中国传统几何形纹样装饰特征流变研究
发布时间：2018-08-18 13:06
【摘要】： 中国传统几何形纹样是中国纹样史上最早进入装饰领域的装饰纹样,也是在中国装饰史上运用最广泛、最活跃的装饰纹样。本文是第一篇系统研究中国传统几何形纹样装饰特征发展流变的学术论文。希望通过对几何形纹样的发展成熟进行的探索,感受到中国传统图案艺术的博大精深。 本文在全面系统地检索文献资料的基础上,从考古学、美术史、美学、以及民族学、人类学等方面等入手,研究中国传统几何形纹样从形成到发展的历史脉络,从时间(朝代顺序)及空间上(不同地域文化)对几何形纹样的流变展开系统的研究。希望能较系统、全面的分析几何形纹样的源与流、发展演变等问题。设法“理解”过去的历史,在一个历史的框架中,从尽可能广阔的人类活动背景里,去探索和理解视觉艺术。 全文共分为四章,第一章着重介绍了中国几何纹样的起源和发展,主要探讨了几何纹样的起源及原始社会彩陶几何纹样,原始社会到明清时期几何纹样发展的装饰特征流变,因为不同的历史时代几何纹样具有不同的形式特征,几何纹样纹样也受时代观念的影响。第二章重点阐述了中国传统几何纹样的吉祥含义,人们都有对幸福生活的美好向往,所以我国有许多几何形纹样也都含有吉祥的含义。第三章主要介绍了少数民族的几何纹样,我国是一个多民族的国家,在几何纹样方面,许多民族都有着十分突出的成就,本章着重介绍了苗族、瑶族、纳西族、布依族、土家族的几何纹样。第四章阐述了几何形纹样的现代装饰意义及未来的发展趋势。伴随着社会的发展和进步,几何形纹样已经越来越引起人们的重视,在我们现代生活中仍然处处皆用,承载着民族传统观念的文化内涵。可以设想,随着未来科学的发达,人类对周围未知世界的破译越来越具体、越来越明朗化的同时,对几何纹样这种具有抽象意味的、含蓄的纹样形式将会更加憧憬。
[Abstract]:Chinese traditional geometric pattern is the earliest decorative pattern in the history of Chinese decoration, and it is also the most widely used and active decorative pattern in the history of Chinese decoration. This paper is the first academic paper to systematically study the development and rheology of Chinese traditional geometric pattern decorative features. Through the exploration of the development and maturity of geometric pattern, I hope to feel the broad and profound Chinese traditional pattern art. Based on the comprehensive and systematic retrieval of literature, this paper studies the historical context from the formation to the development of Chinese traditional geometric patterns from the aspects of archaeology, art history, aesthetics, ethnology, anthropology, and so on. The systematic study on the evolution of geometric patterns from time (order of dynasties) and space (different regional cultures). It is hoped that the source and flow of geometric pattern and the development and evolution of geometric pattern will be analyzed systematically and comprehensively. Try to "understand" the past history, in a historical framework, from the broadest possible background of human activities, to explore and understand the visual arts. The first chapter focuses on the origin and development of geometric patterns in China. It mainly discusses the origin of geometric patterns and the evolution of decorative characteristics of the development of geometric patterns in primitive society, from the primitive society to the Ming and Qing dynasties. Because geometric patterns have different formal characteristics in different historical times, geometric patterns are also influenced by the concept of the times. The second chapter focuses on the auspicious meaning of the Chinese traditional geometric patterns, people have a good yearning for a happy life, so there are many geometric patterns in China also contains auspicious meaning. The third chapter mainly introduces the geometric patterns of ethnic minorities. Our country is a multi-ethnic country. In geometric patterns, many ethnic groups have very outstanding achievements. This chapter focuses on the Miao, Yao, Naxi, Buyi, and other ethnic groups, including the Miao, the Yao, the Naxi, the Buyi, the Miao, the Yao, the Naxi and the Buyi. The geometric pattern of Tujia nationality. The fourth chapter describes the modern decorative significance of geometric patterns and the development trend in the future. With the development and progress of the society, the geometric pattern has attracted more and more attention, and it is still used everywhere in our modern life, carrying the cultural connotation of the traditional national concept. It can be envisaged that with the development of science in the future, human beings will be more and more specific in deciphering the unknown world around them, and at the same time, they will be looking forward to the abstract and implicit pattern form of geometric pattern.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J522
本文编号：2189556
[Abstract]:Chinese traditional geometric pattern is the earliest decorative pattern in the history of Chinese decoration, and it is also the most widely used and active decorative pattern in the history of Chinese decoration. This paper is the first academic paper to systematically study the development and rheology of Chinese traditional geometric pattern decorative features. Through the exploration of the development and maturity of geometric pattern, I hope to feel the broad and profound Chinese traditional pattern art. Based on the comprehensive and systematic retrieval of literature, this paper studies the historical context from the formation to the development of Chinese traditional geometric patterns from the aspects of archaeology, art history, aesthetics, ethnology, anthropology, and so on. The systematic study on the evolution of geometric patterns from time (order of dynasties) and space (different regional cultures). It is hoped that the source and flow of geometric pattern and the development and evolution of geometric pattern will be analyzed systematically and comprehensively. Try to "understand" the past history, in a historical framework, from the broadest possible background of human activities, to explore and understand the visual arts. The first chapter focuses on the origin and development of geometric patterns in China. It mainly discusses the origin of geometric patterns and the evolution of decorative characteristics of the development of geometric patterns in primitive society, from the primitive society to the Ming and Qing dynasties. Because geometric patterns have different formal characteristics in different historical times, geometric patterns are also influenced by the concept of the times. The second chapter focuses on the auspicious meaning of the Chinese traditional geometric patterns, people have a good yearning for a happy life, so there are many geometric patterns in China also contains auspicious meaning. The third chapter mainly introduces the geometric patterns of ethnic minorities. Our country is a multi-ethnic country. In geometric patterns, many ethnic groups have very outstanding achievements. This chapter focuses on the Miao, Yao, Naxi, Buyi, and other ethnic groups, including the Miao, the Yao, the Naxi, the Buyi, the Miao, the Yao, the Naxi and the Buyi. The geometric pattern of Tujia nationality. The fourth chapter describes the modern decorative significance of geometric patterns and the development trend in the future. With the development and progress of the society, the geometric pattern has attracted more and more attention, and it is still used everywhere in our modern life, carrying the cultural connotation of the traditional national concept. It can be envisaged that with the development of science in the future, human beings will be more and more specific in deciphering the unknown world around them, and at the same time, they will be looking forward to the abstract and implicit pattern form of geometric pattern.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J522
【引证文献】
相关期刊论文 前6条
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2 李娟;家居配饰设计研究[D];中南林业科技大学;2010年
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6 胥筝筝;近代汉族民间服饰中几何纹样的流变及启示[D];江南大学;2011年
7 李阳;哈尼族服饰纹样视觉语言研究[D];昆明理工大学;2011年
8 乔进厂;现代装饰绘画的中国风格表现语言研究[D];湖南工业大学;2011年
9 魏青青;荆楚几何图形纹样探析[D];武汉理工大学;2010年
10 马海娥;中国传统几何纹样在室内界面装饰中的应用研究[D];东北林业大学;2012年
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