论中国传统陶瓷装饰—凤纹的研究
发布时间:2018-08-08 18:59
【摘要】:本文选取的极具文化寓意与内涵的典型代表图案之一——陶瓷传统纹饰凤纹。本文以陶瓷造型装饰艺术与凤纹纹饰相结合作专题研究。从结构上来看,本文主要分为五部分,其中第三章凤纹装饰的历时性变化,第四章陶瓷凤纹的艺术装饰特性分析,以及第五章凤纹在现代陶瓷艺术设计中的拓展及运用为主要部分。 本文首先从研究凤纹的起源入手,通过对各个朝代凤纹的艺术风格之间的形象对比,发掘历代陶瓷凤纹之间的继承与演变及其规律,,整理历代陶瓷史上凤纹演化的脉络。简而言之,商周时期凤纹凝重、神秘,秦汉时期凤纹线条有韵味而富有艺术表现力。从魏晋南北朝开始凤纹形体纯净、端庄。而经隋的过渡,开创唐代丰富多彩、绚烂伟丽、雍容华贵的形象。再经五代到唐宋元明清,凤纹也在具象性、现实性、直观性、平民化的发展道路上逐渐定型,达到历史发展的高峰期、成熟期。 对陶瓷凤纹装饰的分析,综合美术学、历史学、美学、艺术学的方法,以凤纹的审美价值为主线,对凤纹的风格特征在陶瓷中的具体表现,以及造型与装饰的基本特点、形式结构、工艺材质等一系列与其相关的因素进行分析研究。凤纹的审美价值、象征功能、装饰价值体现了丰富的审美文化意涵。凤纹装饰是形与意的“互现”,是一种“有意味的形式”,是神与意的载体。 凤纹装饰来源于中国传统而古老的文化基因,随着时代的发展与艺术家的探索而永远散发着浓郁的时代气息与民族特色。因而,凤纹装饰对现代陶瓷艺术设计领域有着极其重要的启示与意义。
[Abstract]:One of the typical representative patterns with cultural implication and intension selected in this paper is ceramic traditional decorative Phoenix pattern. In this paper, ceramic decorative arts and Phoenix patterns for the combination of a special study. From the structure point of view, this paper is divided into five parts, the third chapter Phoenix decorative diachronic changes, the fourth chapter ceramic Phoenix decorative characteristics, And the fifth chapter Phoenix print in the modern ceramic art design expansion and application as the main part. In this paper, the origin of Phoenix patterns is studied, and through the image comparison between the Phoenix patterns of each dynasty, the inheritance and evolution of the Phoenix patterns and their laws are explored, and the evolution of Phoenix patterns in the history of the ceramics of the past dynasties is sorted out. In short, Phoenix lines in Shang and Zhou dynasties were heavy and mysterious, and Phoenix lines in Qin and Han dynasties had charm and artistic expression. From the Wei, Jin, Southern and Northern dynasties, the Phoenix patterns began to be pure and dignified. And through the Sui-style transition, creating the Tang Dynasty rich and colorful, gorgeous and magnificent image. From the five dynasties to the Tang, Song, Yuan, Ming and Qing dynasties, the Phoenix pattern was gradually shaped on the road of concrete, realistic, intuitive and popularized development, reaching the peak period and mature period of historical development. The analysis of ceramic Phoenix decoration, the method of synthesizing art, history, aesthetics and art, taking the aesthetic value of Phoenix pattern as the main line, the concrete expression of the style characteristic of Phoenix pattern in ceramics, as well as the basic characteristics of modeling and decoration. Formal structure, process material and so on a series of related factors are analyzed and studied. The aesthetic value, symbolic function and decorative value of Phoenix patterns embody rich aesthetic cultural implications. Phoenix pattern decoration is the mutual appearance of form and meaning, is a kind of meaningful form, is the carrier of God and will. Phoenix pattern decoration comes from Chinese traditional and ancient cultural genes. With the development of the times and the exploration of artists, Phoenix patterns always exude a strong flavor of the times and national characteristics. Therefore, the Phoenix pattern decoration has the extremely important enlightenment and the significance to the modern ceramic art design domain.
【学位授予单位】:景德镇陶瓷学院
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J527
本文编号:2172715
[Abstract]:One of the typical representative patterns with cultural implication and intension selected in this paper is ceramic traditional decorative Phoenix pattern. In this paper, ceramic decorative arts and Phoenix patterns for the combination of a special study. From the structure point of view, this paper is divided into five parts, the third chapter Phoenix decorative diachronic changes, the fourth chapter ceramic Phoenix decorative characteristics, And the fifth chapter Phoenix print in the modern ceramic art design expansion and application as the main part. In this paper, the origin of Phoenix patterns is studied, and through the image comparison between the Phoenix patterns of each dynasty, the inheritance and evolution of the Phoenix patterns and their laws are explored, and the evolution of Phoenix patterns in the history of the ceramics of the past dynasties is sorted out. In short, Phoenix lines in Shang and Zhou dynasties were heavy and mysterious, and Phoenix lines in Qin and Han dynasties had charm and artistic expression. From the Wei, Jin, Southern and Northern dynasties, the Phoenix patterns began to be pure and dignified. And through the Sui-style transition, creating the Tang Dynasty rich and colorful, gorgeous and magnificent image. From the five dynasties to the Tang, Song, Yuan, Ming and Qing dynasties, the Phoenix pattern was gradually shaped on the road of concrete, realistic, intuitive and popularized development, reaching the peak period and mature period of historical development. The analysis of ceramic Phoenix decoration, the method of synthesizing art, history, aesthetics and art, taking the aesthetic value of Phoenix pattern as the main line, the concrete expression of the style characteristic of Phoenix pattern in ceramics, as well as the basic characteristics of modeling and decoration. Formal structure, process material and so on a series of related factors are analyzed and studied. The aesthetic value, symbolic function and decorative value of Phoenix patterns embody rich aesthetic cultural implications. Phoenix pattern decoration is the mutual appearance of form and meaning, is a kind of meaningful form, is the carrier of God and will. Phoenix pattern decoration comes from Chinese traditional and ancient cultural genes. With the development of the times and the exploration of artists, Phoenix patterns always exude a strong flavor of the times and national characteristics. Therefore, the Phoenix pattern decoration has the extremely important enlightenment and the significance to the modern ceramic art design domain.
【学位授予单位】:景德镇陶瓷学院
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J527
【参考文献】
相关期刊论文 前9条
1 贺利;谈谈凤凰及陶瓷器上的凤纹[J];故宫博物院院刊;1986年01期
2 张慧光;;凤纹图像的起源[J];理论导报;2010年09期
3 张晓飞;;论线条在视觉语言中的表现力[J];美术大观;2008年02期
4 赵志生;从汉代瓦当“四神”图形解读秦汉的造型艺术[J];内蒙古大学学报(人文社会科学版);2004年04期
5 吴飞飞;对线条的认识[J];上海工艺美术;1998年02期
6 皮道坚;历史继承与现实创造——壁画《火中凤凰》的艺术追求[J];文艺研究;1987年04期
7 丁鹏勃;;明御窑凤纹探析[J];中国历史文物;2009年02期
8 曹军戎;;战国楚艺术中凤鸟意象的研究[J];装饰;2007年02期
9 邰新河;;元代青花凤纹玉壶春瓶赏析[J];文物鉴定与鉴赏;2013年11期
本文编号:2172715
本文链接:https://www.wllwen.com/wenyilunwen/shinazhuanghuangshejilunwen/2172715.html