当前位置:主页 > 文艺论文 > 装饰艺术论文 >

宋代茶器的禅宗美学研究

发布时间:2018-08-13 11:52
【摘要】:禅宗美学思想是宋代陶瓷茶器设计美学特征中最为重要的品质之一,其对宋代陶瓷茶具的设计思维产生了重要影响。在其发展过程中,源于禅宗美学中的精神与气韵始终流转于其中,折射出宋代茶器高古俊逸、质朴自然的天趣之美。同时亦体现出茶器实用主义之外的空灵清丽的审美趣味,以及禅宗见色明心的审美意境。本文试图从茶禅文化的渊源入手,从设计学的角度,以共时性与历时性的研究视角,结合宋代茶文化、禅宗美学、陶瓷茶器发展的三种形态,对宋代茶器的发展演化过程进行了系统性分析。其中重点挖掘宋代茶器中的“茶禅一味”的设计之道,以此探寻蕴含于器物之中的禅宗美学思想。通过对宋代茶器设计形态,以及其背后所包容的设计思想和造物文化的阐释和分析,来探究其设计文化的构成形式及思维理念。论文主要从三个方面来进行论述:首先,介绍宋代茶器的整体风貌及其发展特点;其次,针对宋代茶器的设计样式及形态展开分析。该部分分别从工艺、材质、釉色、纹饰、装饰、功能等方面来对其设计方法展开深层次的剖析,并加以概括;同时针对这些设计特点的来源作辅助考察;最后,从宋代茶器的设计分析中提炼器物的设计思想,分别从象征性、审美性和时代性这三个角度来进行论述。而通过对宋代茶器设计风格及思想文化的总结,得出现代产品设计应注重在立足于自身文化根基的前提之下,对各种文化采取吸收借鉴、兼收并蓄的态度,以此不断创造出有文化底蕴的创新形态。
[Abstract]:Zen aesthetic thought is one of the most important qualities in the design of ceramic tea ware in Song Dynasty, which has an important influence on the design thinking of ceramic tea ware in Song Dynasty. In the process of its development, the spirit and charm which originated from Zen aesthetics always circulate in it, which reflects the beauty of natural and natural beauty of the tea vessels of the Song Dynasty. At the same time, it also reflects the empty aesthetic taste of tea utilitarianism and the aesthetic conception of Zen. This paper attempts to start with the origin of tea Zen culture, from the angle of design, from the perspective of synchronic and diachronic research, combining the three forms of the development of tea culture, Zen aesthetics and ceramic tea ware in Song Dynasty. The development and evolution of tea ware in Song Dynasty were systematically analyzed. The emphasis is to explore the design way of "tea meditation blindly" in the tea ware of the Song Dynasty, so as to explore the Zen aesthetic thought contained in the utensils. Through the explanation and analysis of the design form of tea ware in Song Dynasty and the design thought and creation culture contained behind it, this paper probes into the composing form and thinking idea of its design culture. The thesis mainly discusses from three aspects: first, introduces the overall style and development characteristics of tea ware in Song Dynasty; secondly, analyzes the design style and form of tea ware in Song Dynasty. This part analyzes and generalizes the design method from the aspects of process, material, glaze, decoration, function, etc. At the same time, it makes an auxiliary investigation on the source of these design characteristics. From the design and analysis of tea ware in Song Dynasty, the design ideas of the objects are discussed from the aspects of symbolism, aesthetics and times. By summing up the design style and ideological culture of tea ware in Song Dynasty, it is concluded that modern product design should pay attention to absorbing and assimilating all kinds of culture on the premise of its own cultural foundation. In order to constantly create a culture inside the innovative form.
【学位授予单位】:景德镇陶瓷学院
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:J527

【相似文献】

相关期刊论文 前10条

1 金昕;;论禅宗美学与现代设计追求的境界[J];艺术与设计(理论);2008年08期

2 舒文;《禅宗美学》介绍[J];浙江大学学报(人文社会科学版);2001年05期

3 祁志祥;孤灯独照 一相洞开——读张节末《禅宗美学》[J];浙江社会科学;2002年01期

4 王宗兴;关于现象学与禅宗美学性质的思考[J];重庆三峡学院学报;2005年01期

5 傅千里;;十年来禅宗美学研究综述[J];云梦学刊;2009年01期

6 刘方;禅宗美学研究的重要成果─皮朝纲教授《禅宗美学史稿》评介[J];青海民族学院学报;1995年04期

7 毕洪;铁兰叶;;禅宗美学与宽衣文化[J];艺术科技;2013年01期

8 皮朝纲;禅宗美学领域的新开拓——读邓绍秋《禅宗生态审美研究》[J];云梦学刊;2005年03期

9 梅吟雪;;浅谈禅宗美学给现代设计的启示[J];大众文艺;2012年09期

10 董运庭;;悟得第一义 字字皆心语——皮朝纲先生的禅宗美学研究[J];中华文化论坛;2014年02期

相关硕士学位论文 前9条

1 王承祉;基于禅宗美学下的现代婚纱设计应用研究[D];齐齐哈尔大学;2015年

2 孙晓明;禅宗美学自然观之本体论在服装设计中的应用与研究[D];大连工业大学;2015年

3 梁,

本文编号:2180909


资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/shinazhuanghuangshejilunwen/2180909.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户aebec***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com