维吾尔族装饰图案元素在壁画中运用

发布时间：2018-08-18 18:13

【摘要】：在古代,新疆也称之为西域,聚居以维吾尔族为主等13个民族,位于欧亚大陆及丝绸之路中段,是东西文化的交汇中心,自古西域艺术处于来自草原文化、中南亚文化(印度和波斯)、伊斯兰文化(阿拉伯)、中原汉文化及西方文化的互相碰撞,在艺术文化上形成独特的民族风格,其中装饰图案艺术是历史悠久的勤劳维吾尔族人民智慧的结晶及本民族历史发展和文化精神体现。同时,壁画艺术也是西域历史上最古老的艺术形式之一,古今新疆壁画艺术通过吸取本土文化资源和外来文化而不断丰富自己的地域和民族文化特色。当今,在知识全球化和本土文化多元的背景下,确立地域性和民族性的壁画形式语言是继承和发展民族特色的主流,特殊地域文化的不可缺少也是文化发展一大趋势。本文首先通过维吾尔族装饰图案艺术形成的历史渊源,对装饰图案的艺术价值及相关文化因素所对装饰图案的影响进行分析,通过搜集相关资料及图片,对装饰图案元素在壁画中运用历史演变及其现状进行分析,从理论方面初步对维吾尔族装饰图案元素在当代壁画创作中应用进行探究,试图找出装饰图案元素与当代壁画形式语言的融合点。提出壁画艺术在地域文化语境下的视觉作用及建筑空间应用的可行性。最后笔者在创作中运用维吾尔族装饰图案和文化元素进行表达。
[Abstract]:In ancient times, Xinjiang was also called the Western region, inhabited mainly by Uighurs and other 13 ethnic groups, located in the Eurasian continent and the middle section of the Silk Road. It was the intersection of East and West cultures, and the art of the Western region had been from the grassland culture since ancient times. The culture of South and Central Asia (India and Persia), Islamic culture (Arab), Chinese culture of Central Plains and Western culture collide with each other, forming a unique national style in artistic culture. The decorative design art is the crystallization of the wisdom of the industrious Uygur people and the embodiment of the historical development and cultural spirit of this nation. At the same time, mural art is also one of the oldest art forms in the history of the Western region. The ancient and modern Xinjiang mural art enriches its own regional and national cultural characteristics by absorbing local cultural resources and foreign culture. Nowadays, under the background of globalization of knowledge and diversity of local culture, it is the mainstream of inheriting and developing national characteristics to establish regional and national mural form language, and the special regional culture is also a major trend of cultural development. Firstly, through the historical origin of Uygur decorative pattern art, this paper analyzes the artistic value of decorative pattern and the influence of relevant cultural factors on decorative pattern, and through collecting relevant information and pictures, This paper analyzes the historical evolution and present situation of the application of decorative pattern elements in murals, and probes into the application of Uygur decorative pattern elements in contemporary murals creation from the theoretical aspect. This paper tries to find out the fusion point between the elements of decorative patterns and the formal language of contemporary murals. This paper puts forward the visual function of mural art in the context of regional culture and the feasibility of the application of architectural space. Finally, the author used Uygur decorative patterns and cultural elements to express.
【学位授予单位】：大连理工大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J218.6

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