凉山彝族漆艺装饰元素比较分析
发布时间：2018-08-18 14:04
【摘要】：由于四川大小凉山特殊的地理构造和民族迁徙发展历程,直至20世纪中前叶,凉山彝族自治州地区都一直处于奴隶制社会,彝族传统文化基本保持几千年不变,从而形成了古朴而独特的艺术文化风貌。其中诞生的凉山彝族漆器,是我国极具特色的民族漆器,其独特的艺术魅力,如今已成为促进凉山经济发展的宝贵文化资源。 时至今日,对凉山彝族漆器的研究多停留在阐述工艺层面,而我们不仅要了解这项工艺美术的技术与艺术现象,更要以凉山彝族漆器为出发点,进而把握人类审美心理的演进规律,努力认清对凉山彝族漆器形态产生直接或间接影响的历史、文化及艺术心理学因素。 论文的研究目的是从古代文献和考古发掘实物中,整理出凉山彝族漆器与新石器时代黄河中上游彩陶、战国楚系漆器之间的相似装饰特点,并对这些相似装饰元素的形成和组合机制进行分析研究,发掘出不同地域民族在选择这些相似装饰元素时的历史原因和心理学动机,找出凉山彝族漆器装饰艺术表象下的深层文化因素,和其中所体现的人类艺术中的共同心理诉求。 首先论文从凉山彝族漆艺术发展历史与文化背景谈起,仔细梳理了中国漆器艺术的大致发展流程和凉山彝族漆器的制作历史与工艺 接下来在深入了解凉山彝族漆器发展历史、形制与装饰特点的前提下,文章从凉山彝族漆器形制、纹样、色彩三部分装饰元素入手,结合美学、艺术心理学、民族学等相关内容与角度,对凉山彝族漆器与新石器时代黄河中上游彩陶,战国楚系漆器进行比较分析。 整理分析完凉山彝族漆器与汉地文化相似的装饰元素后,文章列比出中外现代漆艺发展的现状与凉山彝族漆器近年生产的变迁。针对凉山彝族漆艺术现在继承和发展中存在的问题,这些问题与凉山漆艺术装饰元素的特点,提出作者对于凉山彝族漆器的发展的建议与意见。 一个文化的发展不可能完全独立于周边其他文化,凉山彝族漆器中的装饰元素在各种文化中被普遍应用,必然有多种因素的影响,本文尝试从多元文化互动、艺术心理学、宗教崇拜、自然资源选择等多方面分析比较,但多文化角度的选择造成研究方面的过于广泛,必然影响研究的深度,加之理论工具的掌握不够深刻,因此本文更多的是努力为后来的研究打开思路,提供一个广泛的视野,为凉山彝族与多文化的对比研究打造一定基础。
[Abstract]:Due to the special geographical structure and the history of ethnic migration and development in Da-xiaoliang Mountain, Sichuan Province, until the middle of the 20th century, the Liangshan Yi Autonomous Prefecture was in a slavery society, and the Yi traditional culture remained basically unchanged for thousands of years. Thus formed a simple and unique artistic and cultural style. Liangshan Yi lacquer ware is a unique national lacquer ware in China. Its unique artistic charm has become a valuable cultural resource to promote the economic development of Liangshan. To this day, the study of Liangshan Yi lacquer ware mostly stays at the technical level, and we should not only understand the technology and artistic phenomenon of the arts and crafts, but also take the Liangshan Yi lacquer ware as the starting point. Then grasp the evolution law of human aesthetic psychology, and try to recognize the historical, cultural and artistic psychological factors that have direct or indirect influence on the form of lacquer ware in Liangshan Yi nationality. The purpose of this paper is to sort out the similar decorative features between the lacquer ware of the Yi nationality in Liangshan and the painted pottery in the middle and upper reaches of the Yellow River in the Neolithic period and the lacquer ware of the Chu system in the warring States period from the ancient documents and archaeological excavations. And the formation and combination mechanism of these similar decorative elements are analyzed and studied to find out the historical reasons and psychological motives of different regional nationalities in choosing these similar decorative elements. To find out the deep cultural factors under the appearance of Liangshan Yi lacquer decoration art and the common psychological demands in human art. First of all, the paper starts with the history and cultural background of Yi painting art in Liangshan. Carefully combing the general development process of Chinese lacquer art and the production history and process of Liangshan Yi lacquer ware. Next, on the premise of deeply understanding the development history, shape and decorative characteristics of Liangshan Yi lacquer ware, Based on the decoration elements of Liangshan Yi lacquer, including aesthetics, art psychology and ethnology, this paper analyzes the lacquer ware of Liangshan Yi nationality and the painted pottery in the middle and upper reaches of the Yellow River in Neolithic Age. The lacquer ware of Chu system in warring States period was compared and analyzed. After finishing and analyzing the similar decorative elements of Liangshan Yi lacquer ware and Han earth culture, the article compares the present situation of Chinese and foreign modern lacquer art development and the changes of Liangshan Yi lacquer ware production in recent years. In view of the problems existing in the inheritance and development of Liangshan Yi lacquer art, these problems and the characteristics of the decorative elements of Liangshan lacquer art, the author's suggestions and suggestions on the development of Liangshan Yi lacquer ware are put forward. The development of a culture cannot be completely independent of other surrounding cultures. The decorative elements in the lacquer ware of the Liangshan Yi nationality are widely used in various cultures and must have the influence of many factors. Religious worship, choice of natural resources and other aspects are analyzed and compared. However, the choice of multi-cultural perspective results in too extensive research, which will inevitably affect the depth of research, and the mastery of theoretical tools is not deep enough. Therefore, this paper tries to open up ideas for later research, provide a broad perspective, and build a certain foundation for the comparative study of Yi nationality and multiculturalism in Liangshan.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J527
