把喀什地区维吾尔族弦鸣乐器作为研究对象。笔者分别来到喀什市民族乐器一条街、作坊、乐器店铺,疏附县民族乐器村、乐器制作手工艺人家里,麦盖提县的民间传承人家里、演出室,以及巴楚、莎车等乐器制作者和演奏者身边进行调研,细致对收集到的图文、音视频资料进行整理分类,通过对每一件乐器的造型及装饰工艺进行剖析,找出喀什地区维吾尔乐器独有的造型及装饰魅力,希望能够展示出喀什地区维吾尔族弦鸣乐器在多元文化的影响之下蕴含的独特魅力,给大家展示出别样西域民俗,本文的研究对于了解喀什地区维吾尔族乐器,对新疆维吾尔族乐器工艺美术基础研究具有宝贵意义。本论文以新疆喀什地区维吾尔族弦鸣乐器为例展开论述,全文主要从喀什地区维吾尔族弦鸣乐器相关文化背景、造型研究、装饰特色、与其他地区同类乐器差异举例及工艺传承五个方面进行探析。力求能够呈现喀什地区特殊的维吾尔族乐器造型及装饰工艺特色。本文的研究主要成果在于从美学的视角对喀什地区维吾尔族弦鸣乐器的基本构成及装饰纹样进行整理和分析,通过大量实景图片和手绘表现,真实呈现出维吾尔乐器整体样式,同时找出其与不同地区同类乐器的差异。但是,由于维吾尔族乐器众多,且地域分布广泛零散,由于时间精力有限,不能够全面收集整理到乐器种类特色,实属遗憾。
[Abstract]:When it comes to the Uygur nationality and the Uygur people's singing and dancing, we can't help thinking of the vast desert and the folk customs under the ancient Silk Road, which are full of the western region's characteristics. Mukam of Xinjiang is the pride of Uygur people and the representative of human oral intangible cultural heritage. Because of Uygur people's love and persistence in singing and dancing, Uyghur musical instrument making progress and development. It can be said that if these instruments are not made skilled craftsmen, then there will not be fine instruments and brilliant Uygur music. In recent years, the research on the modeling and craft decoration of Uygur musical instruments in Xinjiang has been widely seen in the fields of anthropology, folklore, history, musicology, etc. After consulting various opinions, the author decided to study Uygur string musical instruments in Kashi area. The author went to a street, workshop, shop for musical instruments in Kashi City, Shufu County ethnic Musical instrument Village, Musical instrument making artisan's Home, the Folk inheritor's Home in Maigaiti County, the performance Room, and Bachu. Shakespeare and other instrument makers and players around the investigation, detailed collection of pictures, text, audio and video data sorting, through the modeling of each instrument and decorative technology analysis, To find out the unique modeling and decorative charm of Uygur musical instruments in Kashi region, hoping to show the unique charm of Uygur string musical instruments in Kashi area under the influence of multiculturalism, and to show everyone a different kind of folk customs in the Western region. The research in this paper is valuable to understand Uygur musical instruments in Kashi area and to study the basic arts and crafts of Uygur musical instruments in Xinjiang. This paper takes Uygur string musical instruments in Kashi area of Xinjiang as an example to discuss, mainly from the cultural background, modeling research and decorative features of Uygur string singing instruments in Kashi area. With other regions of the same musical instrument examples and technical heritage of five aspects to explore. Strive to present the Kashi special Uygur musical instrument modeling and decorative features. The main research results of this paper are to arrange and analyze the basic composition and decorative patterns of Uygur string musical instruments in Kashi area from the perspective of aesthetics. Through a large number of actual pictures and hand-painted performance, the Uygur musical instruments are truly presented as a whole. At the same time, find out the difference between it and the same musical instruments in different regions. However, due to the large number of Uygur musical instruments and the wide and scattered geographical distribution and limited time and energy, it is a pity that the Uygur musical instruments can not be collected and sorted out in an all-round way.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS953.2
本文编号：2169389
[Abstract]:When it comes to the Uygur nationality and the Uygur people's singing and dancing, we can't help thinking of the vast desert and the folk customs under the ancient Silk Road, which are full of the western region's characteristics. Mukam of Xinjiang is the pride of Uygur people and the representative of human oral intangible cultural heritage. Because of Uygur people's love and persistence in singing and dancing, Uyghur musical instrument making progress and development. It can be said that if these instruments are not made skilled craftsmen, then there will not be fine instruments and brilliant Uygur music. In recent years, the research on the modeling and craft decoration of Uygur musical instruments in Xinjiang has been widely seen in the fields of anthropology, folklore, history, musicology, etc. After consulting various opinions, the author decided to study Uygur string musical instruments in Kashi area. The author went to a street, workshop, shop for musical instruments in Kashi City, Shufu County ethnic Musical instrument Village, Musical instrument making artisan's Home, the Folk inheritor's Home in Maigaiti County, the performance Room, and Bachu. Shakespeare and other instrument makers and players around the investigation, detailed collection of pictures, text, audio and video data sorting, through the modeling of each instrument and decorative technology analysis, To find out the unique modeling and decorative charm of Uygur musical instruments in Kashi region, hoping to show the unique charm of Uygur string musical instruments in Kashi area under the influence of multiculturalism, and to show everyone a different kind of folk customs in the Western region. The research in this paper is valuable to understand Uygur musical instruments in Kashi area and to study the basic arts and crafts of Uygur musical instruments in Xinjiang. This paper takes Uygur string musical instruments in Kashi area of Xinjiang as an example to discuss, mainly from the cultural background, modeling research and decorative features of Uygur string singing instruments in Kashi area. With other regions of the same musical instrument examples and technical heritage of five aspects to explore. Strive to present the Kashi special Uygur musical instrument modeling and decorative features. The main research results of this paper are to arrange and analyze the basic composition and decorative patterns of Uygur string musical instruments in Kashi area from the perspective of aesthetics. Through a large number of actual pictures and hand-painted performance, the Uygur musical instruments are truly presented as a whole. At the same time, find out the difference between it and the same musical instruments in different regions. However, due to the large number of Uygur musical instruments and the wide and scattered geographical distribution and limited time and energy, it is a pity that the Uygur musical instruments can not be collected and sorted out in an all-round way.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS953.2
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