中、日传统装饰艺术的比较
发布时间：2018-08-16 11:30
【摘要】： 历史上,中、日有几次较密集的文化经济交流时期,在这几次的交流中,更多是中国文化以一种强势影响着日本文化,装饰艺术作为文化的一种承载形式,也在影响着日本,但是人们无论从留世的传统器物还是受到传统装饰艺术影响的现代设计作品都能感受到日本文化与中国文化同源异语,独特的民族气息。本文以多层次、多角度的横向比较为基本方法,以传统器物上的图形、色彩以及现代设计作品为实例,进行归纳比较。 本文除去绪论、结论和展望,共分为三个部分。第二章从审美意识的层面上进行比较,寻求两国传统装饰艺术的渊源与发展变化。第三章,从传统装饰艺术中的内容与表现手法、色彩以形式感方面进行比较。从中得出中国装饰艺术追求画面的热烈、浓郁具有繁复的动感形式,而日本装饰艺术则追求沉静、素朴,具有简洁的静感形式。第四章,则从传统装饰艺术对于现代社会的价值比较出发,发现日本的现代设计师对于本民族的传统装饰艺术有着不懈的传承与发展,这对于中国的现代设计师有着很多的启发。 每个国家都有自己发展的历史基础和根源。找到根源,发掘精华,结合每个人的气质与理论基础,寻找到合适的道路,这是中国当代甚至未来设计师们必须要完成的事。如此,中国才能真正的变“中国制造”为“中国创造”。
[Abstract]:In the history of China and Japan, there have been several periods of more intensive cultural and economic exchanges. In these exchanges, more Chinese culture has a strong influence on Japanese culture, and decorative art as a form of carrying culture is also affecting Japan. However, people can feel the Japanese culture and Chinese culture in the same language and unique national flavor, whether from the traditional artifacts or the modern design works influenced by the traditional decorative art. In this paper, the horizontal comparison of multi-level and multi-angle is taken as the basic method, and the figures, colors and modern design works on the traditional objects are taken as an example to sum up and compare. Apart from the introduction, conclusion and prospect, this paper is divided into three parts. The second chapter compares the aesthetic consciousness in order to find the origin and development of the traditional decorative art in the two countries. The third chapter, from the traditional decorative art in the content and expression, color to form sense of comparison. From the Chinese decorative art, the pursuit of the picture is warm, rich with complex dynamic form, while the Japanese decorative art pursuit of calm, simple, with a simple form of quiet feeling. The fourth chapter, from the value comparison of the traditional decorative art to the modern society, finds that the modern designers in Japan have unremitting inheritance and development of the traditional decorative art of their own nation. This is a lot of inspiration for modern designers in China. Each country has its own historical basis and roots for development. It is necessary for Chinese contemporary and even future designers to find the right way to find the root cause, the essence and the basis of each person's temperament and theory. In this way, China can really change from "made in China" to "made in China."
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J525
本文编号：2185853
[Abstract]:In the history of China and Japan, there have been several periods of more intensive cultural and economic exchanges. In these exchanges, more Chinese culture has a strong influence on Japanese culture, and decorative art as a form of carrying culture is also affecting Japan. However, people can feel the Japanese culture and Chinese culture in the same language and unique national flavor, whether from the traditional artifacts or the modern design works influenced by the traditional decorative art. In this paper, the horizontal comparison of multi-level and multi-angle is taken as the basic method, and the figures, colors and modern design works on the traditional objects are taken as an example to sum up and compare. Apart from the introduction, conclusion and prospect, this paper is divided into three parts. The second chapter compares the aesthetic consciousness in order to find the origin and development of the traditional decorative art in the two countries. The third chapter, from the traditional decorative art in the content and expression, color to form sense of comparison. From the Chinese decorative art, the pursuit of the picture is warm, rich with complex dynamic form, while the Japanese decorative art pursuit of calm, simple, with a simple form of quiet feeling. The fourth chapter, from the value comparison of the traditional decorative art to the modern society, finds that the modern designers in Japan have unremitting inheritance and development of the traditional decorative art of their own nation. This is a lot of inspiration for modern designers in China. Each country has its own historical basis and roots for development. It is necessary for Chinese contemporary and even future designers to find the right way to find the root cause, the essence and the basis of each person's temperament and theory. In this way, China can really change from "made in China" to "made in China."
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J525
【引证文献】
相关硕士学位论文 前3条
1 姜丽娜;现代中日扎染纹样风格的比较研究[D];江南大学;2011年
2 刘盛楠;浮世绘审美特征研究[D];中南民族大学;2010年
3 叶仲涛;童[镌傲质费枷牒头椒ㄑ芯縖D];中南林业科技大学;2011年
，本文编号：2185853
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