本文编号：2189694
[Abstract]:Due to the special geographical structure and the history of ethnic migration and development in Da-xiaoliang Mountain, Sichuan Province, until the middle of the 20th century, the Liangshan Yi Autonomous Prefecture was in a slavery society, and the Yi traditional culture remained basically unchanged for thousands of years. Thus formed a simple and unique artistic and cultural style. Liangshan Yi lacquer ware is a unique national lacquer ware in China. Its unique artistic charm has become a valuable cultural resource to promote the economic development of Liangshan. To this day, the study of Liangshan Yi lacquer ware mostly stays at the technical level, and we should not only understand the technology and artistic phenomenon of the arts and crafts, but also take the Liangshan Yi lacquer ware as the starting point. Then grasp the evolution law of human aesthetic psychology, and try to recognize the historical, cultural and artistic psychological factors that have direct or indirect influence on the form of lacquer ware in Liangshan Yi nationality. The purpose of this paper is to sort out the similar decorative features between the lacquer ware of the Yi nationality in Liangshan and the painted pottery in the middle and upper reaches of the Yellow River in the Neolithic period and the lacquer ware of the Chu system in the warring States period from the ancient documents and archaeological excavations. And the formation and combination mechanism of these similar decorative elements are analyzed and studied to find out the historical reasons and psychological motives of different regional nationalities in choosing these similar decorative elements. To find out the deep cultural factors under the appearance of Liangshan Yi lacquer decoration art and the common psychological demands in human art. First of all, the paper starts with the history and cultural background of Yi painting art in Liangshan. Carefully combing the general development process of Chinese lacquer art and the production history and process of Liangshan Yi lacquer ware. Next, on the premise of deeply understanding the development history, shape and decorative characteristics of Liangshan Yi lacquer ware, Based on the decoration elements of Liangshan Yi lacquer, including aesthetics, art psychology and ethnology, this paper analyzes the lacquer ware of Liangshan Yi nationality and the painted pottery in the middle and upper reaches of the Yellow River in Neolithic Age. The lacquer ware of Chu system in warring States period was compared and analyzed. After finishing and analyzing the similar decorative elements of Liangshan Yi lacquer ware and Han earth culture, the article compares the present situation of Chinese and foreign modern lacquer art development and the changes of Liangshan Yi lacquer ware production in recent years. In view of the problems existing in the inheritance and development of Liangshan Yi lacquer art, these problems and the characteristics of the decorative elements of Liangshan lacquer art, the author's suggestions and suggestions on the development of Liangshan Yi lacquer ware are put forward. The development of a culture cannot be completely independent of other surrounding cultures. The decorative elements in the lacquer ware of the Liangshan Yi nationality are widely used in various cultures and must have the influence of many factors. Religious worship, choice of natural resources and other aspects are analyzed and compared. However, the choice of multi-cultural perspective results in too extensive research, which will inevitably affect the depth of research, and the mastery of theoretical tools is not deep enough. Therefore, this paper tries to open up ideas for later research, provide a broad perspective, and build a certain foundation for the comparative study of Yi nationality and multiculturalism in Liangshan.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J527
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