中国装饰艺术发生期的文化特征
发布时间：2018-08-21 07:06
【摘要】：从史前到夏、商、西周是中国装饰艺术的发生期。史前中国装饰艺术随着不同文化的发生而形成,由于各自独立发展,所以是发散型的多元并存。这为中国装饰艺术风格向多元化发展打下了基础,也是多民族装饰风格并存的历史根源。自夏代建立国家,至商、西周的礼制逐步完善,"中央之国"的凝聚力日益增强,装饰艺术形成了以"中原为主"的新格局,但诸侯国、方国保留了许多地方特色,周边民族则很少受到触动。所以,到西周为止,中国的装饰艺术虽然主次分明,但仍然具有多元并列的特征,尚未达到"一体化"的高度。
[Abstract]:From prehistoric to summer, Shang Dynasty, Western Zhou Dynasty was the period of Chinese decorative art. Prehistoric Chinese decorative art formed with the emergence of different cultures, because of their independent development, it is a diverging pluralistic coexistence. This has laid the foundation for the diversified development of Chinese decorative art style, and is also the historical root of the coexistence of multi-national decoration style. From the establishment of the state in the Xia Dynasty to the Shang Dynasty, the etiquette system of the Western Zhou Dynasty was gradually improved, the cohesion of the "Central State" was increasingly strengthened, and the decorative art formed a new pattern of "the Central Plains as the main body", but the vassal states and the Fangguo countries retained many local characteristics. The surrounding peoples are rarely touched. So up to the Western Zhou Dynasty, the decorative art in China still has the characteristics of pluralistic juxtaposition and has not yet reached the height of "integration".
【作者单位】： 苏州大学艺术学院;
【分类号】：J509.2
[Abstract]:From prehistoric to summer, Shang Dynasty, Western Zhou Dynasty was the period of Chinese decorative art. Prehistoric Chinese decorative art formed with the emergence of different cultures, because of their independent development, it is a diverging pluralistic coexistence. This has laid the foundation for the diversified development of Chinese decorative art style, and is also the historical root of the coexistence of multi-national decoration style. From the establishment of the state in the Xia Dynasty to the Shang Dynasty, the etiquette system of the Western Zhou Dynasty was gradually improved, the cohesion of the "Central State" was increasingly strengthened, and the decorative art formed a new pattern of "the Central Plains as the main body", but the vassal states and the Fangguo countries retained many local characteristics. The surrounding peoples are rarely touched. So up to the Western Zhou Dynasty, the decorative art in China still has the characteristics of pluralistic juxtaposition and has not yet reached the height of "integration".
【作者单位】： 苏州大学艺术学院;
【分类号】：J509.2
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【共引文献】
相关期刊论文 前10条
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本文编号：2194922
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